Tag Archives: cottonwood

Cottonwood Trees and Sandstone, Spring

April 24, 2012 G Dan Mitchell Leave a comment

A stand of cottonwoods with new spring growth against the backdrop of the vertical sandstone walls of Zion Canyon, Utah.

I’ve seen so many beautiful photographs of cottonwood (and other) trees against sandstone cliffs, that I was anxious to search out some such scenes when I went to Zion and other Southwest locations in early April. After arriving in the town of Springdale, near the entrance to Zion and the Virgin River canyon, we headed up into the canyon for our first visit. Although I had seen plenty of photographs from the area, I had made a point of not researching any specific locations or shots – I’d rather find my own. As we entered the canyon, a friend’s description of the place as “Yosemite in red” came to mind – though this canyon in Zion has a much smaller and more intimate scale.

From the upper park service tram stop, we continued on up the canyon on the easy trail. If I were evaluating my day based on how far I hiked, it would have been a failure. I hardly ever walked more than a few dozen yards at a time without stopping to look around or scope out some new photographic opportunity. These trees were growing on the opposite side of the river, right up against the vertical sandstone walls, and the lack of direct sun softened the light on these trees and their brand new spring leaves.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

The Watchman and the Virgin River, Morning

April 15, 2012 G Dan Mitchell Leave a comment

The virgin River curves towards the Watchman in early morning light, Zion National Park, Utah.

The peak in the upper portion of this photograph, The Watchman, with the curve of the Virgin River in the foreground is, as I understand it, one of the iconic photographic subjects of Zion National Park – perhaps being roughly equivalent to a photograph of Yosemite’s Half Dome from the Sentinel Bridge in The Valley. The funny thing, though, is that while I had seen this view of this subject many times in the photographs of others, I actually had no idea where it was or that I would see it when I visited Zion National Park earlier this month. I had somewhat intentionally avoided doing any real research about the places I would photograph, preferring instead to just confront them for what they are, unaffected as much as possible by previous notions about what I “should” photograph.

So, as we rode the shuttle bus into the park from the town of Springdale in the afternoon and crossed a bridge over the Virgin River before heading up into the canyon, I looked to my right and thought, “Oh, it is that view!” I have heard the stories and have seen the pictures of hordes of photographers lined up on this bridge, specifically to shoot this scene with fall colors and at sunset. (You can see a couple of examples by photographer and friend Gary Crabbe here.) I generally don’t seek out the icons, though I most certainly will photograph them if a) I haven’t photographed them before and/or b) there is something unusual or different about the conditions when I’m there. Although I did not stop and get off the bus to photograph the scene on that first evening, in the back of my mind I considered stopping if it looked interesting the next morning. And, in fact, as we took the shuttle back into the park very early the next morning – starting before sunrise, actually – it seemed like it might be worth hopping off after the bridge and taking a look. I was more encourage when we got there, both by the interesting soft dawn light and the lack of any other photographers on the bridge. So, there you go – I now have a photograph of the Watchman and the Virgin River, too! :-)

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Spring Cottonwood and Sandstone Cliff

April 14, 2012 G Dan Mitchell Leave a comment

A cottonwood tree with early spring leaves stands in front of a sandstone cliff, Zion National Park, Utah.

This was my first visit to Zion National Park – believe it or not – and I had been thinking about photographing cottonwood trees against red sandstone cliffs well before we arrived. We got there in the afternoon, checked in to our lodgings, and soon went up into the main canyon on the shuttle and then hiked up toward the Narrows from there.

It was a special and unusual experience for me to be photographing in an entirely new place, and to have very little idea of the geography of the Zion at all – I had almost intentionally avoided researching ahead of time, preferring to take it for what it was when I arrived. I was so naive that when we passed over a bridge and I looked downstream I thought, “Oh, that is the Watchman.” (For those who don’t know, the photograph of the Watchman Tower above the Virgin River, photographed from the bridge that crosses the river just inside the park is, roughly speaking, the Zion equivalent of photographing Half Dome from Sentinel Bridge in Yosemite.) We kept going, staring up at the beautiful sandstone towers and walls as the shuttle travelled up the canyon to the very end at the Temple of Sinawava, where we got off and started to walk. The walls in this very area are beautiful, and my progress up the trail was very slow as I stopped to gawk and photograph all of these wonderful new subjects, including this almost bare tree with its first spring growth. against the backdrop of the sandstone cliffs.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Migratory Birds in Twilight, Central Valley

February 13, 2012 G Dan Mitchell 3 Comments

Migratory birds flly though the twillight winter sky above California’s Central Valley and the Coast Range.

I made this photograph when it was almost too dark to see clearly. In fact, when I packed up and drove away a few minutes later, it was so dark that I momentarily got mildly lost on my way out of the refuge! Long after the sun had set, and at the time when perhaps the most intense sky colors appear, the migratory birds were still in flight above the Central Valley, often silhouetted against the colorful dusk sky just above the horizon.

This photograph is going to get a bit more technical explanation than usual. I had a 100-400mm telephoto on the camera at this point since I had been photographing the birds in a variety of ways, including trying to fill the frame with one or a few birds. While some might say that shooting a prime lens of this length could have some image quality advantages, this photograph wouldn’t have happened if I had been shooting, say, a 400mm prime. Since I wanted to move quickly from targeting small sections of the surroundings or even individual birds to making photographs that attempt to portray the larger landscape within which the birds are found, I frequently found myself moving quickly to much shorter focal lengths. Here, I realized that I might be able to “zoom out” and include some of the birds in flight high above the valley and the distant mountains in the context of their surroundings. So I shot this at something like 130mm. In addition, because the scene includes subjects that are not that far away (like the trees) and those at much greater distances (like the hills), depth of field was an issue with the longer focal lengths. I couldn’t shoot wide open without some excessive focus issues, so I stopped down to f/11. Think about that for a moment: shooting in extremely low light, stopped down to try to maintain some depth of field… and needing use a shutter speed allowing me to get some definition out of birds flying through the scene. This is essentially being caught between a rock and a hard place… and another rock. With the camera on the tripod, but still aimed manually, I used a shutter speed of 1/13 second and turned image-stabilization on. With all of this stuff pushing boundaries of shutter speed and aperture… my only option was to increase the ISO to 1600. For landscape work. Here’s the thing… in the end, while there was more noise in this photograph than if ISO 100 were possible, it isn’t that bad and probably wouldn’t even be visible to viewers of a print. While I’m usually persistent in my view that little technical differences among cameras don’t amount to much, in this case it was because current cameras make it possible to shoot in ways that were essentially impossible a decade ago that I could get this photograph at all.

G Dan Mitchell Photography

Tag Archives: cottonwood

Cottonwood Trees and Sandstone, Spring

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The Watchman and the Virgin River, Morning

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Spring Cottonwood and Sandstone Cliff

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Migratory Birds in Twilight, Central Valley

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.