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Photographs: Central California, Photographs: Fall, Photographs: Fall Color, Photographs: Nature

Autumn Tree, In The Light

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Autumn Tree, In The Light
An autumn tree emerges from fog and haze in morning light

Autumn Tree, In The Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

An autumn tree emerges from fog and haze in morning light.

I found this tree, still with full late-season fall color, standing in the middle of a pasture. (If you look very closely you just might be able to spot some cattle.) It was a very foggy morning — mostly quite gray and colorless — until the fog finally began to thin and filtered light started to break through.

It is easy to pass through California’s Great Central Valley and miss its beauty. It is true that the air can become stagnant and that freeway driving isn’t conducive to seeing beyond the traffic in front of you. But get off the main roads, drive a bit more slowly, start very early and stay out until the sun sets, and there is a lot to see.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Spring Trees

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Spring Trees
A rather well-known grove of Yosemite Valley trees, with new spring foliage and photographed from the “wrong” side

Spring Trees. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rather well-known grove of Yosemite Valley trees, with new spring foliage and photographed from the “wrong” side

Near the end of this spring’s Yosemite Renaissance artist-in-residency in The Valley the early signs of spring were appearing — grass was turning green, rivers and waterfalls were flowing, temperatures were rising, and leaves were appearing on the deciduous trees. I photographed this well-known little grove just a few days after the first spring leaves emerged, when they still had that transitory yellow-green color of early spring.

Almost anyone familiar with Yosemite Valley will know immediately where this grove is located. This photograph was not made from the typical direction — and you may be able to spot the reason it isn’t photographed as often if you just look closely. A careful scan of the scene reveals the presence of a roadway! That is often a complete show-stopper for photographs like this one, but I liked the backlit tree against that darker forest enough to give it a try in this case.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Waterfall and Trees, Spring Evening

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Waterfall and Trees, Spring Evening
Evening light on Yosemite Falls and meadow trees

Waterfall and Trees, Spring Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening light on Yosemite Falls and meadow trees

I have had my eyes on this composition for some time. The photograph is, in many ways, a pretty straightforward thing, and it certainly doesn’t require any logistical difficulty or long hikes. However, there are a few variables in play that are not entirely under the photographer’s control, and timing is critical — as to the season, the time of day, and the momentary conditions. The green of that group of trees is briefly at its most intense for a period in the spring. As in so many photographs, the momentary effect of light is critical and ephemeral. Two days earlier I had photographed this same scene, with results I liked but not as much as what happened here.

Speaking of that earlier photograph of the same subject, I had not made a firm decision to re-photograph the scene on the evening when I made this version. I was thinking about several potential subjects on this final evening in the Valley for this trip, but it was the infamous Yosemite Valley traffic that put me here at the right moment. I had parked in a day use lot while I went on an afternoon hike, returning to my vehicle in time to finalize my evening plans. The traffic was completely stopped due to the combination of large numbers of spring visitor and construction work to the west. So I headed across the Valley and back to the east, looping around towards this spot. Some distance away the traffic stopped completely once again, so I simply pulled to the side, loaded my equipment on my back abandoned (temporarily!) my vehicle, and started walking. I could see good light ahead through the trees, but as I arrived some clouds blocked it. But since I wasn’t going to have much luck trying to drive elsewhere I simply decided to stick around and watch. Eventually there was a short break in the clouds, and a brief moment of lovely light illuminated these trees. And then the show was over.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, Mountains, Haze

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Dunes, Mountains, Haze
Afternoon winds and blowing sand soften the contours of sand dunes and desert mountains

Dunes, Mountains, Haze. © Copyright 2018 G Dan Mitchell – all rights reserved.

Afternoon winds and blowing sand soften the contours of sand dunes and desert mountains

For us, the drive to Death Valley from the San Francisco Bay Area is always a long one, even when we break it into sections as we did on this trip. We came through Trona and up the Panamint Valley, then following the newly reopened Wild Rose Canyon Road up into the mountains. Along the way to made a few stops in this range, and finally ended up in Death Valley itself in the middle afternoon. After getting settled in following the drive it is very tempting to just be lazy! However, we were there (mostly) to make photographs, so we got to work.

For me, the first photography of almost any trip amounts, to some extent, to a sort of warm-up exercise. I may (or may not) have a particular photograph or subject in mind, but it is important to get the camera out, head into the field, and start making photographs right away, if for no other reason than to “prime the pump” for the rest of the visit. We we headed to the dunes, stopping at a place where few others go, shouldered tripods, packs and cameras, and headed out to see what we could find. I had my sights on some low dunes where various vegetation grows, but along the way I looked toward the more distant higher dunes and spotted this beautiful backlight and haze as wind began to blow sand into the air from the dune ridges.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.