A redwing blackbird pauses atop a fence post in front of central California oak/grassland, Calero County Park.
Photographed on the same morning as another recent shot of this same type of bird, the bright red upper wings of this redwind blackbird provide a striking contrast to its jet black body. This bird was on a fence surrounding an old manmade pond at the Calero County Park south of San Jose, California – a place that I can drive to in little more than 15 minutes, and where I have hiked extensively for a number of years. These birds often flock around this small lake on winter and early spring mornings. Here it was still overcast, though the low fog from earlier in the morning was now dispersing.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A redwing blackbird rests on a branch on a foggy early spring morning at Calero County Park, California.
Although this photograph was made in April, it evokes the Central and Northern California winter for me. This is a time when tule fogs are common – the inland valley fogs, which are different from the coastal fog of warmer months – and when the number of birds and other wildlife seems to increase, perhaps because fewer people are out and about than in the summer.
This photograph was made at a small pond that is not too far from where I live. It is near the start of a trail that I have hiked many times, a trail that eventually rises through grass and oak covered hills to low ridges that catch the morning sun. The small ponds is only perhaps five minutes from the start of this trail, and it is a place where I can often find local and not-so-local wildlife if I arrive early and approach quietly.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The springtime morning sun shines through a pair of oak trees in the Calero Hills south of San Jose, California.
On the final day of April and for the first time this season, I found to go for a hike at my favorite local park, a place where I have walked just about every available trail (and invented a few routes of my own) and photographed for a number of years. The park would not seem like anything all that special by comparison to some of the other places I visit, but it is close and I’ve gotten to know it in a way that makes it more special. The place is called the Calero County Park, part of the Santa Clara County Parks system.
The entrance to the park is in a broad valley that is largely occupied by stables. (Or, used to be – it looks like the stables must have closed since last season.) Rising from this valley are the typical grass-covered hills of central and northern California, with oaks and other trees scattered around and, in places, thicker trees and brush. At this time of year, the hills turn what I call “impossibly green” – and if you have seen them on a late-winter or early spring morning you know what I mean.
I started this hike a bit after dawn, so the golden hour light was more or less gone. I had a general idea of photographing some wildflowers (which didn’t happen – it was too windy) and some oak trees that grow alone or in small groups on the grass-covered hills. I passed a small lake – where a single egret often hangs out, but not on this morning – and topped a rise and descended into a small valley from which I have made quite a few photographs of oaks. It didn’t look too promising at first, but at the far end of this area I noticed that a pair of trees were still obscuring the sun and that I might be able to shoot straight into the sun with the trees blocking its disk, and get a photograph including the tree shadows on the hillside grasses.
This turned out to be another of those all-too-common ephemeral photographs in that the sun was starting to rise above the top branches of the tree and would soon be “out in the open,” making it much too bright for what I had in mind. So I worked quickly to set up tripod and camera and select a lens, then frame a composition, focus, and make a series of exposures that might be needed to deal with the huge dynamic range between direct sun and backlit tree trunks. By the time I had everything set up and was ready to shoot the sun had already risen above the upper branches, so I ended up looking for a slightly better shadow and putting the tripod down very low – and this gave me must enough time to make the series of exposures I figured I would need.
In the end, I got lucky. One single shot somehow managed to not blow the sun out too badly yet hold enough detail in the grass that a bit of work in post could bring it back. With all of the potential for lens flare – which I had to some extent in every shot – this one only had two small bits of it, and they were easily dealt with.
