Tag Archives: dome

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees and Granite, Morning Light

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Trees and Granite, Morning Light - First morning light on trees and granite slabs near Olmsted Point, Yosemite National Park.
First morning light on trees and granite slabs near Olmsted Point, Yosemite National Park.

Trees and Granite, Morning Light. Yosemite National Park, California. August 12, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

First morning light on trees and granite slabs near Olmsted Point, Yosemite National Park.

I made this photograph a year ago, almost exactly, in August of 2011, while on a trip of several days devoted to photographing the High Sierra, mostly in the Tuolumne Meadows area of Yosemite. A year later I do not remember all of the details of this morning, though I recall that I had gone very early to the Olmsted Point area to photograph the glacial erratic boulders and some rugged trees growing on the granite slabs found in the area. Perhaps this was among the first photographs I made, before heading off to shoot my primary subject, since the series it comes from includes the very first light to strike these trees, while its angle was still small enough to hit the trees but not the rock.

When I came upon this photograph in the old raw file archive this week, one thing that struck me is the fact that it does include a Yosemite icon (seen from an iconic angle that is often photographed), yet that icon is almost an afterthought and most certainly not the primary subject of the photograph. I posted something here yesterday about photographing icons (“Photographing Icons or Not”), and one of the ideas that you might take away from that post is that it is possible to see iconic sights in ways that do not necessarily repeat the familiar iconic views. (Not to fear, I have the iconic view of this subject, too.) I’m willing to bet that I was thinking a whole lot more about the warm first light on the foreground trees, the way it contrasted with the cooler blue tones of the deep canyon and shadowed ridges beyond, and the texture and shapes of the foreground granite slabs that are so characteristic of this part of the Sierra.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Deer Graze Below Lembert Dome and Mount Dana, Tuolumne Meadows

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Deer Graze Below Lembert Dome and Mount Dana, Tuolumne Meadows - Deer graze in the early evening in Tuolumne Meadows below Lembert Dome and Mount Dana, Yosemite National Park.
Deer graze in the early evening in Tuolumne Meadows below Lembert Dome and Mount Dana, Yosemite National Park.

Deer Graze Below Lembert Dome and Mount Dana, Tuolumne Meadows. Yosemite National Park, California. July 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Deer graze in the early evening in Tuolumne Meadows below Lembert Dome and Mount Dana, Yosemite National Park.

Although compressed here by the use of the telephoto lens, this view of Tuolumne Meadows, Lembert Dome, and Mount Dana is one of the first that you might see when arriving at the Meadows from the west – at least if you happen to look towards Dana after dropping to the meadow and rounding the first gentle curve to the left past a group of trees that grows along the roadside and at the edge of the meadow. This alignment of Lembert and Dana is one that I always look for when I arrive.

Perhaps because I often see it when I arrived at Tuolumne, and because I most often arrive in the morning, my mental image of this view usually includes haze that makes the view of Dana opaque, especially in when the haze is back-lit by this morning light. Oddly, I don’t often look across the meadows from this point of view during the evening, when I suppose I’m more likely to be further up the meadow and closer to the Tuolumne River itself. On this July evening, however, I did happen to be here just before sunset. (I don’t recall for sure, but I’ll bet that I was returning from photographing somewhere to the west.) When I saw that familiar alignment of Lembert and Dana in the evening light, I stopped. I don’t think that I noticed the herd of deer along the meadow at the bottom of the frame until I was set up.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tuolumne River, Alpenglow

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Tuolumne River, Alpenglow - The Tuolumne River curves through Tuolumne Meadows as alpenglow colors that landscape, Yosemite National Park.
The Tuolumne River curves through Tuolumne Meadows as alpenglow colors that landscape, Yosemite National Park.

Tuolumne River, Alpenglow. Yosemite National Park, California. July 7, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Tuolumne River curves through Tuolumne Meadows as alpenglow colors the landscape, Yosemite National Park.

I have written previously about several topics that connect to this photograph. For one, I have described a certain type of atmospheric condition in the Sierra that may bring astonishingly intense evening colors when clouds above the mountains end to the west of the range, allowing the final sunset light to illuminate the clouds from beneath. On this evening it looked like all the pieces were in place for such a show, but I know that while these conditions make the light possible, they do not guarantee it – and on this evening there was a wonderful, subtle glow just after sunset… but not the imagined overwhelmingly brilliant light.

For another, I have written about scoping out a shot ahead of time, sometimes earlier the same day and sometimes weeks, months, or even years earlier. Earlier on this day I decided to take a walk in the meadow without my camera gear, with precisely the task of “scoping out” in mind. I wandered around somewhat aimlessly, following my nose this way and that to investigate lots of interesting things and places that I might have passed by on a more purposeful hike. Before heading back to camp for an early dinner I had selected three possible subjects that I thought might work well.

I have also written about how little control we have over our subjects when shooting landscape. We can anticipate and guess and be fortunate enough to be in the right place at the right time with the right gear and the skill to know how to use it, along with the ability to see what is happening – but in the end, in many ways, we take what we can find and work with it. When I arrived back in the evening an hour or so before the time of interesting light, I had a feeling that the first subject I had seen earlier might be the most promising. This was a scene that placed Lembert Dome between a couple of groups of trees and a bit of the river when viewed from the middle of a footbridge crossing the Tuolumne. I arrived and set up and began the planned wait for what I hoped would be very interesting light. However, as sunset approached, I could see that the shot I had planned was not going to work in the light that I found myself working with. So, on the spur of the moment and acting essentially intuitively, I picked up the tripod and camera and moved to a nearby spot and rather than making a tightly focused shot of the dome, I zoomed way out to include a gentle curve in the Tuolumne, a sandbar, and a line of foreground trees, and I made this photograph of the much subtler-than-expected post sunset light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Coal Chute Point and The Pit

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Coal Chute Point and The Pit - Coal Chute Point, the Pit, and the rugged shoreline of Point Lobos State Reserve, California.
Coal Chute Point and The Pit - Coal Chute Point, the Pit, and the rugged shoreline of Point Lobos State Reserve, California.

Coal Chute Point and The Pit. Point Lobos State Reserve, California. March 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Coal Chute Point, the Pit, and the rugged shoreline of Point Lobos State Reserve, California.

(Shortly after posting this, another photographer wrote to suggest that I might consider renaming the image to “Point and Chute.” ;-)

For all the years – decades, actually, and more than a few – that I’ve been visiting Point Lobos, there are still places that I have not gotten around to visiting within the boundaries of the park. Among them are some headlands not far from Whalers Cove that I’ve looked at for a long time… and then always headed off to some other part of the reserve without visiting them. Earlier this week I visited Point Lobos with no particular goal in mind aside from making some photographs, and I somehow finally ended up in this picturesque area that offers some quite different views from those found in the areas that more directly face out into the Pacific. (While it is, indeed, picturesque… the place names are not. Coal Chute Point? The Pit?)

The light in this photograph is somewhat subdued, at least in comparison to some of the photographs you might see of such a place, typically shot in the evening when the sky is at its most colorful. (Yes, I’ve certainly made my share of those photographs at Point Lobos, too!) But this light had a different sort of appeal, and it continuously changed during my half day there. When I arrived some fog was just clearing near the coast. It was a strange pattern – fog way inlands that looked more like the typical winter valley tule fog than the summer coastal fog. In fact, as is frequently the case in winter, it was clear at the coast. But somewhat surprisingly there was a regular old fog bank lurking a ways off the shoreline – and later in the day it moved in on the coast. Along with this there were high, thin clouds from a weather front that was passing well to the north. These conditions can still provide directional light but light which is softer and can fill in the shadows a bit – making it possible to shoot in places and at times of the day when the light might otherwise be too harsh. For this photograph I decided to “go wide,” and shoot with a 24mm focal length of a full frame DSLR to accentuate the distance between the foreground beach and the distant horizon and to include the full width of the curving wave as it broke on the beach.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.