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Sunset Light and Talus Slope

Sunset Light and Talus Slope
Sunset Light and Talus Slope

Sunset Light and Talus Slope. Kings Canyon National Park, California. July 30, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

Sunset light on a tree-covered peninsula as a steep talus slope falls into evening shadows

This photograph from the first evening of a week-long 2010 southern Sierra backpacking trip reminds me of many things, but at the moment I’m recalling a particular feeling that often comes on the first night on the trail, and which is one of these moments that marks the transition away from the other world to the magical world of the backcountry. Arriving at the start of a long backcountry trip requires a fair amount of planning that begins well before the trip. Often months before (those sometimes on the previous weekend!) a plan is hatched and a group of people assembled. Soon dates are set and an itinerary comes together. As the date approaches, we collect gear together and begin to pack and make the plans for our absence. The process accelerates as the day approaches and soon we are on our way to the mountains, often arriving at a trailhead came the night before, where the familiar sensations and rhythms begin to return.

The next morning we are up early, packing away the things we brought for that first campground night and paring down our possessions to only those things we’ll carry on the trail. We tear down camp, check and double-check gear, fill up water bottles, lock cars, head to the trailhead for the inevitable photo by the sign… and we are off. The first point of breaking away (once again!) is at this moment when we start up the trail, but in some ways this is often the beginning of a mental transition that will last all day as we again become accustomed to life on the trail. We climb, we stop to filter water, we eat our first of many trail lunches, the climb becomes harder as we watch for the pass up above. Eventually we reach that pass, where we stop and sit for a while, looking into the world where we’ll spend the next few days or week(s), then we head down the other side of the pass, an act that always seals the feeling of commitment to the trip. We arrive and set up our first trail camp, once again putting specialized equipment to use, remembering just how we set up that tent and operate that stove. Then, once all these tasks are complete, we find what we came for — there is nothing left to do. So we do nothing. We walk slowly around the lake, make some photographs, sit on a rock, and quietly watch the last light on a tree-filled peninsula beneath shadowed talus slopes.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Clouds Rest, With Resting Clouds

Clouds Rest, With Resting Clouds
Clouds Rest, With Resting Clouds

Clouds Rest, With Resting Clouds. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter evening clouds swirl around the snow-covered ridge of Clouds Rest, Yosemite

This will be the final photograph in this recent series of winter Yosemite Valley photographs from our late-winter 2014 visit to the park. As I hope for when I go there at this time of year, there was interesting and variable light, clouds that ranged from scattered to socked-in, the usual assortment of meadows and trees and rocks. We had the better part of three days to explore.

On this evening we ended up at that most iconic of iconic landscapes in Yosemite, the Tunnel View overlook. I often either pass by Tunnel View, or perhaps stop and get out to look around a bit before heading on. Being lucky enough to live a reasonable drive from the park and to visit the Sierra often, I’ve become a bit more selective about when I’ll stop there and take out the camera. On this visit, as clouds came in, many of the other potential subjects in the Valley were under rather poor light, so I guessed that there was a chance that we might “get something” (or maybe not) from this higher overlook. The clouds were challenging. At times they obscured many interesting things, and most of the time the interesting light was blocked. However, for a few moments they cleared partially at the far end of the Valley and it was briefly possible to see the sunlit and snow-covered slopes of Clouds Rest and a few other points in the distance.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Maple Tree, Slot Canyon

Autumn Maple Tree, Slot Canyon
Autumn Maple Tree, Slot Canyon

Autumn Maple Tree, Slot Canyon. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The red and gold leaves of an autumn maple tree against the lichen-covered and layered sandstone walls of a slot canyon, Zion National Park

When we passed through Zion National Park about a week and a half from the end of October, it was mostly too early for fall color in Zion Canyon, but things were starting to get interesting in the high country along the Mount Carmel Highway, where we spent most of a day looking for and photographing fall color, red rock, canyons, and much more. It seemed to me that the predominant sources of autumn color here were maples, and some of them were quite brilliant.

This tree was growing along a wash at the bottom of a red rock canyon which in places took on the appearance of a slot canyon. Between the tree, with its golden-yellow, oranges, greens, and bits of red, and the cliff, with shades of brown, white, red-orange, and even blue and purple, it is hard to think of very many colors that don’t make an appearance here. I of course liked the colors of this tree, but I also found the water-sculpted steep canyon walls to be interesting, with their folded shapes, lichen, and brighter color where the underlying rock could show through.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning Haze, Death Valley

Morning Haze, Death Valley
Morning Haze, Death Valley

Morning Haze, Death Valley. Death Valley National Park, California. March 30, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Distant snow-covered peaks are barely visible across the vast space of Death Valley in hazy morning light

This photograph was made from Dantes View, high in the mountains along the eastern border of Death Valley itself, and with a commanding, panoramic view of a huge portion of the surrounding terrain and especially down into Death Valley and the Badwater area almost right beneath the peak. The view here looks roughly north or northwest, past the location of Furnace Creek and beyond the Mesquite Dunes area to the far northern end of the Valley and then beyond to distant snow-covered peaks.

I have written before that Dantes View has been a difficult place for me to photograph. At first glance, the location has a lot going for it. At about a mile above the Valley floor below, the views encompass a huge area of interesting terrain, ranging from the lowest reaches of Death Valley itself to the 11,000+” Telescope in the Panamint Range to other features so distant that they often fade into the haze. But for me these same features make it very difficult to pick out anything that can draw the larger components of the scene together. There have been times when I have gone there with the intention of photographing, gotten out, looked around, been impressed by the location, and made no photographs at all. This time I mostly shot details of the Valley using a very long lens, but I thought that the shadows of the passing clouds brought enough relieve to the uniformity of the Valley to make this photograph, which I hope conveys some sense of the scale of the place.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.