Tag Archives: coast

Coastal Farm, Burned Ridge

Coastal Farm, Burned Ridge
Foggy morning at a coastal far at the base of hill burned by recent wildfires.

Coastal Farm, Burned Ridge. © Copyright 2021 G Dan Mitchell – all rights reserved.

Foggy morning at a coastal far at the base of hill burned by recent wildfires.

On one hand, this is a pleasant enough scene. I had headed to the California coast just north of Santa Cruz for the morning. This is one of the closest coastal locations to me, and I can be in sight o the ocean in a bit over a half hour or so. It was a typical late-spring coastal morning, with thick fog around the peaks as I drove over, and “high fog” (aka “low clouds”) all along the coast. The fog breaks up first over land, and along the this edge of the fog there is often lovely light — mixed sun and shadow, misty atmosphere, and a general soft glow. The bucolic little farm sits against the base of coastal hills, on a flat area near small lagoons.

But there’s something else in this photograph that you may have noticed if you looked closely. That far, upper ridge should be shrouded in forest trees… not the bare, skeletal remains of trees destroyed by last year’s wildfires in the Big Basin region. As a Californian, I’m used to the late-summer and early-autumn wildfire season. In the past decade or so, however, it has become worse and more widespread as the combination of unusual heat and drought have stressed the landscape. This past fire season all kinds of places burned where don’t usually expect to see such huge fires, including locations like this one where the charred forests extend to within sight of the ocean, and in a few cases all the way to it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Surf, Fog, and Peninsula

Surf, Fog, and Peninsula
A peninsula disappears into coastal fog beyond a surf-filled bay along California’s rugged Big Sur coast.

Surf, Fog, and Peninsula. © Copyright 2021 G Dan Mitchell – all rights reserved.

A peninsula disappears into coastal fog beyond a surf-filled bay along California’s rugged Big Sur coast.

Aside from a few camping trips in relatively remote places, we hardly travelled at all between March of 2020 and the beginning of May 2021. I managed to spend a little time in the Eastern Sierra last fall, I had a great visit to Death Valley back in early April, I’ve gotten to the coast a few times, and I did manage one-day trips to photograph birds — but that’s it. So our recent multi-day (and multi-purpose, though that’s a different story…) trip down the California coast and back to visit Southern California was quite special. We planned to go south on route 1, but we then decided to add a night on the return trip so that we could go back home the same way. This photograph comes from a stop along that coastline on a very foggy day.

The region we call the “Big Sur Coast” (from my perspective, encompassing the section from about Point Lobos south to the lower bluffs below Ragged Point) has had a string of tough years. Flooding has repeatedly closed the route, wildfires scorched huge areas, and businesses have suffered. There are numerous causes for the situation, ranging from climate change to increasing tourism, but the place has been changed. On the other hand, the route is open now, and the spell of this rugged section of Pacific coast is as strong as ever.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Sea

The Sea
The soft color and light of fog, sky, and ocean along the Pacific Coast.

The Sea. © Copyright 2021 G Dan Mitchell – all rights reserved.

The soft color and light of fog, sky, and ocean along the Pacific Coast.

Well, this is slightly embarrassing. Actually, it would not be — if I just kept the story to myself. (And, indeed, I am keeping part of the story a secret. Feel free to wonder.) Just a few days ago I read about and saw some photographic work that was seemingly defined by its intentional out-of-focus quality. And not in what I regarded as a good way. My response to the work was that it looked like photographs that would have been quite mundane — bordering on snapshots — if they had been in focus. But because they were not, they ended up in a gallery. And now I present… a very out of focus photograph.

So, what to make of this? That’s actually up to you, but to the extent that a photograph is about things or expresses something, well one way to think of it is that by removing some of the familiar details of the subject you are free to think about larger aspects of it that might be less apparent if you were distracted by the “small stuff.” I’m also working with some ideas about color and luminosity here. That’s all I’ll say for now…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Bluffs, Surf, and Haze

Bluffs, Surf, and Haze
Thin fog obscures distant views beyond coastal bluffs and waves along the Pacific Coast of California.

Bluffs, Surf, and Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin fog obscures distant views beyond coastal bluffs and waves along the Pacific Coast of California.

The scenes like this one that I photograph, visit and revisit… the more clear is the contrast between their timeless nature and the way we live our lives. This photograph comes from over almost a decade ago — which either feels like a very short time or a very long time right now — but it could have come from virtually any time in the past. There’s nothing obvious in it to link to any particular time.

The scene likely feels familiar to anyone who lives near or visits locations where coastal flatlands run up against the edge of the continent. The sea eventually wins the inevitable battle, and in the process produces a stark contrast between gentle, flat bluffs and the cliffs at their edges, which drop precipitously into the ocean and leave behind sea stacks and small islands. On this evening the sea was rather quiet and a thin fog was beginning to obscure distant views.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.