Tag Archives: dark

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Hill Near Mesquite Flat, Dusk

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Hill Near Mesquite Flat, Dusk
Hill Near Mesquite Flat, Dusk

Hill Near Mesquite Flat, Dusk. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dusk light above a hill near Mesquite Flat in Death Valley, backed by a large alluvial fan from Tucki Mountain.

At the end of this day I was shooting from the top of a low hill in the Valley east of Stovepipe Wells, and there were interesting subjects throughout almost the entire 360 degree panorama around this elevated position. With this in mind, I had chosen to use the long 100-400mm zoom so that I could have some flexibility in composing elements of this huge scene.

I was mainly working with things that were in the large arc to my west (dunes and Cottonwood mountains and base of Tucki Mountain), north (the main Valley and transverse dunes), and east (the mountains running along that edge of the Valley) since the further subjects of the lower Valley were more or less out of sight beyond the alluvial fan that appears in the photograph. But I kept being intrigued by the low, dark hill on the flats below the similar hill on which I was standing. There is a row of them stretching from near the Devils Cornfield area up and across this alluvial fan. As the evening light transitioned towards post-sunset light I saw that the glow from clouds (a bit of which is visible in the distance above the Black Mountains) was lighting this hill and the surrounding flats in an interesting and colorful way.

But I had a little problem. I was still working a number of subjects and once and I really needed to keep shooting that 100-400. 100mm was still too long for this scene, but I didn’t have time to remove it and put on a shorter lens. I figured that I could simply change the camera to vertical orientation, very carefully level the tripod, and include the whole scene in four panning vertical frames that I could stitch together later. People often do this so that they can produce extremely high-resolution image, but that wasn’t my goal at all. In any case, it worked, and not only did I manage to get the shot that needed a wider lens, but as a bonus it is a very high-resolution shot.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Yellow Building With Dark Windows, Star Trails

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Yellow Building With Dark Windows, Star Trails
Yellow Building With Dark Windows, Star Trails

Yellow Building With Dark Windows, Star Trails. Mare Island Naval Ship Yard, California. February 26, 2011. © Copyright G Dan Mitchell – all rights reserved.

Night photography of an old yellow building with dark windows against a backdrop of dark sky with star trails, Mare Island Naval Ship Yard, California.

This is probably a fairly conventional image of Mare Island buildings in some ways and it includes the ever popular star trails! One aspect of doing night photography – especially when exposures are measured in minutes rather than seconds, much less fractions of seconds, and double-especially when you must wait for a second dark-frame exposure to complete – is that you have a lot of time to stand around and observe and think about what you see. A whole lot of time. Before I made this photograph, I had made one of a nearby wall with some interesting windows and a door and illuminated by some light that passed through some intervening stuff, producing interesting shadows. The alley where I was shooting was quite dark, necessitating fairly long exposures, so as I made that previous photograph I had perhaps 10-15 minutes of “standing around time,” during which I was able to observe my surroundings pretty closely.

Lately one subject that I’ve been experimenting with is the upper stories of buildings, shot from below and with sky beyond. Near where I was shooting and next to a nearby alley was this large (apparently) concrete building with dark windows, and its pointed prow against a backdrop of relatively dark sky. I noticed that this section of sky held more bright stars that some other areas and that if I lined things up just right I could position some to either side of the point at the corner of the building.

More Night Photography

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Night, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Shacks and Ship Yard Structures

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Shacks and Ship Yard Structures
Shacks and Ship Yard Structures

Shacks and Ship Yard Structures. Mare Island Naval Ship Yard, California. February 12, 2011. © Copyright G Dan Mitchell – all rights reserved.

Shacks, trestles, pipes and other shipyard structures against a night sky – Mare Island Naval Ship Yard.

Several years ago I shot more or less this scene and created a black and white photograph from it, and since then I’ve been thinking of trying to work with the scene again. I’ve been back, but ended up not shooting it for a variety of reasons, including a tall fence that now blocks the view a bit. On another occasion I decided not to shoot it since there was no moon… and the original photograph was done in full moon light. (“It wouldn’t look like my other photograph.” What a silly reason to not shoot it!)

This time I wandered over to this area to shoot a different subject, the companion structure that sits just north of this one. (Both support large overhead “tracks” along which some sort of machinery was able to lift and move large things like ship engines from the shop to the waterfront.) With my tripod cranked up to a foot or so above my head, the camera could “see” over the fence, so I decided to go ahead and shoot this subject again.

Technically, there are a few challenges in the shot. The bright light is very close to the first building and it ends up being very bright and the light is a very saturated yellow color – so that limits the maximum exposure. At the same time, there are some deeply shadowed areas in the structure that you can probably spot – come of the areas under parts of the tower for example. In addition, the city of Vallejo lies beyond this facility – you can see a bit of the glow from its lights in the distance – and some of the city lights would be directly visible if I wasn’t careful with camera placement.

I’m intrigued by several things about this subject. As a decommissioned ship yard, it is interesting to think about what it must have been like here in the past when all of this was in use. (Mare Island’s history goes well back into the 1800’s when it was the first west coast naval ship yard.) I also marvel at the “stuff” that I see that I can’t understand at all. I have no idea what many of those pipes were for or even what must have gone on in these little buildings. And the weathered, rusted, decaying character of the structure itself is interesting to me.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Fall Leaves, Lundy Canyon

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Fall Leaves, Lundy Canyon
Fall Leaves, Lundy Canyon

Fall Leaves, Lundy Canyon. Eastern Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Leaves transition from summer to fall colors in a deeply shaded area of forest in Lundy Canyon.

Since it was the second week of October, and the time at which I’ve seen Lundy Canyon aspens change color in the past, I headed up into the canyon on the last day of this visit to the eastern Sierra to look for aspen color. As I drove up the canyon from highway 395 I could see some brilliant color far above on the ridges above the canyon, but I wasn’t seeing much down in the bottom of the canyou. I continued up the canyon past Lundy Lake and the resort – closed up for the season – and then continued on the one-lane dirt road that goes on up to the trailhead, passing some flooded flats along the way. There is often color in these areas and then again in the grove of aspens near the trailhead… but not this time.

(Looking back on this “aspen season” from an early-December perspective, it was a bit of a strange one. It seemed to begin early at the higher elevations and there were stunningly colorful trees up high during the first week of October. However, storms soon came in and took down many leaves – and then there was a “dead zone” period of nearly two weeks before the color resumed at lower elevations. This visit to Lundy Canyon took place near the start of this slow period.)

After figuring out that the color I had coming looking for was not to be found, I started back down the canyon. I stopped briefly by the ponds but the light was not quite what I was looking for – it was still a bit too early in the afternoon and the light was harsh and coming from the “wrong” direction for my purposes. However, elsewhere in the canyon I decided that I had to photograph something before leaving the canyon for a planned evening shoot nearby, so I simply pulled out on a short dirt side road where I had earlier seen some tree trunks leaning against rocks. It turned out that I couldn’t find a composition there either – sometimes this is just the way it goes! However, I found these leaves nearby next to the path I had taken down to the river. I thought that the contrast between the green and yellow and the very dark forest floor might be interesting, so I put on a long lens (to minimize depth of field and to give myself some working distance) and I made a few exposures.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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