Tag Archives: coast

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Two Owls, Trees and Ponds, Dusk

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Two Owls, Trees and Ponds, Dusk - Two owls in the branches of a group of trees at dusk, reflected in the waters of a pond at the Merced National Wildlife Refuge
Two owls in the branches of a group of trees at dusk, reflected in the waters of a pond at the Merced National Wildlife Refuge

Two Owls, Trees and Ponds, Dusk. Merced National Wildlife Refuge, California. February 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Two owls in the branches of a group of trees at dusk, reflected in the waters of a pond at the Merced National Wildlife Refuge.

I originally posted this in an impromptu manner and out of sequence back on SuperB owl Sunday – but now it comes up “officially” in the queue. At the very end of a winter day that had begun well before dawn back up the Central Valley closer to Sacramento (in the Cosumnes River area, to be precise) we had headed south to Merced National Wildlife Refuge in search of somewhat different subject for the evening. We arrived to find some geese on the pond, but most were a bit too far off for good photography. But while we settled in to wait for whatever else might show up, I turned my attention to the beautiful and wide-open Central Valley landscape.

This little group of trees grows on a small levee between a couple of ponds in this agricultural area. (Over the past few weeks I have come to know this exact spot very well, as I have been back three times now to photograph there, with better and better luck each time.) After the sun set, some of the most beautiful light appeared – the soft and pink/purple/blue atmospheric light of dusk, when there is still some brighter color in the sky. I saw a single bird high in one of the branches of this tree and soon figured out it was an owl. I set up a composition that centered the tree – creating, I hope, a sense of quiet and stillness – and which included a bit of the sky and the beautiful reflection of the tree’s silhouette in the water. As I shot, a second owl showed up for a few seconds and I was able to get a frame with the couple together.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Migratory Birds in Twilight, Central Valley

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Migratory Birds in Twilight, Central Valley - Migratory birds flly though the twillight winter sky above California's Central Valley and the Coast Range.
Migratory birds flly though the twillight winter sky above California's Central Valley and the Coast Range.

Migratory Birds in Twilight, Central Valley. Merced National Wildlife Refuge, California. February 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Migratory birds flly though the twillight winter sky above California’s Central Valley and the Coast Range.

I made this photograph when it was almost too dark to see clearly. In fact, when I packed up and drove away a few minutes later, it was so dark that I momentarily got mildly lost on my way out of the refuge! Long after the sun had set, and at the time when perhaps the most intense sky colors appear, the migratory birds were still in flight above the Central Valley, often silhouetted against the colorful dusk sky just above the horizon.

This photograph is going to get a bit more technical explanation than usual. I had a 100-400mm telephoto on the camera at this point since I had been photographing the birds in a variety of ways, including trying to fill the frame with one or a few birds. While some might say that shooting a prime lens of this length could have some image quality advantages, this photograph wouldn’t have happened if I had been shooting, say, a 400mm prime. Since I wanted to move quickly from targeting small sections of the surroundings or even individual birds to making photographs that attempt to portray the larger landscape within which the birds are found, I frequently found myself moving quickly to much shorter focal lengths. Here, I realized that I might be able to “zoom out” and include some of the birds in flight high above the valley and the distant mountains in the context of their surroundings. So I shot this at something like 130mm. In addition, because the scene includes subjects that are not that far away (like the trees) and those at much greater distances (like the hills), depth of field was an issue with the longer focal lengths. I couldn’t shoot wide open without some excessive focus issues, so I stopped down to f/11. Think about that for a moment: shooting in extremely low light, stopped down to try to maintain some depth of field… and needing use a shutter speed allowing me to get some definition out of birds flying through the scene. This is essentially being caught between a rock and a hard place… and another rock. With the camera on the tripod, but still aimed manually, I used a shutter speed of 1/13 second and turned image-stabilization on. With all of this stuff pushing boundaries of shutter speed and aperture… my only option was to increase the ISO to 1600. For landscape work. Here’s the thing… in the end, while there was more noise in this photograph than if ISO 100 were possible, it isn’t that bad and probably wouldn’t even be visible to viewers of a print. While I’m usually persistent in my view that little technical differences among cameras don’t amount to much, in this case it was because current cameras make it possible to shoot in ways that were essentially impossible a decade ago that I could get this photograph at all.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Ross’s Geese Taking Flight, Sunset

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Ross's Geese Taking Flight, Sunset - A large flock of Ross's geese takes flight in sunset light, Merced National Wildlife Refuge, California
A large flock of Ross's geese takes flight in sunset light, Merced National Wildlife Refuge, California

Ross’s Geese Taking Flight, Sunset. Merced National Wildlife Refuge, California. February 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A large flock of Ross’s geese takes flight in sunset light, Merced National Wildlife Refuge, California.

Every time I go back to this location, it seems to just get better. On this early February evening I had quickly driven over the hill from the San Francisco Bay Area – well, OK, it is a two-hour drive – in time to arrive shortly before sunset and join a group of friends who had come down from the Mariposa, California area to photograph the same subject. I drove out around the “auto tour” route to a spot where I had shot just a week ago, near a viewing platform. Just past this point, there were thousands and thousands of (mostly, I presume) Ross’ geese filling a large pond right next to the gravel road. I set up and gradually, bit by slow bit, moved myself closer to the pond, working carefully to avoid spooking the birds. Eventually I got into position perhaps 20 feet from the pond.

Initially I photographed the birds that were settled in on the pond. As we did this, more birds flew overhead, and some joined this gigantic flock. But the light still wasn’t quite great. As actual sunset approached, the geese began to lift off in large groups. It seemed like there would be some momentary electricity in the air – perhaps I was just sensing a change in their calls – and suddenly a few hundred would simultaneously take off in a large group. I knew I wanted to try to get some photographs of these groups, and I also figured that ideally I would like a bit of cross-light from the very low and warm-colored sun and, if I could manage to pull it off, I would want to get some sort of landscape-ish background of trees and ponds and the distant hills in the golden evening light. I made several attempts before I captured this moment during which the group had just risen enough to mostly clear the trees across the pond.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Sea Stacks, Rocky Point

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Sea Stacks, Rocky Point - Sea stacks dot the rugged Big Sur coastline at Rocky Point in evening light.
Sea Stacks, Rocky Point - Sea stacks dot the rugged Big Sur coastline at Rocky Point in evening light.

Sea Stacks, Rocky Point. Big Sur Coast, California. December 18, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Sea stacks dot the rugged Big Sur coastline at Rocky Point in evening light.

Continuing with the theme of evening light on the Big Sur coastline, I made this photograph along a favorite section of this portion of the California coast not long before sunset. (I left enough time after photographing this scene to drive back up the coast to more or less the small road-cut just visible in the upper right corner of the frame, from which I made another photograph shooting back into a large cove that is out of the range of this photograph to the right.) At this time, perhaps a half hour or so before sunset, the color of the light was warming and intensifying but had not yet reached that obviously red stage that comes right at and right after actual sunset.

The peninsula in the upper part of the photograph is known as Rocky Point and, among other things, is a spot many may know because of a restaurant perched there above these stunning views of the Pacific coast. (I hear it is pricey!) My camera position was at a pull-out along the Pacific Coast Highway at a spot where the road rises to pass around another bit of land that extends to the west, and this high camera position let me aim the camera down to minimize the sky and fill the frame with the ocean, the rocky sea stacks and cliffs, and the “point” itself. With the main variable being the unpredictable patterns in the surf, I made a series of exposures at what I thought might be likely moments and then selected from among them in post. I like the series of diagonal lines in the foreground surf and the way the low sun picks off the tops of the waves.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.