Tag Archives: california

Dust Storm, Desert Mountains

Dust Storm, Desert Mountains
Dust from a desert sand storm fills the air and obscures mountains

Dust Storm, Desert Mountains. Death Valley National Park, California. April 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dust from a desert sand storm fills the air and obscures mountains

You’ll have to look closely to make sense of this one. Made on April 1st, there is a certain sense about this photograph of a minor April Fools joke played at my expense. I had experienced several days of very dusty conditions in Death Valley. On the first day I was way up in the Panamint Mountains at dawn, only to discover that I was still within a cloud of dusty air the extended up to well above 8000′ of elevation. I never did figure out where it was coming from, as the Valley itself certainly wasn’t producing it. That night the winds came to the Valley and blew a decent sand storm through my camp. The next day I figured that I would try to find a way to evade the blowing dust.

I got up very early — as always — and headed out of Death Valley and to the east toward Nevada. I then took a long back road route back into the park. This route took me on back-country gravel roads through the Amargosa Range, eventually dropping down into a deep canyon before heading back to Death Valley. Driving in these mountains and down this canyon, I forgot about the dusty conditions — here there wasn’t more than a bit of hazy atmosphere and the wind didn’t work its way into this canyon either. At the bottom of the canyon the route finally emerged from a narrow canyon and arrived at the top of a huge gravel fan stretching down toward the Valley. And here I saw the extent of the dust and wind, as the entire Valley was full of dust that was well-distributed yet thick enough to almost completely obscure the mountain range on the other side. My day of clear weather came to an abrupt end as I descended into the dust and wind and headed back to my camp.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Man in Blue, One Way Corner

Man in Blue, One Way Corner
A man in blue walking past a barren San Francisco street corner

Man in Blue, One Way Corner. San Francisco, California. May 29, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A man in blue walking past a barren San Francisco street corner

This is a street photograph from one favorite corner in downtown San Francisco, where the buildings are tall enough that I can often photograph subjects in soft light. In addition, the buildings and the street are not very colorful, allowing whatever the subject bring to the scene to become more important.

Often when I make photographs like this I think a bit like a landscape photographer. I find a configuration of fixed subjects that interests me, I try to create some kind of composition out of it (usually working very quickly) and then I watch for a person or persons to walk into and through the scene. This time the two components happened almost simultaneously. as soon as I saw the one-way sign on the corner and realized I wanted to photograph it I also saw this man crossing the narrow street and heading toward it — and I had just enough time to lift the camera, frame the scene, and photograph him between the sign and the fire hydrant, and at the closest point on the sidewalk.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

San Francisco Street Scene

San Francisco Street Scene
Walls, doors, gates, conduits, signs, trash containers, peeling paint, reflections along a San Francisco street

San Francisco Street Scene. San Francisco, California. May 29, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Walls, doors, gates, conduits, signs, trash containers, peeling paint, reflections along a San Francisco street

I’m indulging my fascination with street scenes once again today. This photograph comes from a morning spent walking across San Francisco late last week. I arrived early in the City by train, got off, and walked by an unplanned and mostly spontaneous route across downtown, across Chinatown, through North Beach, and almost to the touristy Pier 39 before looping back to my starting point on The Embarcadero to catch a train back home.

This is a familiar sort of San Francisco scene, especially to those who wander though the City of foot, though I could find similar spots in many other urban areas. In a world where we often see things that have been carefully designed and unified, spots like this seem to occupy the opposite end of the spectrum. It would be easy to walk past and not see it — I’ve certainly done so many times — but once I stop and look I’m often amazed at the density of visually dissonant elements that are thrown together. Almost everything seem like it was initially utilitarian, but gradually a sort of near randomness seems to have crept in, and now the colors are wild and contrasting, paint is peeling, textures are varied, a few signs intrude, trash cans lean against doorways, and the sidewalk tilts.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fence and Metal Wall

Fence and Metal Wall
“Fence and Metal Wall” — The patterns of a fence and metal wall

In some ways there is not much to say about this photograph and in some ways there should be much to say about it. But that’s never stopped me before… While I could say more about the subject and the circumstances of the photograph, I don’t think it is that important to do so. I’ll limit myself to saying that I made the photograph while walking through part of San Francisco and that it lies somewhere between being a “quick snap” (which it isn’t) and an image I completely understood at the moment I made it (it isn’t quite that either).

I’ve recently read some (occasionally odd) online discussions of minimalism in photography — what it is and what it isn’t. My ideas about minimalism are only partially based on visual concepts of the “ism,” and more based on my experience with musical minimalism, which I’ve known about for quite a long time. In a sense there are two threads that may ultimately arrive at a similar place. One simply tries to create an image (or other sound/visual object) from as little content as possible. Another may include denser content but rather the representing real things in an objective way it presents patterns or processes to the viewer/listener. (Composer Steve Reich’s concept comes to mind: “Music as a gradual process.”) In both cases I think the object encourages the viewer listener to look past the (often minimal) surface content of the work and into the material and structure of the thing. How it works might be more important than what it is.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.