Tag Archives: canyon

Half Dome, Dusk

Half Dome, Dusk - Half Dome and lone tree at dusk, from Olmsted Point, Yosemite National Park.
Half Dome and lone tree at dusk, from Olmsted Point, Yosemite National Park.

Half Dome, Dusk. Yosemite National Park, California. September 16, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Half Dome and lone tree at dusk, from Olmsted Point, Yosemite National Park.

Last week I was making the long drive back over the Tioga Pass Road from the “east side” following a short pack trip up into McGee Canyon. After catching an early dinner in Mammoth, I headed north and then up over the pass, crossing into Yosemite about an hour before sunset. I figured that this would give me one more chance to do a quick bit of photography before calling it quits and focusing on the drive back to the Bay Area. Since I had spent some time earlier in the week shooting in the Dana Fork meadows and in Tuolumne Meadows itself, I decided to continue on and just see where I might end up a half hour or so before sunset.

It turns out that the “where” ended up being Olmsted Point – not exactly an original place to shoot, but what the heck! In the back of my mind, of course, was the possibility of shooting the classic “back side” view of Half Dome if the evening light proved interesting enough. So one of the first things I did was scope out the precise spot where I wanted to shoot that subject a bit later. Then I turned my attention elsewhere. It turns out that there are quite a few other interesting things to photograph here: the trees across the road on the large glaciated dome, the trees below the parking area, sparse trees growing along ridge tops all around, side light from the setting sun, and much more. So while waiting to see how that Half Dome thing might develop, I shot a bunch of other subjects, all the while watching the evolving light down towards The Valley. At first it didn’t seem all that interesting. The light was a bit flat, perhaps due to cloud cover to the west, and the potentially interesting overhead clouds had a bit of a strange color cast. However, I suspected that after the sun set that there might be some interesting glow on the face from the west, and that the clouds still might pick up some interesting color. And, in fact, this photograph was made when the sun was no longer shining directly on Half Dome – instead it was illuminated to that “after glow” of the sunset as the very last sun began to color the streaming clouds beyond.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Early Fall Color, McGee Canyon

Early Fall Color, McGee Canyon - Early fall color comes to McGee Canyon in the eastern Sierra Nevada, California
Early fall color comes to McGee Canyon in the eastern Sierra Nevada, California

Early Fall Color, McGee Canyon. Eastern Sierra Nevada, California. September 16 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early fall color comes to McGee Canyon in the eastern Sierra Nevada, California.

I’m going to use today’s post not only as the opportunity to share another daily photograph, but also to share some observations about the arrival of the fall aspen color season in the eastern Sierra Nevada range, where I spent a good part of the past week.

I made the photograph at the very end of a three-day backpack trip up into the McGee Creek drainage, where we settled in at a 10,000+” lake for a couple of nights to enjoy the late-season solitude. (Before starting the pack trip I had spent a couple of days in Tuolumne Meadows, and upcoming posts will concern that part of the trip.) McGee Canyon is an eastern Sierra “type” – a typical trailhead canyon that rises from the high desert, into forests, through increasing rugged and rocky country, and finally reaches the crest of the range at a pass. On this early afternoon we were fortunate to get a few clouds, moderating the intense sun and adding a bit of texture to the landscape. The photo was somewhat casual – still wearing my full pack, I shot hand-held.

About the onset of fall color… I have watched this transition carefully for a number of years. While I have learned a lot about how the process unfolds, I have also learned that many aspects of it defy precise prediction. Every September, those of us who chase eastern Sierra aspen color start to watch for signs that might provide clues about the nature of this season – the amount of snow during the previous winter, how late it remained before melting out, long-range weather forecasts, early color changes in many other plants that can show up even in late August, and more. But, truth be told, in the end every aspen season seems to hold surprises and defy out attempts to know in advance how it will play out. A season may start with early color up high, only to be interrupted by early storms. Or a season may start late and then move very quickly. Or poor early color in one part of the range may lower expectations… only to be followed by great low-elevation later on. Or there may be any number of other possible variations, too numerous to list.

All of this is my way of saying to take my observations with a suitable dose of salt. :-)

Several weeks ago I began to read the typical early September notes about “early color” here and there, especially in portions of the Rockies and some areas of the Southwest. I was intrigued, but not ready to believe it. I read and hear these reports of early color every season – and generally the correlation between what is written and what occurs in the actual event is weak.

This has been an odd summer season for me, for reasons I won’t go into here. As a result, I had not been to the Sierra since early July or so – a very large gap of time for me, since I rarely allow more that a couple of Sierra-free weeks to occur in the summer. I was not there at all during August – which is almost unheard of. I usually catch my first hint of oncoming autumn on one of those late-August visits. It is hard to put my finger on precisely what it is, but invariably (well, almost invariably, since it didn’t happen this year…) there will be a day when I sense “something” in the air that reminds me that summer will end very soon – whether it is a breeze, a quality of light, a change in the plants, I can never tell for sure. But I am sure when I experience it.

Soon there are more concrete signs. The golden-brown dried meadow areas start to expand, the wildflowers are harder to find, corn lily plants begin to turn golden-yellow, bilberry leaves turn dark red (and brilliant red when back-lit) and the leaves of willows near streams and lakes turn yellow. By mid-September all of this is typically underway, and at this point I start thinking about aspen color in earnest. Whether it is because we tend to go to different places to find our aspens or because we have experienced different seasonal variations, individuals will tell you to look for the aspen show to begin at somewhat varying times. I tend to look for real aspen color around the very beginning of October, and to expect a peak roughly a week into the month in the higher country. Except for watching for the odd tree with a branch full of yellow leaves, I don’t expect to seem much real color in September.

But… I just returned from a pack trip that was right in the middle of September… and I saw a significant amount of aspen color. As I drove over the Sierra crest on my way to the east side I was not expecting to see aspen color, and I did not see much. Despite the other sources of fall color, the aspens just east of Tioga Pass and down in Lee Vining Canyon were almost uniformly as green as I expected. When we arrived at our eastern Sierra trailhead, there were a few yellow leaves here and there, but nothing too out of the ordinary. However, a mile or two up the trail I was quite surprised to find large stands of aspens in which many trees were showing color – just a few leaves on some, but perhaps a quarter or a third of the tree in the most extreme cases. In my experience, this is unusually early – but at least a week and arguably perhaps a bit more. (Not all of the color in the photograph comes from aspens, by the way.)

What does this mean? I’m not sure. If I had a bit more time I would have investigated one or two other east-slope canyons to see what is going on elsewhere – it could be that this canyon is somehow out of sync with others. But I doubt it. All I’ll say is the following: Some aspen color is already beginning to appear in some areas of the eastern Sierra. While no one knows when the main show will arrive (or what it will look like), if I were making plans for a visit to the eastern Sierra to photograph aspen color, at this point I would lean toward going a little bit early rather than a little bit late. However, as always, realize that you cannot count on the timing or the quality of the display, and flexibility increases your odds of being there at a good moment.

More articles on Eastern Sierra aspen photography:

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Granite, Morning Light

Trees and Granite, Morning Light - First morning light on trees and granite slabs near Olmsted Point, Yosemite National Park.
First morning light on trees and granite slabs near Olmsted Point, Yosemite National Park.

Trees and Granite, Morning Light. Yosemite National Park, California. August 12, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

First morning light on trees and granite slabs near Olmsted Point, Yosemite National Park.

I made this photograph a year ago, almost exactly, in August of 2011, while on a trip of several days devoted to photographing the High Sierra, mostly in the Tuolumne Meadows area of Yosemite. A year later I do not remember all of the details of this morning, though I recall that I had gone very early to the Olmsted Point area to photograph the glacial erratic boulders and some rugged trees growing on the granite slabs found in the area. Perhaps this was among the first photographs I made, before heading off to shoot my primary subject, since the series it comes from includes the very first light to strike these trees, while its angle was still small enough to hit the trees but not the rock.

When I came upon this photograph in the old raw file archive this week, one thing that struck me is the fact that it does include a Yosemite icon (seen from an iconic angle that is often photographed), yet that icon is almost an afterthought and most certainly not the primary subject of the photograph. I posted something here yesterday about photographing icons (“Photographing Icons or Not”), and one of the ideas that you might take away from that post is that it is possible to see iconic sights in ways that do not necessarily repeat the familiar iconic views. (Not to fear, I have the iconic view of this subject, too.) I’m willing to bet that I was thinking a whole lot more about the warm first light on the foreground trees, the way it contrasted with the cooler blue tones of the deep canyon and shadowed ridges beyond, and the texture and shapes of the foreground granite slabs that are so characteristic of this part of the Sierra.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Urban Canyons, Evening

Urban Canyons, Evening - An urban landscape photograph in evening light, downtown San Francisco.
An urban landscape photographed in evening light, downtown San Francisco.

Urban Canyons, Evening. San Francisco, California. July 9, 2012. @ Copyright 2012 G Dan Mitchell – all rights reserved.

An urban landscape photographed in evening light, downtown San Francisco.

I spent a couple of days in downtown San Francisco earlier this month, with opportunities to photograph early and late in the day. Late in the afternoon I headed out and down Market street, starting out in less that amazing light but anticipating that things would certainly become more interesting as the evening wore on. On this particular walk I mostly headed to places that I already knew from many previous visits. I have often looked at this building and thought that it held to potential for a photograph that wasn’t just a “shot of the building,” but so far I had not actually come up with on. As I walked along the east side of the structure I saw that the very bright early evening sun was streaming across and between other tall buildings to the west and then past and through the columns in the left side of the frame. I positioned myself so that one of the columns just blocked the direct sun to make this photograph.

While I am perhaps mainly oriented to landscapes, both small and large, in my photography, I really enjoy shooting urban subjects as well. In some ways the experiences are very different – obviously the hustle and bustle of a major metropolitan downtown area feels a lot different from the quiet and solitude of the mountains, desert, or shoreline. But I respond to many of the same things in both places – juxtapositions of shapes, textures, and most important, the light. In the latter context, this photograph is not all that different from, say, one that features light flowing over the peaks of a Sierra ridge and down a canyon to pass between the trunks of trees. It is, after all, the same light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.