Tag Archives: brick

Detail, Pearl District Building

Detail, Pearl District Building
Detail, Pearl District Building

Detail, Pearl District Building. Portland, Oregon. May 25 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Detail of a section of a Pearl District building with painted walls and bricks, Portland, Oregon

I grabbed this photograph while walking through an area of what seems to me like it might be called the outer Pearl District. (True Portlandians could no doubt narrow it down more specifically.) This is a very pleasant area of more-or-less downtown Portland that seems to gentrifying – with some elements left from an older era and many things seeming to be updated and changed.

This building is on a street with a number of older buildings – with enough bricks to make this earthquake-country person just a bit nervous. Aside from that, a lot of the buildings seem familiar to someone from the San Francisco Bay Area. As we walked past, several things grabbed my attention for no particular reason: the combination of red/brown and shades of green, the horizontal pipe interrupting the rough and painted over surface of the brick foundation, and the somewhat geometric quality of the composition.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Building 45, Rain and Shadows

Building 45, Rain and Shadows - Black and white night photograph of Building 45 with rain and shadows, Mare Island Naval Ship Yard
Black and white night photograph of Building 45 with rain and shadows, Mare Island Naval Ship Yard

Building 45, Rain and Shadows. Mare Island Naval Ship Yard, California. November 17, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Black and white night photograph of Building 45 with rain and shadows, Mare Island Naval Ship Yard

Having shot at Mare Island so many times, and having never encountered any weather challenges more daunting than a little wind or some night-time cold, I suppose I was due for some rain. And we got it on this visit. This being the annual “Nocturnes Alumni Night” event, people arrived much earlier than necessary for night photography – during the daylight hours mostly. As we met and shared photographs and then pizza, the conversation occasionally turned to the question of, “When will the weather front arrive tonight?” The most optimistic among us thought that it might not rain at all. Others thought it would hold off until after we were done shooting. Still others – including those of us with smart phones running weather radar applications – were not so sure that we would escape the weather this time, since it looked like the front would pass over us very shortly after we planned to start shooting.

The pessimists were right this time! Less than a half hour after we dispersed into the darkness to begin our work, it was already sprinkling, and within a few more minutes the front arrived and it began to rain in earnest. Along with another group of Nocturnes, I quickly moved to the shelter of one of the old mansions and hung out on the porch. The front wasn’t large, and after an hour or so the rain had diminished to the point that I could venture back out again. (To those who wonder about such things, the combination of night and rain is not conducive to being out and about making photographs.) I headed back over into the “historic core” area near the waterfront as the sprinkles continued, eventually ending up at this spot, near the end of building 45. Access wasn’t as easy as usual due to construction in the area and due to that darned rain! However, the rain created special conditions for night photography, adding a reflective gleam to all of the wet surfaces. The lighting here is from nearby street lights and security lights, and the sodium vapor lamps create a very garish yellow effect in color photographs – so I decided that I would take this one in the black and white direction. The patter on the wall at the right is a shadow from the huge gantry structure that towers above this spot.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Bus Stop, San Francisco

San Francisco Photograph - A person sits at a bus stop in downtown San Francisco, California.
A person sits at a bus stop in downtown San Francisco, California.

Bus Stop, San Francisco. July 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A person sits at a bus stop in downtown San Francisco, California.

I made this photograph a year ago during one of my summer walks through downtown San Francisco. These walks have become a sort of tradition for me during this time of the year – I take the train into The City, arriving very early, and then head out on foot to photograph various areas, most of which I’ve visited a number of times. I prowl for several different sorts of subjects – the early morning light above the waterfront, people, bits of color and shape, and “architectural landscapes.”

Things can evolve very quickly in this urban environment. As I recall, the first thing that caught my attention here was the solitary figure on the bench, obscured by the semi-transparent material around the bus stop shelter, followed by the juxtapositions of yellow colors on its room and the sign across the street. The scene was incredibly busy, with people walking between me that the shelter, cars and buses passing by on the street, and people moving in and out of the frame on the other side of the street. So here, as I often do in such situations, I used what I might call the “compose and wait” approach – I found a composition around the shelter that centered the far widow and red sign in the opening… and then I waited for something interesting to appear in the right parts of the frame and for the distracting elements to disappear. I made perhaps a half-dozen or more exposures. In one, a bus passes through the frame. In another, blurred people appear in the foreground. But in this one, the person in dark clothes walked right in front of the red sign as another person emerged across the street to the left of the shelter, and no other people or vehicles interfered.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Bicycle Rider, Brick Wall

Bicycle Rider, Brick Wall - A bicycle rider in orange rides past a brick wall, Seattle, Washington
A bicycle rider in orange rides past a brick wall, Seattle, Washington

Bicycle Rider, Brick Wall. Seattle, Washington. May 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A bicycle rider in orange rides past a brick wall, Seattle, Washington.

This is going to be the first in a small series of photographs from Seattle, Washington that focus on what might be described as urban geometry – odd or interesting juxtapositions of shapes and colors and so forth. I made this photograph back in early May when I joined a group of Seattle photographers for a “Seattle Photo Walk” in the Fremont District. I had only an hour to shoot, but I managed to work intensely for that hour and come back with some stuff that is interesting to me in one way or another.

One thing that I enjoy about photographing the urban environment is that potential subjects come and go almost constantly and often last only for a brief instant. I have to react so fast that I certainly cannot see everything in the frame in a conscious way while making the photograph, though there is something to be said for perhaps have an intuitive understanding of what is there. When I made this photograph I was walking along a bridge the heads back into Seattle’s Fremont district. I had been looking at these brick buildings which feign being old – they are actually new but with old-looking brick walls. The geometry of the buildings attracted me, but I hadn’t really seen a photograph in them at this point. Then, as I looked, I saw the cyclist coming along wearing this very bright orange shirt and helmet and wearing an orange pack. I quickly framed up a composition that included the building, the walkway, and a portion of the road and then waited for the rider to enter the frame. As he passed through I quickly squeezed off three frames. In two of them, a car obscures the cyclist, but in the final one, taken just before he exited the frame, he is all alone against the patterns of the road and the building. (I didn’t notice until later the windows reflected in the middle row of windows on the building.)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.