Tag Archives: cottonwood

Ross’s Geese, Winter Evening

Ross's Geese, Winter Evening - Motion-blurred photograph of low-flying Ross's geese on a winter evening in California's Central Valley.
Motion-blurred photograph of low-flying Ross's geese on a winter evening in California's Central Valley.

Ross’s Geese, Winter Evening. Merced National Wildlife Refuge, California. February 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Motion-blurred photograph of low-flying Ross’s geese on a winter evening in California’s Central Valley.

From time to time I experiment with longer exposure photographs of birds in flight. The idea is that allowing the image to blur as the birds move might suggest their constant motion more effectively than the more typical approach of stopping the motion. Here not only was the exposure relatively long (I think it was 1/30 second) but I was shooting with a long telephoto which also amplifies the motion of subject and camera.

I’m thinking of this as a “study” for future photographs of these Ross’s geese and similar birds that will work with this idea of motion blur. Making this shot let me get a bit closer to understanding the most likely times to find the birds lifting off in the evening, and the best time to try to catch this with a bit of the last sunlight before sunset. I was also able to slightly better establish the shutter speed I would like to work with for this kind of image. The idea is to keep just barely enough shape in the birds that you can recognize what they are, but to allow the motion to blur things enough to eliminate the hyper-sharp realistic quality of the scene and to let the motion blur imply something about the actual flying motion of the birds.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Spring Flooding, Merced River

Spring Flooding, Merced River
Spring Flooding, Merced River

Spring Flooding, Merced River. Yosemite Valley, California. May 7, 2011. © Copyright G Dan Mitchell – all rights reserved.

The Merced River overflows its banks during the spring runoff and floods surrounding meadows and lowlands in Yosemite Valley.

I’m tempted to go on about how the spring runoff is my favorite time of year in Yosemite Valley – but I’ve probably already written about how autumn is my favorite time, or how much I love winter in the Valley, and… :-)

In any case, there is a lot to like about spring in Yosemite Valley. For example, seasonal waterfalls that many visitors never see come to life. I believe that the thin fall across the Valley in this photograph is Sentinel Fall. There is another small one to its right in the v-shaped gully, but I do not know its name. The meadows come back to life and the trees begin to get their leaves, and there is green everywhere. Especially in a heavy snowfall year like this one, the Merced River rises as the snow begins to melt, and riverbanks overflow and meadows flood – as is happening in this photograph of a section of the river near Leidig Meadow along the north side of the Valley.

I’m surprised that there are not more photographs produced in this part of the Valley. I suppose the explanation may include the fact that few of the main iconic sights are directly visible from here, the current prohibition against parking along the road in this area, and the fact that parts of the river trail were underwater. But in the right light – which here can occur at times other than the typical early/late hours – Leidig Meadow and this curving section of the river with its shoreline trees can be very appealing, especially when the far canyon wall is muted by shadows.

I shot this a bit later in the day, not during the typical “golden hour” times at all. To get here I drove past this section of the road and walked back, alternately walking along the roadway (and occasionally leaving the narrow road as cars approached) and following the trail where it was not submerged. To make this photograph I walked down to the very edge of the rising Merced River and managed to find one spot that wasn’t too muddy.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dunes, Mesquite Flat, Sunrise

Dunes, Mesquite Flat, Sunrise
Mesquite Flat Dunes, Sunrise

Dunes, Mesquite Flat, Sunrise. Death Valley National Park, California. March 31, 2011. © Copyright G Dan Mitchell – all rights reserved.

Early morning light striking minor dunes on Mesquite Flat with Cottonwood Mountains wash and the Last Chance Range in the distance, Death Valley National Park.

These dunes are not too far from the main Mesquite Dunes near Stovepipe Wells – they are a bit further east from the better known tallest section of the dunes. The areas of lower dunes provide some very interesting shapes and textures on a smaller scale in some ways that those of the larger dunes. I photographed these with a long lens, shooting from a rise, at a point in time very shortly after the first morning light had struck the sand. The background hills, part of a very large alluvial fan at the base of the Cottonwood Mountains, were in the shadow of a cloud.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mesquite Dunes and Cottonwood Mountains

Mesquite Dunes and Cottonwood Mountains
Mesquite Dunes and Cottonwood Mountains

Mesquite Dunes and Cottonwood Mountains. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Soft and hazy late-afternoon light on Mesquite Dunes and lower Cottonwood Mountains, Death Valley National Park.

The color of the sand dunes of Death Valley changes radically at different times of the day, in different weather conditions, and even seasonally. Many of the photographs of these dunes – the “Mesquite Dunes” in the middle Valley near Stovepipe Wells – are made in the early morning or in the evening. At those times the dunes take on the colors of sunrise/sunset light (generally very warm yellow to golden colors) or the pre-dawn or (better yet) post-sunset light of the sky, which can include a range of colors from blues to pinks to purples and so on. Judging by photographs you might think that the dunes are brightly and intensely colorful. (Or black and white, but that’s a different story.)

Most of the time the coloration is quite different from what we see at the early and late “edges” of the day. The less saturated colors at other times of day can be a bit more complicated to shoot, but they can also create some wonderful subtle effects if you happen to look in the right place at the right time. Late in the afternoon on this early spring day, there was some haze in the atmosphere – perhaps from some blowing dust and/or some clouds and moisture that had been around earlier. As the sun drops at Mesquite Dunes, it goes behind mountains to the west well before actual sunset. When this happens, the dunes are gently back-lit by soft light from the western sky, and the backlit haze mutes the colors of the dunes and, even more, the distant slopes of the rugged Cottonwood Mountains.

My idea here was to isolate the undulating shapes of the softly lit dunes in front of the background of the very, very muted colors and shapes of the lower Cottonwood Mountains, which are obscured by haze. There is some color in this scene, but it is subdued and edges quite a ways towards pastels.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.