Tag Archives: clears

Wetlands Pond, Morning Light

“Wetlands Pond, Morning Light” — Morning sun on a wetlands pond as winter tule fog clears.

The experience of photographing these Central Valley winter landscapes is full of magical instants — combinations of scene, atmosphere, and light that appear and disappear so quickly that they are easily missed. In one direction thick fog might obliterate the view, while in another direction the sunlight may be emerging and bathing the scene in warm light. This was one of those moments — a distant fog bank almost obscures trees, while the reed-covered islands are bathed in direct morning sunlight.

From what I hear, the residents of California’s Great Central Valley are not exactly thrilled by tule fog. When the conditions are right it can last for days or even weeks, holding temperatures to the 30s and 40s and remaining gray and damp. But I love those conditions for photography, and a forecast of fog is often enough to persuade me to drive four hours round-trip to be there.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Forest, Morning Fog

Forest, Morning Fog
“Forest, Morning Fog” — Soft sunlight appears as morning fog begins to clear above a forested hillside, Santa Cruz Mountains.

One of my favorite kinds of light is found at “the edge of the light” —places that are neither in full sun nor fully shaded. Often I search out these spots, especially when fog is involved. The effect can range from subtle to quite striking when there are strong contrasts between deep shadow and light. Here there is an additional factor — not only are the foreground trees in a bit of that gentle light coming through the fog, but the more distant trees almost disappear into the thicker clouds.

We often hear something along the lines of, “photography is all about the light.” That’s not quite literally true in every case, but there’s no question that interesting light can turn an otherwise-mundane subject into something special. To be honest, this scene would not likely catch your attention at all in typical full sunlight nor in thicker fog — it is that glow on the foreground trees that makes it work.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Levee Road, Trees, Fog

I love tule fog and the mysterious atmosphere it creates. But even more, I love what happens as it clears. Out here in the Central Valley the fog often seems to drift and thin unevenly. It moves away in one place to reveal a hazy landscape, but nearby the fog lingers and blocks longer views. Visible overhead through the shallow layer is combination of blue morning sky, high clouds, and sometimes soft remnants of the dissipating fog.

This scene is along a levee road, one of a seemingly infinite number of similar roads out in the wet parts of the valley. Many Californians, including me, tend to think of the summertime Central Valley, a place that is known for heat and dryness. But in the winter it can be the opposite, a cold and damp place, often dotted by seasonal ponds and lakes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Storm Clears

The Storm Clears
A Sierra Nevada summer storm clears at sunset.

The Storm Clears. © Copyright 2022 G Dan Mitchell.

A Sierra Nevada summer storm clears at sunset.

Before I get too far into the background of this photograph, has anyone else noticed that the ways to title a photograph of (yet another) clearing storm are… limited? That aside, this was one of the most spectacular Sierra backcountry evenings I have experienced. After essentially two days of rain, some of it extremely heavy, the storm finally began to break up in the late afternoon, and we were able to venture out. I began by photographing post-storm fog drifting around the valley, but before long the thinning clouds to the east began to put on a wildly colorful show. As that finished I turned my attention back toward the ridge to our west. The fog and clouds there were breaking up, too, and the very last sunlight of the day back-lit clouds above the crest.

This was not an easy photograph, both to “capture” at that moment and to work with in post. As you may be able to imagine, technical challenges included a very wide dynamic range, great contrasts in coloration, the position of the drifting fog, and more. Among other compensations, now when I look at this photograph I am transported back to the sights and sensations of that wonderful evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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