Tag Archives: dilapidated

Lamp, the ‘UFO Building” at Night

Lamp, the 'UFO Building" at Night
Lamp, the 'UFO Building" at Night

Lamp, the ‘UFO Building” at Night. Mare Island Naval Ship Yard, California. February 12, 2011. © Copyright G Dan Mitchell – all rights reserved.

A lamp casts a shadow in bright artificial light in a night photograph of the wall of the ‘UFO Building’ at Mare Island Naval Shipyard.

The first time I photographed the side of this weathered and peeling building and Mare Island Naval Ship Yard, I didn’t see the feature that gives this building its informal name. I’ll be that you can though, right? Due to a lucky alignment of this small exterior lamp (which appears to be non-functional) and some nearby sodium vapor lamps, the lamp casts a shadow on the corrugated wall of the building that has a striking and easily recognized shape!

It may not immediately be apparent that this photograph was made at night in very low light. However, a look at the lighting should make it apparent that this cannot be daytime light. Note that the lamp that creates a shadow to its right… is also getting some nice illumination from the right side! One of the fun things about shooting in an industrial location like Mare Island is the amazing mixture of lighting sources. Though it wasn’t much of an influence on this night, the full moon can provide light that is color balanced pretty much like daylight… only a lot dimmer. The sodium vapor lamps that light this area (they are common in street lamps) produce a strongly yellow or yellow/red light. Occasional fluorescent or tungsten lamps provide yet more color variations. In the end, it is just about impossible to say what kind of color balance is “real” – and doubly-so since the actual shooting conditions are near darkness. The only reason that images like this look daylight-bright is because they are typically the result of long exposures. In fact, this one was relatively short at just over a minute. Somewhere in the 2 to 5 minute range is perhaps more typical.

The crazy lighting is apparent in this image if you look a bit more closely. As mentioned above, there is cross lighting here from both sides of the frame. While the strongest light comes from the left (and creates that UFO shadow) there is also significant light from a bit further away to the right. You may also be able to see that the in some areas the shadows created by light from one side are filled in by garishly colored lights coming from the other directions – see some of the very yellow areas along the sides of vertical boards and along the ridges of the corrugated wall.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Urban Residential Buildings, Sidewalk and Street

Urban Residential Buildings, Sidewalk and Street
Urban Residential Buildings, Sidewalk and Street

Urban Residential Buildings, Sidewalk and Street. San Francisco, California. March 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

Facades of residential buildings along a hilly street in downtown San Francisco.

With all of the landscape and nature photography I’ve posted recently, I figured it was time for something different. This is a street scene in San Francisco I photographed on a quick walk on an early March day in 2010. Many of the other photographs I made in this area included people, but it this one I wanted to isolate the fronts of the buildings, especially the contrast between the relatively fixed-up one on the left and the more weathered one on the right.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Red Tile and Door

Red Tile and Door
Red Tile and Door

Red Tile and Door. Mission District, San Francisco, California. February 20, 2010. © Copyright G Dan Mitchell – all rights reserved.

A stripe of bright red tiles and dilapidated doors in San Franciso’s Mission District.

This photograph was made early in 2010, and is one that I dredged up from the “archives” during the year-end process of reviewing all of my thousands of 2010 raw files. I had been in San Francisco with some spare time and I found myself in the Mission. This area is a great resource for photography, so I set out on foot to look for subjects along the crowded streets of this neighborhood. A small girl behind the heavy screen door on the left (barely visible in this photograph) first caught my attention, but I also found the juxtaposition of horizontal and vertical lines interesting along with the very weathered and distressed doors and walls. The thin line of brilliant red tiles was striking against the dark and dingy background.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Broken Window and Cinder Blocks, High Line Park

Broken Window and Cinder Blocks, High Line Park
Broken Window and Cinder Blocks, High Line Park

Broken Window and Cinder Blocks, High Line Park. New York City, New York. August 14, 2010. © Copyright G Dan Mitchell – all rights reserved.

A broken window in a brick wall with cinder blocks behind, High Line Elevated Park, New York.

This odd window set against a solid cinder block wall was alongside the High Line Park in the Chelsea area of Manhattan. I am always intrigued by odd brick patterns, including those where someone has painted the bricks. The image of the smashed window “opening” to a solid wall was also compelling, and in a larger print there are some very interesting patterns, colors, and textures in the broken glass and the bits of paint on the window.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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