Tag Archives: curving

Walking Couple

Walking Couple, Montpellier
“Walking Couple” — A couple walks up a narrow, curving street in Montpellier, France.

As the end of our December visit to Montpellier approached, we took a walk through some areas that we had missed the previous days — a walk that took us to the train station, then through a sort of light industrial area, and finally back up into the old central city. Here the streets are often very narrow and lined the tall buildings — and not much light penetrates all the way to the street level.

I grabbed this shot of a couple pushing a stroller up this narrow, curving street. In addition to the usual appeal of the street designed for walking rather than driving, the way the street curved and the increased glow of light at the curve attracted my attention. The unusual pattern of the paving also directs the eye toward the curve and, in this case, the two people.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Organic Landscape

Organic Landscape, Death Valley
“Organic Landscape” — Erosion patterns in a desert landscape, Death Valley.

Believe it or not, I am getting to the end of the photographs I made on this year’s winter visit to Death Valley National Park. I go every year during the cool months, sometimes more than once. When I returned at the end ofFebruary I wasn’t sure if I had gotten many keepers, but since then I have managed to find more than a few. This is a typical situation — I often don’t immediately see the potential in image files, and it takes a while to get to know them.

This photograph includes a small section with details of a portion of Death Valley “badlands” terrain. I photographed it in the early morning, before the direct sunlight arrived. The soft light and the curving shapes remind me of forms we see in living things, hence the “organic” title.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Curving Coastline, Fog

Curving Coastline, Fog
“Curving Coastline,Fog” — Successive ridges drop to the Pacific Ocean in fog along the rugged Big Sur Coast.

The Big Sur Coast seems to strtch on forever, with rugged mountains dropping precipitously into the Pacific Ocean. Ridges are separated by small valleys, and a drive along the Pacific Coast Highway often follows a pattern of turning inland to cross a valley and then turning toward the ocean to cross another ridge. And from high on these ridges the views are usually spectacular, taking in great expanses of that coast and Pacific Ocean panoramas.

A combination of characteristics makes this area quite “photographable” outside of the favored very early and very late hours. The coast trends from northwest to southeast, so as midday approaches the sun can be right above the coast, providing backlight that highlights the receding ridges. (A bit later its light reflects off the water.) And often the morning fog has cleared but left a bit of haze behind, and on the best days it glows luminously.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Strolling in Bologna

Strolling in Bologna
“Strolling in Bologna” — Pedestrains stroll along a narrow, curving street in Bologna, italy.

Sometimes my ideas about whether a photograph should be monochromatic or color turn out to be wrong. This street is quite colorful, with paint on the buildings that suggests the sandstone colors of Southwest American canyons. The soft light accentuated this effect and warmed those colors. But the more I worked on the photograph, the more that it seemed a case of “too much.”

In fact, the two central figure also disappear into the detail in the color rendition, and those colors, found throughout the rest of the frame, simply overwhelmed everything else. So gradually, step by step, my idea about how to interpret this scene shifted to thinking of it as monochromatic.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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