Tag Archives: cliff

Beach, Mouth of Little Sur River

Beach, Mouth of Little Sur River
Cloud shadows on water as fog dissipates above Point Sur and beaches near the outlet of the Little Sur River

Beach, Mouth of Little Sur River. © Copyright 2018 G Dan Mitchell – all rights reserved.

Cloud shadows on water as fog dissipates above Point Sur and beaches near the outlet of the Little Sur River

In many locations along the Big Sur coast on this mid-summer morning, the fog was breaking up as I drove south from the Monterey area, heading for the newly reopened section of the Pacific Coast Highway near the small town of Gorda. I stopped as I came to this familiar sight — a place where the road descends and provides a series of evolving views of the beaches near the mouth of the Little Sur River near Point Sur.

As the clouds begin to thin, alternating bands of light and shadow move across the landscape, and from moment to moment this changes to scene. I tried to time this photograph for a moment when key features of the landscape were illuminated — the curving beach, sections of the shallow ocean, and some of the more distant headlands.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Coastal Bluffs, Clearing Fog

Coastal Bluffs, Clearing Fog
A coastal inversion layer is visible as fog thins above the rugged Big Sur coastline

Coastal Bluffs, Clearing Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

A coastal inversion layer is visible as fog thins above the rugged Big Sur coastline

The quality of the Big Sur coast is, I think, the sum of a lot of contributing factors. As you drive south (my usual direction of approach, as a San Francisco Bay Area resident), the expanse of the Pacific Ocean extends to your right, and it may be brilliantly lit, completely fogged in, full of storm clouds, or just plain blue. Because the route alternately drops to the water level and climbs up above the headlands, this view expands and contracts. Surprisingly, it can be quite warm here, especially when the fog clears on a summer day and the road climbs. Views may be intimate as you pass through forested sections and around tight turns, or they may stretch to the horizon and far to the north and south.

On this mid-summer visit remnants of fog were still dissipating as I passed through. In places it sat thickly on hilltops, while elsewhere it had cleared and the light was brilliantly bright. This view appeared as I began my descent from one of the high places, and the top of the coastal inversion was clearly visible.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Seasonal Waterfall

Seasonal Waterfall
Mist floats above the seasonal cascades of Sentinel Fall in late afternoon light, Yosemite Valley

Seasonal Waterfall. © Copyright 2018 G Dan Mitchell – all rights reserved.

Mist floats above the seasonal cascades of Sentinel Fall in late afternoon light, Yosemite Valley

Tourists often visit Yosemite Valley in the very late spring and the summer, the season when the best-known waterfalls are flowing strongly — Yosemite, Bridalveil, Vernal, and Nevada falls being the most popular. They are spectacular, and they are worthy of a visit on their own. However, they are far from the only waterfalls in the Valley. (And the Valley is far from the entirety of the park!) There are many less-known waterfalls that a quite beautiful.

Many of these other waterfalls are seasonal, flowing for brief periods when the winter snow melts or coming to life mainly after storms. They tend to be quite ephemeral since the conditions that support them are often rather specific and short-lived. A number of the ephemeral Valley waterfalls are fed by streams having their origins in middle-elevation valleys that are not terribly large. As such, the bulk of winter snow melts over a short period of time… and the falls usually dry up completely. This fall is a prime example. It appears in the right conditions along the southern walls of the Valley (oddly, it is close to another, similar seasonal fall), but by summer it diminishes to a trickle and then disappears. On the day I photographed in mid-April it was flowing strongly following recent storms, producing a series of impressive waterfalls that combine to produce a spectacular drop from the rim to the floor of the Valley.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Light on Granite

Light on Granite
A gesture of light falls across an irregularity in the granite face of a Yosemite cliff.

Light on Granite. © Copyright 2018 G Dan Mitchell – all rights reserved.

A gesture of light falls across an irregularity in the granite face of a Yosemite cliff.

There is a tendency for people to regard the landscape as a fixed and even a permanent thing. The mountain will be there when you go back to it in a year or ten or a hundred, so the photograph “captures” a thing that is unchanging. This is, of course, incorrect, and on multiple levels. Supposedly permanent things change constantly — in fact, the forms by which we know them today are the result of profound forces of change that are ongoing. (One reason that climbers wear helmets is that rocks fall…) But changes on much shorter scales are of tremendous interest to those who photograph (or just like to view) than landscape. They range from annual (what is it like [i]this[/i] year?) to seasonal. Some of them obviously occur on a daily basis — and photographers think about those a lot. Light and atmosphere vary in profound and often remarkable ways.

In so many cases, timing is everything. For some, calculating that timing is a key. I just read a friend’s report on a night photograph that he had “figured out” over a year ago — it required him to be in a certain place during a narrow window of time with conditions that were just right. I am impressed! For others — including my friend — even more critical is being attuned to what is happening right now or in the next few minutes or hours and then being ready to respond. I share all of this here with this photograph as the effect of light on this granite face was tremendously transitory. The time between the bulk of the face falling into shadow (and leaving the thin strip in sun) and the complete loss of light was perhaps measured in seconds, and certainly little more than a minute. (This is another photograph from my artist-in-residency sponsored by Yosemite Renaissance this past winter and spring.)


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.