Forest edge in evening light with forest sloping upwards toward Sierra crest peaks
This is most certainly not an iconic view, but I’m sure that many fellow Yosemite high country aficionados have been to this spot and gazed at this and the surrounding view. (Part of one Yosemite high country icon does appear in this photograph, but it is the bottom part.)
Earlier on this visit to the park I had walked out into this landscape to photograph in the meadow, on low hills, among trees, and alongside a river. As I passed by here again on this early evening I stopped and was entranced by the warm evening light on the trees at the edge of the meadow and by the further forest-covered slopes rising into the alpine zone and eventually above tree line to the elevations where there is little but rock and tundra plants. While the landscape often seems rather static during the day, at moments like this near the beginning and ending of the day the landscape changes dynamically as light shifts and highlights and then shadows subjects. I had only a brief moment to make this photograph (and a couple of others) before the light lifted from the trees and left them in shadow.
Dry summer grasses in Dana Meadow near Tioga Pass, forest leading to Kuna Crest
I think of this photograph as being, in some ways, very unremarkable. In a few other ways there are some things that are at least a bit unusual about it, though this probably isn’t obvious. The scene is one that is familiar to anyone who has driven over Tioga Pass between the eastern Sierra and Yosemite National Park and west side destinations. The Yosemite Sierra along this route is a very diverse place, but the large sub-alpine meadows surrounded by forest and higher peaks is very common and characteristic of the area. Sierra visitors are also probably familiar with the annual seasonal transition from lush, green meadows to drier, brown meadows.
So what is a bit unusual about this scene? For one thing, I shot it during more or less the midday hours. This is not typically when I photograph scenes like this one, but this daytime view is probably the sort of thing that we see most often when we are actually there in the range. The color of the meadow grass is also a bit unusual – not that this coloration occurs, but that it happened so early in the season this year. The almost complete absence of green in the meadow is more characteristic of a time several weeks later than this early August date, when typically we might see a combination of dry and lush. But this year has been anything but a typical one in the Sierra and in much of California. Last winter was extremely dry, and there was barely any precipitation after the new year started – and this was the second drought year in a row. The conditions in the Sierra, as seen here, are not unprecedented, but they are very unusual.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A last beam of sunset light illuminates the granite slabs of Lembert Dome and the distant slopes of Mount Dana above Tuolumne Meadows
This afternoon of a day when I was in the area of the Sierra crest near the Tioga Pass entrance to Yosemite National Park had turned murky, with a combination of wildfire smoke and high clouds that largely killed the interesting light as the “golden hour” approached. I decided to drive along Tioga Pass Road as the day came to an end, and look for whatever interesting light might appear. There is a lighting condition that can sometimes turn a “blah” evening into something amazing in the Sierra – though I wasn’t too optimistic on this evening. On an evening when clouds overhead obscure the late-day light, the clouds sometimes end a bit to the west of the high country, and as the sun drops below those clouds to the west there may be a last-minute glow that must be seen to be believed. You most certainly cannot count on this happening – sometimes the sun simply drops behind clouds and the light goes out. But if it is a possibility I will often go to great lengths to be ready for it.
Even knowing about this light, I was surprised on this evening – twice! In the first instance I had thought I saw a very subtle lightening and intensification of color on the shoulder of one distant ridge far up in the distant Rafferty Creek drainage, so I quickly found a place to turn around and return to a roadside pull-out where I thought I could photograph it. As I quickly worked to set up my tripod and camera… the glow faded and disappeared. I looked around for evidence that it might return – a bit of light elsewhere in the landscape – but seeing none I got back in the car. I had driven no more than 30 seconds down the road when the entire landscape to my south and east lit up with glorious warm light! I quickly – again – turned around and drove back and managed to get a couple of shots before it disappeared again. I then went on down to Tuolumne Meadows with a vague plan to look for interesting light or to photograph an exceptionally large herd of deer that I had seen on an earlier evening. When I arrived, the light was not stunning, but the deer where there, so I put on my “wildlife photographer hat” and a long lens. As I photographed them in less than amazing light, I saw a bright spot in the clouds to the west that just might line up to send a beam or light across the meadow from west to east – and sure enough, a moment later the light began to gradually build. Since I had no time to move or change lenses at this point, I thought about what I could do with the long lens before this light disappeared, so I focused on Lembert Dome, bathed in this light at the far end of the meadow and with the more distant slopes of Mount Dana beyond.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Lodgepole forest trees and the lower slopes of Mount Gibbs are bathed in sunset light, Yosemite National Park.
This was an evening of “interesting” (e.g. – tricky!) light that changed from moment to moment. The issue was that there were high clouds to the west of my position not too far from Tioga Pass. These clouds can cut both ways – on one hand they can be lit up in quite astonishing ways by the light at the end of the day and just after sunset, but they can also quite simply block the light from the west. When I see this situation in the Sierra, I often make a point of being where I can take advantage of the potential for a wild show of sky color, but I’m also aware that as often as not nothing will happen and the sun will simply slide behind the clouds. On this evening things were complicated. Earlier there was a wonderful atmospheric haze that became luminous in the back-light. However, as the sun dropped toward the horizon, at times it did pass right behind clouds that were thick enough to block its light and turn the world quite gray.
Eventually I figured out that light was going to be transitory and unpredictable on this evening, so I more or less settled into “opportunist” mode, ready to move quickly when a bit of light showed up in one place or another. With a somewhat long lens on the camera, I would wander around or just stand and watch. Then, almost without warning, something would light up – a tree over there, a ridge behind me, some clouds – and provide a momentary opportunity to make a photograph. At the point that I made this photograph, in subtle, rose-colored light, I had almost given up since the trees around me had fallen into shade. But a brief bit of sun came through a break in the clouds near the horizon and lit the nearby grove as the slopes of Mount Gibbs became pink in the end-of-day light.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
