Tag Archives: double

Bill Everett, Bass

Bill Everett, Bass
Bill Everett, Bass

Bill Everett, Bass. San Jose, California. January 12, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Principal double-bass Bill Everett practices backstage at a concert of the Symphony Silicon Valley

This photograph of principal double-bassist Bill Everett practicing backstage at a concert of the Symphony Silicon Valley is among my favorites so far from my three-year project photographing professional classical musicians. During this project I have extensive access to the performers and backstage areas, and I’m attending many rehearsals and concerts – so many and over such a long period that I am able to develop personal relationships with the musicians, find and use interesting little bits of stage lighting that others might miss, and learn to see and photograph elements of the musicians’ work that others might miss.

As I have worked the rehearsal and performance halls I have gradually learned a lot about subtle lighting opportunities in the backstage areas. I know keep an eye out for people who wander into this prime light spots, and when I see them there I quickly take advantage of the opportunity. Bill had, likely with no conscious thought, located himself directly between a backstage work light and essentially cast a vertical spotlight on him and his instrument. I stood nearby with a medium long lens and was able to make several photographs of him as he focused his attention on a bit of music from the performance.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Special Discount on Canon 16-35mm f/2.8L II at B&H

“We interrupt our regular broadcast to bring you this special message.” ;-)

I just heard that site sponsor B&H has added its own additional “instant rebate” to Canon’s price reduction on the the 16-35mm f/2.8L II, a very fine lens for those who do low-light ultra-wide photography. When the $170 Canon “instant rebate” is combined with the $50 B&H “instant rebate,” the price of the lens is reduced by $220! If you have been saving up for this lens, this sounds like a great opportunity to me!

You may already be aware of a current Canon “instant rebate” promotion that has reduced prices on a very wide range of Canon lenses and Speedlites, including some very desirable equipment. The range of included products and the size of the discounts are both unusual.

‘Black Friday” Canon “double instant rebate” deals at B&H

(Update 11/25/11: Please take a look at the “deals” page on this web site for updates. B&H is sending me emails about other deals – including Adobe Lightroom for only $89.95 and a “$200 off” price on the Canon EF 24-70mm f/2.8 L lens.)

Right on the heels of the previous “instant savings” promotion and as part of the seasonal Black Friday sales, site sponsor B&H has announced Canon Double Rebates on the EOS 60DEOS 7D, and EOS 5D Mark II cameras and a wide range of lenses and electronic flashes when purchased as a package. Lenses include many L primes and zooms, speciality lenses such as macro and tilt/shift models, most of the better EFS lenses, and a few excellent non-L lenses. It looks like essentially all of the major Speedlite models are included. This extended Black Friday deal only lasts a short time – prices expire on Sunday, November 27 at 3:00 a.m. EST.

If you are considering a body and lens, these are some of the best prices you are likely to see. Some of the discounts are significant enough that you might even want to get that body/lens that you were just thinking about… To see the details of this promotion at B&H, follow this link.

NOTE: B&H is a site sponsor and the blog earns a small commission on sales made via links on this page. Also note that B&H is closed for a period this weekend. If it is your intention to buy though my links to help support this blog, please return to this page and click though these links to make your purchase rather than adding them to your “cart” at B&H. Thanks!

Windows and Reflected Light, Industrial Building

Windows and Reflected Light, Industrial Building
Windows and Reflected Light, Industrial Building

Windows and Reflected Light, Industrial Building. New York, New York. August 22, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A double-reflection of late light from an adjacent building appears in the upper story of this window-covered industrial building near the High Line Park in New York City.

This is another of my photographs from New York City’s High Line Park, made during my late August visit to the city earlier this year. For those who may not know, the High Line is a relatively new (and still under construction) urban park in Chelsea that is “elevated,” being built on the bed of the old elevated railway that passed through here. The park is tremendously popular, especially on summer evenings.

Aside from being a pleasant place to walk, the High Line affords some interesting views that are usually not quite this accessible. There are not to many places where you can walk through a busy urban environment such as Manhattan for a mile or so, out in the open, a couple of stories above street level, with largely unobstructed views of subjects near and far, and above and below. Here the park passes between some taller buildings that are closely spaced, creating an interesting lighting situation. (Oddly, it is a kind of lighting that I often look for when shooting landscape or nature subjects.) The sun is behind the building in the photograph, so the building is largely lit by light from the open sky plus light reflected from the building behind my camera position. You can see that other building in the windows here, the upper floors in direct sun light and the lower in shadow.

G Dan Mitchell Photography
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