Tag Archives: blue

Ridge in Sun, Lake in Shadow

Ridge in Sun, Lake in Shadow
Ridge in Sun, Lake in Shadow

Ridge in Sun, Lake in Shadow. Kings Canyon National Park, California. September 17, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early morning light from a nearby ridge is reflected in the wind-rippled “blue hour” surface of an alpine lake still in the shadows.

In this area of many, many lakes this almost seems like “yet another anonymous lake,” though it is a bit special in that it was a very short walk from the place where I was camped for six nights this late summer in the Kings Canyon National Park back-country. I could get out of my tent, wander up the hill toward a nearby ridge, and be at this location within perhaps five minutes or so. Consequently, I visited this lake several times, though always in the early morning hours when its surface was still in the shadow of a nearby large granite dome.

I’m fascinated by the very blue light found in the shadows of large mountains, domes, and cliffs. This lake is set in a somewhat deep bowl with a ridge of granite slabs along two sides, and a very tall glaciated ridge topped by a large dome on the other. These features prevent the direct sunlight from reaching the surface of the lake until some time after sunrise, and the cold, blue light remains here longer than in other locations. It was literally cold when I arrived on this morning, and gusty winds were periodically stirring up ripples on the lake’s surface. I decided to contour around one side of the lake to a point where I could gain a bit of elevation above its surface and where the warmer colors and diffused shapes of a nearby sunlit ridge were reflected, refracted, and otherwise distorted.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Blue Paint and Handrail, Tower Bridge

Blue Paint and Handrail, Tower Bridge
Blue Paint and Handrail, Tower Bridge

Blue Paint and Handrail, Tower Bridge. London, England. July 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Shiny blue and black paint on a wall and a handrail on the Tower Bridge, London

I made this photograph in quite the jet-lagged state – though I had recovered a bit from my initial bout that left me unable to do anything but sleep for an hour or two right after we arrived at our hotel in Kensington. I had a laugh-worthy plan to minimize jet lag – and like most such plans it failed miserably. I figured I would just move my wake up time an hour earlier every day as the trip to approached, and I was actually getting up very early in the morning right before we left. (I can report that it is very quiet and peaceful at 2:00 a.m… ;-) What I failed to consider was that I was also reducing the length of every day by one full hour for the better part of a week before travel… and almost entirely by losing sleep. Obviously, I had a big sleep deficit going by the time we left. On top of that, I was basically completely unable to sleep on the flight over – which is odd, since I can usually sleep on planes.

We arrived in London, took the underground to Kensington, got a bit lost, finally found our hotel, checked in… and I was so jet-lagged that I was incapable of doing anything at all useful. I slept for an hour or two and managed to achieve a state of modest consciousness. If nothing else, I was so tired at this point that I had little problem sleeping that night. So we got on the underground and took the train to the station by the Tower Bridge and walked across it. I was so out of it that I didn’t realize until a few days later than I had completely switched north and south directions! Somewhere I probably have some photographs of the whole bridge, but being the sort of photographer I am, I spent a bit of my time pointing that camera at odd things like this pattern of shiny blue paint, stone, and a black railing.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Sky, Negit Island

Desert Sky, Negit Island
Desert Sky, Negit Island

Desert Sky, Negit Island. Mono Lake, California. August 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Mono Lake and dark Negit Island beneath a vast and cloud-filled summer sky

Mono Lake still seems like a somewhat mysterious place to me. Although I’m familiar with parts of it, having gone by and to it for many years on Sierra trips and having photographed there many times, I find it hard to quite get my mind around it in the same way that I can with many other places. There are probably several factors that contribute to this. First, it is obviously an absolutely huge place. While I can see the far side of the lake and the mountains beyond, they are a great distance away, as I’ve realized when traveling just part way around it – so I have looked at much of it but I have not directly experienced that much of it close up. Second, we feel that we know the chief features of this lake very well – they are, I suppose, the lowering water level of this close-off basin lake, its tremendous size, the mineral-filled water, and the famous tufa formations. But a bit more time, even only that time that I’ve spent there that is mostly secondary to “Sierra time,” and it starts to be clear that these things are not the whole story.

Some years ago, when photographing the tufas around dawn, mostly when almost no one else was around, I began to catch on to the fact that things like the sounds of flocks of birds, the immense distances on land and – especially – in the huge sky, the wind, and the deep quiet of the place have more to do with its character than the tufas. Often when I stop there now I do not go to the tufas at all, instead perhaps expanding my knowledge of other areas of the lake and surrounding country. This photograph was made from above the lake, in a location where I could look slightly down on the water, which better shows its expanse, and on the dark shape of volcanic Negit Island. But I chose to include them primarily not for their own value but rather to anchor that vast sky with its building afternoon clouds.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dusk, Earth-Shadow, Oaks and Grass

Dusk, Earth-Shadow, Oaks and Grass
Dusk, Earth-Shadow, Oaks and Grass

Dusk, Earth-Shadow, Oaks and Grass. Sierra Nevada Foothills, California. August 25, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The earth’s dusk earth shadow rises behind the folds of an oak and grass-covered Sierra Nevada foothill ridge on a late-summer evening

We had been in Mariposa, along the road heading towards Yosemite Valley, to meet up with friends and do various other fun things. As is often the case, at one point the conversation turned toward the photographic possibilities for later in the day. As the horrendous “Rim” fire was burning a few ridges over along the boundaries of the park, one thought was to find a high viewpoint and try to photograph the huge smoke clouds and the light from the flames during the dusk hours. A suggestion was offered by a person who knows the area concerning a gravel back-road to the top of an area ridge from which a good view might be obtained, so we decided to give that a try. It was a beautiful early evening – no smoke here – as we drove through oak and grass-covered hills below Mariposa to pick up this route and then ascended toward the ridge to turn off on the gravel road. From the junction we could see columns of smoke from burning forest to our north, but there was also a pretty clear “No Trespassing” sign posted along the road… so we decided that we should double-check our directions before risking a citation, and we headed back down the mountain.

The alternative plan had been to simply photograph the beautiful foothills themselves as the day came to an end. In this area there are many beautiful valleys of rolling hills covered with dry grassland and oak forests that sometimes thin to individual trees. We headed along a little back road and soon arrived at our main route shortly before the last sunlight was about to fade. Driving as we looked, we finally stopped at a turnout right after the sun had dropped below the horizon, where we could see the boundary between the last pink color in the sky and the rising blue line of the earth’s shadow. I used a long lens to make a small number of exposures shooting across the hillside patterns towards an oak-topped ridge with the dusk sky beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.