Tag Archives: blow

Last Light, Sand Dunes

Last Light, Sand Dunes
Desert winds blow sand across the lip of sand dunes in sunset light.

Last Light, Sand Dunes. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert winds blow sand across the lip of sand dunes in sunset light.

Some things are only at their best for a brief moment. Think of a fresh espresso, a soufflé, or perhaps the half hour of beautiful spring snow between ice and slush. The light in the moment when shadows from distant hills arrive at the edge of sunset light (or its inversion at sunrise) is another such thing. This light does things to the landscape that aren’t seen at any other time of day, but the event may last barely a few minutes.

Near the end of my shoot at this location I turned and saw the colorful, low-angle light coloring the sand and bringing relief to its features. I quickly went to work photographing it, working quickly and instinctively, as I knew that the moment would be brief. In fact, along the left side of this photograph is the the shadow marking the edge of light. A moment after I made this photograph, the light was gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Creosote and Blowing Sand

Creosote and Blowing Sand
High winds blow streamers of sand across dunes and past a lone clump of creosote in evening light.

Creosote and Blowing Sand. © Copyright 2022 G Dan Mitchell – all rights reserved.

High winds blow streamers of sand across dunes and past a lone clump of creosote in evening light.

There are certain things we do not mention when in the field, things that we hope stay away and do not show up to interfere with photography. Since I’m not in the field at the moment — instead, sitting at my computer in my studio — I can go ahead and name one of them: wind. Some years back I was photographing canyons in Utah with some friends, and I was informed that I should never mention the name of this phenomenon while in the field, and if it was necessary to refer to it, the thing could only be called “W.”

“W” is often an issue in Death Valley and similar landscapes. It both creates challenges to photography (dust, camera stability, and more) and opportunities (flying dust can look spectacular!). We learn to deal with it. Sometimes this means heading off to a spot that is sheltered from the worst of it. It might mean photographing the effects of the wind (for example, a dust storm) from just outside its boundaries. Sometimes it means cautiously wading right into the maelstrom if the conditions appear to be spectacular enough, even at risk to equipment and health. Truth be told, the wind whipping up the flying sand in this photograph wasn’t that bad, especially since I could keep it mostly at my back.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Blow Horn and Pipes

San Francisco - Hand painted sign and various pipes and valves on a concrete wall in San Francisco, California.
Hand painted sign and various pipes and valves on a concrete wall in San Francisco, California.

Blow Horn and Pipes. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hand painted sign and various pipes and valves on a concrete wall in San Francisco, California.

This is one of those odd little photographic vignettes you can find if you poke your nose into the right (or wrong) little alleys while wandering around in a city. I have passed this general area many times before, and had often notice fenced-off or gated small alleys extending along the sides of some of the buildings. I had even attempted to photograph through the fences, but without much success. However, for some reason – or else a fortunate coincidence – on this morning most or even all of the gates were open and I could wander down along the sides of these old buildings with their interesting and weathered textures and subjects.

This collection of “stuff” was next to a door that looked like it might have been used as a loading area, so I imagine that the old “BLOW HORN” sign, hand-painted directly on the concrete wall, must have once supplied instructions to those coming to make pick-ups or deliveries. I still wonder though about the fact that the sign was squeezed in behind this has of pipes, given that there were large areas of clear wall just a foot or two away from this assemblage of pipes and valves.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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