Tag Archives: clouds

Island, Marsh, Autumn Sky

Island, Marsh, Autumn Sky
Island, Marsh, Autumn Sky

Island, Marsh, Autumn Sky. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late-autumn morning sky above islands and flooded marshland, San Joaquin Valley

We arrived here in predawn darkness for a day of bird photography. I never know exactly what I’ll find when I start a morning out here, especially since I most often start before sunrise and frequently in thick fog. On this day, the air was a bit murky before dawn but there was no thick fog, and as we drove the perimeter of this marshy area we could not only hear the cranes and geese and other birds, but we could even see them a bit. The atmosphere was “interesting,” to use a euphemism for “doesn’t look promising but you never know what might happen!” No thick fog… but clouds overhead that might or might not allow some interesting light at sunrise.

Perhaps 10 minutes before sunrise it was time to pick a subject and be ready for it. At about that point we arrived at this flooded pond with its odd little tule-covered islands. It was still gray, but I figured that if color did arrive at sunrise I might be able to fill the frame with the sky – both the actual sky and its colors reflected in the water – and split the image with the island and the thin horizon line. So I swapped my long bird lens for my widest ultra-wide and set up right along the edge of the water. The sunrise itself was blocked by thicker low clouds to the east, but as the sun rose above them it began to light higher cloud layers above the low-lying atmospheric haze and everything turned to shades of blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese, Dusk

Geese, Dusk
Geese, Dusk

Geese, Dusk. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Geese take flight into dusk haze and clouds

A group of us – Patty Mitchell, Michael Frye, Claudia Welsh, David Hoffman, Charlotte Hoffman, and I – spent a day photographing migratory birds and the landscape of California’s San Joaquin Valley recently. I hope that it is obvious that this photograph does not attempt an objectively realistic presentation of geese! The facts include… these are almost certainly Ross’s geese, they are passing quickly as they fly between two close flocks in the early dusk light, the clouds in the distant sky are colored blue and pink and purple by post-sunset light. By the time I made this photograph it was almost too dark to clearly make out much of anything in this scene, and certainly not to see clearly the individual birds rising into the air, flying past, or landing among other birds already on the ground.

From a certain point of view, this photograph does everything “wrong” when it comes to wildlife photography in general and bird photography in particular. The shutter speed was something like 1/8 of a second, and kept that “short” only by underexposing by nearly a full stop and shooting at ISO3200. The shot was hand-held with a 400mm focal length. Geese, barely visible in the twilight gloom, where coming and going in almost unpredictable ways, yet getting an interesting arrangement of birds in the frame required quickly responding to what they did and then panning while shooting. I had positioned myself to the east of the flock in the hope of getting some interesting sky behind them, so I was also trying to remain aware of the background while tracking the birds. Clearly, this is not a recipe for razor-sharp, carefully and thoughtfully composed images! Additional work was done in the post-processing phase – to deal with the inevitable noise and with balancing out the luminosities of various parts of the frame and bringing out details that might otherwise be lost. Yet, with enough shots and some intuition from photographing these birds in these conditions before, it is possible to make something happen. In the end, for me a photograph like this can evoke the mystery of what happens in the deepening twilight – the sudden unpredictable motion, the sounds of the geese, the hazy atmosphere, and the gathering darkness.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Strait of Juan de Fuca, Evening

Strait of Juan de Fuca, Evening
Strait of Juan de Fuca, Evening

Strait of Juan de Fuca, Evening. Olympic Peninsula, Washington. August 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Evening light near Hurricane Ridge and over the Strait of Juan de Fuca

After shooting in the lowland rainforest earlier in the day, we planned to head up to Hurricane Ridge in Olympic National Park in the evening, hoping for some interesting late day light. I’ve been “skunked” (frustrated by poor conditions!) on more than one occasion here, including one notable visit when the clouds reduced visibility to a distance that might have been measured in yards. An earlier web cam check and what we could now see from down below encouraged us to think that we might get something better this time, so into the park and up the road we went.

When we arrived the conditions were not quite stupendous, but they held the promise of becoming better, so we stuck around and photographed. Although it was mostly somewhat hazy and cloudy, every so often the sun would come through an opening in the clouds to the west, and the beams of light would move across the rugged landscape of the Olympic Mountains spread out in front of us – and on one occasion this light crossed through rain showers and produced a momentary rainbow. As things wound down – without there ever having been a real climactic moment of light – I decided to walk over to a low ridge from which there was a view to the north and the Strait of Juan De Fuca, with Canadian territory beyond. Again, the atmosphere was murky, though there were potentially interesting clouds about. I made this photograph near the very end of the day when a bit of filtered though direct light swept across the foreground ridge.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Snow, Parker Canyon

Autumn Snow, Parker Canyon
Autumn Snow, Parker Canyon

Autumn Snow, Parker Canyon. Eastern Sierra Nevada, California. October 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

An October storm brings snow to the Parker Canyon area of the eastern Sierra Nevada

This is yet another photograph from our early October “aspen chasing” trip to photograph fall color in the eastern Sierra. We were on the “east side” for five days, in conditions that began with a full day of snow, then turned mostly sunny for a few more days, and returned to more winter-like weather on our final day. On that last day of the visit we tracked far to the east of the Sierra, out into high desert ranges where we saw many interesting things including a number of stands of aspens in surprising and less-visited places.

We looped back from the east and passed by the south shore of Mono Lake, and coming over the rise between there and highway 395 we were not surprised to see a substantial chunk of the Sierra crest laid out before us… but we were a bit surprised to see that it appeared to still be snowing along the crest. We had awakened to light snow in Mammoth Lakes that morning, but assumed that it was just a passing squall. This seemed to be the case, as we did not see much more in the way of precipitation as we headed east. But these were apparently the sort of conditions in which storm clouds form right over the crest, and the result was this very dramatic scene. Low in the frame, the foreground hills pick up a bit of sunlight, and as they ascend toward higher peaks, aspen trees in full autumn color are visible. A forest filled valley, lined by an old lateral glacial moraine, ascends across the frame from right to left, leading to the entrance to steep Parker Canyon. High above, light snow falls and the peaks around Parker Pass slip in and out of the clouds.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.