Tag Archives: curves

Eroded Layers

Eroded Layers
“Eroded Layers” — Erosion exposes layers in rocks, Pacific Coast, Point Lobos.

These rock formations have fascinated me since I saw them many decades ago as a child. My parents used to take us on family outings to Point Lobos, and very early on I began to photograph the place. (I am pretty sure that I went there on an elementary school field trip, a memory brought back to me on this visit when I saw a busload of kids eating lunch at picnic tables.) This little intimate landscape includes forms which seem to suggest the sea itself — I can see waves and inlets and more in it.

This particular spot at the reserve has a variety of interesting features. Stratified rock layers descend to the water of a cove, and they are twisted all sorts of interesting ways as the work of the water exposes them. There are colorful bands and intrusions. Sometimes the layers are turned on their sides. And, as here, the action of waves gradually peels back the layers, leaving abstract forms. (Hint: If you look closely you might spot a tiny tide pool and a few of its small inhabitants.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dunes Detail, Sunset

Dunes Detail, Sunset
“Dunes Detail, Sunset” — Sunset light on sand dunes, Death Valley.

Sand dunes are a source of endless fascination to photographers. They provide a sort of workshop in light, texture, composition, and associations. They can be purely abstract, but their forms can also suggest many other things — human figures, water, mountains, and so much more. When photographing dunes you can play with the relationship between the abstractions and the real, perhaps choosing to incorporate bits of elements — plants, tracks, etc. — blur the line between the abstractions and the real.

Dunes change appearance greatly depending on the time of day and the atmospheric conditions. In some sense, they are a sort of canvas on which light paints. At times the shadows can be deep and even stark, but in soft light they can be almost as light as the highlights. It is hard to say with certainty what color dunes are. In the middle of the day they may seem almost colorless, but when they pick up the colors of sky and golden hour light they may become subtly colorful.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Shadows on Dunes

Shadows on Dunes
Morning shadows lie across Death Valley sand dunes.

Shadows on Dunes. © Copyright 2023 G Dan Mitchell.

Morning shadows lie across Death Valley sand dunes.

Yes, I know. More dunes. As I wrote earlier, it is almost impossible to visit Death Valley National Park and not photograph sand dunes at least a little bit. To be sure, they comprise only a small portion of the park, and there is much more to see there. But they are a compelling subject, with infinite variations of light, texture, form, and color. I photographed these in the early morning just after sunrise when the shadows were still long.

While photographs often show the actual features and forms of the dunes, photographers “interpret” the subject, too. We seek out the most fascinating bits and pieces, the best light, and then we go to work to present them in the most interesting and appealing way. Here I wanted to show the directionality of the early light, but also maintain at least some details in the deep shadow areas.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning Dunes

Morning Dunes
Sand dunes and shadows in early morning light.

Morning Dunes. © Copyright 2023 G Dan Mitchell.

Sand dunes and shadows in early morning light.

Sand dunes provide an endless laboratory for experimenting with curves, light, shadow, and texture. To the best of my memory, I have never failed to photograph then during a visit to Death Valley National Park, and some of the dunes have become old friends. But that long familiarity doesn’t eliminate surprises, and I discover something new on every visit.

I photographed this scene on a late-March morning, back when the weather in the region was still more like winter than summer. In fact, this clear and pleasant morning was a bit of an exception, and we encountered snow, high winds, and rain at other points during our visit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.