Tag Archives: county

Evening Trees

Evening Trees
Evening trees reflected in the surface of San Joaquin Valley wetlands

Evening Trees. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening trees reflected in the surface of San Joaquin Valley wetlands

The primary attraction for me in these San Joaquin Valley wetlands is, or so I tell myself, the hordes of migratory birds that arrive here in the late fall and over-winter — geese, ibises, sandhill cranes, along with egrets and herons and more. They draw me to the Valley, just a couple of miles away from my home over the coast range, throughout the late fall through winter period. But once I get there I think I am as interested in the landscape as in the wildlife.

We had just about finished a full day of photographing (mostly) the migratory birds. Late in the day I always start to think about what my final subject will be, and then I try to extend my shooting time as late into the failing light as possible. I might continue to photograph birds in deep dusk, raising ISO and lowering shutter speed and working with the resulting motion blur. On this late-fall evening I went in a different direction, and I put the camera on the tripod and finished up with some blue-hour landscape photographs of the wetlands, the trees, and the evening clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Central Valley Trees and Fog

Central Valley Trees and Fog
Late autumn trees and fog, San Joaquin Valley

Central Valley Trees and Fog. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Late autumn trees and fog, San Joaquin Valley

I have had my eye on these trees for several years now. In fact, I have photographed them a few times, though I wasn’t quite happy with the results. They stand near a spot that I frequently visit during the late fall through winter months, when migratory birds live in the nearby wetlands and fields. In fact, that is why I was there on this December day. After a couple of hours of bird photography I looked over in the direction of the trees and thought that the light might be right for a photograph.

The light in this part of the Central Valley is astonishingly variable, especially in the winter and near-winter months. There can be high thin clouds, a Pacific weather front, general haze, or fog so thick that you can’t see 100 feet… unless you look up to see the stars and the moon! This day was quite variable, and that was part of the fun of photographing it. Fog was forming when we arrived before dawn. It stuck around a while, thinned and morphed into a sort of general atmospheric haziness. Above the fog there were high clouds that also muted the light a bit. Here and there, actual fog banks formed. This photograph has a little of all of these things: the light on the trees is muted, fog banks stand in the distance with high clouds overhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer, Wetlands

Photographer, Wetlands
Water reflects clouds above photographer David Hoffman as he works from a levee in San Joaquin Valley wetlands.

Photographer, Wetlands. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Water reflects clouds above photographer David Hoffman as he works from a levee in San Joaquin Valley wetlands.

Passing through California’s Great Central Valley by car, you could be forgiven for thinking that there isn’t much there besides fast food, gas stations, freeway, and other stuff alongside the road. Get off the freeway, get out of the car, and slow down a bit, especially during the colder half of the year, and you may find a very different place. This little post is not the place to share the whole story, but for me the place is partly defined by its agricultural roots, partly by the sense that it is located between the coast ranges and the great Sierra Nevada, and partly by the sense I often get there of space and immense sky.

We had spent the morning photographing migratory birds and the somewhat hazy landscape. We broke for lunch in a nearby town and then returned for more photography in the mid afternoon. While we were at lunch the conditions changed — the light fog dissipated and high clouds from a Pacific weather front drifted across the sky. As we headed out toward a spot where we hoped to find birds for evening photography we paused along the levee and photographed the sky, its reflection in the wetlands pond, and the spare winter landscape. My friend and photographer David Hoffman is photographing the same pond from the far bank.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Geese Rising

Geese Rising
A flock of geese takes to the air above San Joaquin Valley wetlands

Geese Rising. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A flock of geese takes to the air above San Joaquin Valley wetlands

Sometimes bad light turns out to be good light. Late in the day I made one last circuit of this location, hoping to find some birds to photograph in sunset light. However, the light was obscured by the clouds of an incoming weather system and much of the light at this location became rather flat and gray. (The light to the west was another story, and another photograph made within moments of this one includes a rather spectacular sky in the distance.) It was cloudy enough that most of the light had faded before sunset, and there wasn’t much left after that at all.

Yet… the flat light has its advantages. One of the challenges of photographing airborne birds is that when they rise against the sky they are often lit from above, and it can be difficult to get a photograph that isn’t simply a silhouette. But the soft light fills those shadows, and here there was also a bit of gentle light coming from the western sky through sunset clouds that had picked up a bit of color. As I stood around watching a large group of geese (mostly snow geese) settled in a pond, the suddenly erupted into flight en masse, in the typical wild show of fluttering wings and loud vocalization. The turned and passed right in front of me before continuing on to some unknown place far to the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.