Tag Archives: california

Headlands, Surf, Natural Bridge

Headlands. Surf, Natural Bridge
Storm surf raises spray among rocky headlands along the Big Sur coast

Headlands, Surf, Natural Bridge. © Copyright 2018 G Dan Mitchell – all rights reserved.

Storm surf raises spray among rocky headlands along the Big Sur coast

This is a scene that is very familiar to me at this point, though it is never exactly the same twice. Even when I try to resist the urge to rephotograph the familiar scene, I almost always end up stopping at least briefly. One reason is that I recall fondly the serendipitous story of the first time I photographed there. I had gone somewhere else initially, but it was too early for that location so I decided to go somewhere else before returning. I made a more or less random decision to head south — I think that a right turn was easier than a left — and headed down the coast to discover, to my surprise, that the surf was raising a cloud of spray along the shoreline. I happened to stop at this spot and I happened to have a new lens, without which the particular photograph would not have been possible.

Above, a mentioned that this location is never the same twice. I’ve been there in every season, during storms and fog and clearly, sunlit days. On the occasion when I made the photograph seen here it was rather nice weather, but the sea was angry, with swells of up to forty feet rolling onto the rocks and headlands, raising fog of ocean spray that was backlit by the low angle, late-autumn sun. I timed this exposure to be just after a big set of waves, and while the surf had calmed a bit the spray still filled the air.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Celebrate 75 Years

Celebrate 75 Years
“Celebrate 75 Years” — Empty chairs, windows, and a small sign

This photograph could be seen as a lesson and as an example regarding practice… and in a few other ways, as well. I don’t know if much needs to be said about it, but I’ll offer a few thoughts anyway. I made it while I was busy doing what might seem more like “work” photography — documenting the opening reception of an exhibit by my friend Oliver Klink, whose beautiful “Cultures in Transition” exhibit had recently been installed at PhotoCentral in Hayward, California. Mostly I was running around making photographs of various people attending the event and photographs of the gallery space. But every so often I spot something that seems like a photograph in its own right, and I disconnect from the work momentarily to capture that “something.”

This is, admittedly, a somewhat minimal and perhaps even somewhat enigmatic photograph — and it also doesn’t likely seem all that connected to the landscape photography of mine that may be more familiar. There are several ways one could “read” this image, but rather than being didactic about it, I’ll leave the reading to the viewer. What do you see?


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Ship Yard Crane Structure, Night

Ship Yard Crane Structure, Night
“Ship Yard Crane Structure, Night” — A huge, rail-mounted ship yard crane at night, Mare Island Naval Ship Yard.

The historic Mare Island Naval Ship Yard, on an island across the narrow bay from Vallejo, California, is a remarkable place. It has a long history, going back to the first half of the 1800s, when it was the first such ship yard on the west coast of the United States. It continued to serve in that capacity until the 1990s, when it was finally decommissioned. At first, much of the facility languished, gradually falling into disrepair. More recently, it has become the site of redevelopment, new construction… and efforts to arrest the decay and preserve some of the historic area.

Mare Island has also been a Mecca for Bay Area night photographers for a couple of decades. Ask almost any area night photographer if they’ve been there, and the answer will be “yes.” I got my start doing night photography at Mare Island about fifteen years ago, when I happened to end up at an introductory session run by the original “The Nocturnes” group, put on as part of the Pacific Flyway Festival. The subject of this photograph is one of the gigantic shipyard crane structures found along the waterfront, designed to facilitate moving huge ship components at the dry-docks. This crane sits on carriages that run on a short section of curving track, allowing it to move over a short distance.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

White Pelicans, Autumn Sky

White Pelicans, Autumn Sky
A small flock of white pelicans flies against a late autumn morning sky

White Pelicans, Autumn Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

A small flock of white pelicans flies against a late autumn morning sky

For a long time I thought that all California pelicans were the brown pelicans, familiar to anyone who spends time along the coast. Those magnificent birds (with what seems to me to be an almost prehistoric aspect) glide up and down the California coast, floating past headlands, and sometimes alighting on beaches or rocks. I had seen photographs of other pelicans and wondered that they often were while, even though every pelican I had encountered was not.

It turns out that I was simply ignorant of birds that were close by the whole time. In the past few years I have learned that white pelicans are all over California — in inland areas, in lakes, close to the ocean. They are beautiful birds, especially when in flight. I often see them in groups of perhaps a dozen or two, flying in almost straight lines with slowly moving wings. In my (probably atypical) experience, I either see them on the ground near or in water, and off in the distance, or I get quick glimpses as they fly past me. The latter was the case here. I was not far away when I saw a group take off and head towards a spot not far from my position. I quickly moved there and managed to photograph them as they passed overhead with a larger group of geese in flight against the autumn sky in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.