Tag Archives: canyon

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Tall Aspens, Fall Color

Image November 21, 2025 G Dan Mitchell Leave a comment

This is a type of autumn aspen photograph that I think of as a “wall of color.” Here there are more of the tall and straight trees than we see in many places in the Sierra, and the entire grove is at or near its fall peak. It helps that I had a somewhat elevated vantage point to make the photograph, part of what lets me fill the frame with color.

To look at this photograph you might imagine a scene almost like New England fall colors. However, while such colors there can go on for miles and cover successive mountains (hills, really) and valleys, in the Sierra the color is more concentrated. Groves, many of which are small, can stand out brilliantly against the predominant background of dark conifer trees or rocks or sagebrush.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cottonwood Trunks, Autumn

Image November 2, 2025 G Dan Mitchell Leave a comment

About a decade ago I took a long autumn photography trip to Southern Utah. I started in Kanab, then headed up to Capitol Reef before backtracking to Grand Staircase-Escalante, making a quick visit to Boulder and then visiting Zion. Whew! This holograph comes from my visit to Capitol Reef, where I met up with a photographer-friend to spend a few days poking around and making photographs.

If I remember correctly, we had spent the day of fin a fairly remote part of the park, and late in the afternoon we headed back toward the campground at Fruita. It was getting late, but there was still decent light when we spotted autumn foliage on trees at the base of sandstone cliffs along a creek. I was fascinated by the undulating forms of these cottonwood trunks.

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All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Slot Canyon Narrows

Image October 28, 2025 G Dan Mitchell 2 Comments

This is the sort of slot canyon “narrows” that most of us imagine when we think of these places. You can literally touch both walls while walking though, and in places the space was just wide enough for me to pass. (I had to be careful to not bump my tripod-mounted camera as I walked through.) In person, such narrow and deep canyons are darker than we render them in photographs, but the light is very soft and beautiful.

I am sort of embarrassed — yet in a way also sort of proud — that I arrived at this place more or less by accident, and not by the usual direct route. I was out “poking around” in this area, and on a hunch I started hiking down an open canyon which soon narrowed into a slot canyon. Eventually I arrived at a junction in the canyon, where this very narrow slot intersected the main canyon.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

River of Aspen Color #2

Image October 22, 2025 G Dan Mitchell Leave a comment

If you follow the fall color transition in the Eastern Sierra Nevada you have almost certainly seen photographs of this grove. (Hint: there other groves like it that are less well known, and I’ll do my part to help it stay that way!) The trees descend from a high ridge along a gully, then spread out in a larger grove at the bottom at the edge of a subalpine lake. The form of the grove is fascinating, as is its color transition between the upper orange and red trees and the yellow trees below.

We often photograph this and similar groves using the vertical “portrait” orientation for obvious reasons. In this case I thought that going with the wider “landscape” format might emphasize the “spreading” effect at the lower end of this grove. You might also notice that I intentionally photographed in soft light before the morning sun arrived — this light is less likely to oversaturate the colors to the point of blowing them out, and it also spreads a bit more light onto shadow details.