Tag Archives: drift

Pacific Ocean, Evening Sky and Fog

Pacific Ocean, Evening Sky and Fog
Pacific Ocean, Evening Sky and Fog

Pacific Ocean, Evening Sky and Fog. Pacific Coast Highway, California. June 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Thin evening fog clouds drift above the Pacific Ocean along the California coastline.

This is a favorite sort of view of mine along California’s coastline – a calm (almost) summer evening near dusk, but only a few wisps of fog trying to collect themselves along the shoreline, but not quite making it. So much of what I photograph has at least some green in it – so this palette limited to shades of blue and pink seems special.

Although it was not quite so still when I made this photograph – I was along the edge of a bluff not far from the highway – the visual image captures for me the feeling of timelessness that I sometimes experience at the coast. I’ve lived in these areas almost my entire life, so I’m no stranger to the coast and beaches. (Though I continue to see and learn new things. But most such experiences are tied to roads and parking lots and even to urban areas. A few years ago, believe it or not, I had a very different experience with the ocean when I walked perhaps four miles to a point along the sheltered waters of Point Reyes, and coming to the coast on foot I felt, for the first time at the ocean, this sense of deep time and I felt that what I was seeing had probably changed little, if at all, in millennia. I can literally count the number of times that I’ve had the profound realization, and I was alone on each occasion – the Point Reyes experience, on a still evening away from camp above timberline in the Upper Kern River region of the Southern Sierra, and on one memorable day on my first (two-week!) solo backpacking trip when I found myself sitting on top of a 12,000′ Sierra pass for several hours.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Launch For Hire Building

Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I shared a color version of this photograph back in March, not too long after I made the photograph. The building is an old wooden structure that sits on pilings above the waters of Tomales Bay, and is probably familiar (especially with its “LAUNCH FOR HIRE” sign) to almost anyone who passes by on the way to Point Reyes. In fact, that is precisely where I was headed. I had gone up there quite early, hoping to arrive early enough to be at Drakes Bay for sunrise. However, other sites along the way distracted me, and after I finished photographing them I found myself delayed, and the sun was rising over the Marin County hills as I drove around the bay. This photograph was made a few minutes later, after the very first light had already come and gone.

The “black and white or color?” question is a new one for those of us who started out photographing on film “back in the day.” Some of you reading this no doubt think that this context is obvious, but in a world in which some actually don’t understand, for example, how a rotary dial telephone worked, this context will likely soon become as unfamiliar as using a horse and buggy. Whether to shoot color or black and white was, only a bit more than a decade ago, a decision what was made well before clicking the shutter. Put black and white film in the camera and shoot black and white, or put color media in the camera and shoot color. (In most cases – with sheet film it was possible to choose, though that didn’t tend to be the work process of such photographers.) Now we have the odd advantage – or, sometimes, the burden – of having to decide based on the nature of the subject and how we see it. Quite a few photographers using digital media will tell you that they don’t always know for sure whether a shot will work best in black and white or color at the time of exposure. (Sometimes you do, but not always.) So we “capture” the scene in color and put off the final decision until the post-processing stage. Even there it can occasionally be hard to decide. This was one of those cases – and both the color and black and white versions live on for now.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Calero Oaks, Fog

Calero Oaks, Fog
Calero Oaks, Fog

Calero Oaks, Fog. Santa Clara Valley, California. January 67, 2007.© Copyright 2007 G Dan Mitchell – all rights reserved.

Winter morning fog drifts among ridgetop oak trees, Calero County Park, California

This is an older photograph that I sort of “rediscovered” while going through older files recently. It was due for a bit of additional work, reformatting to fit my current preferred 4:3 print ratio, and the updated web border and text that you see in the online versions of my photographs. (And, to answer the question that comes up from time to time, my fine art prints do not include the text found in the online photographs!)

Although I no longer visit there quite as often, this area became a favorite location of mine a few years ago, especially during the winter months when morning fog frequently burns off and reveals the newly-green winter landscape of the California grassland and oak forests. The photograph was made on one of these very mornings, as I had hiked the familiar trail along the top of this ridge, to find myself on the border between fog in the valleys and clearing on the ridge, with the edge of the fog drifting through these trees and the sun backlighting this misty atmosphere.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset Virga

Sunset Virga
Sunset Virga

Sunset Virga. San Joaquin Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Falling virga drifts below sunset clouds of an incoming late-autumn Pacific storm front

First off, the word “virga” refers to streaks or columns of precipitation that fall from clouds but do not make it to the ground. Virga can often create beautiful, delicate, and gossamer atmospheric effects, especially when the light is just right. In this case the condition was back and top-lit by low sunset light flowing upwards toward the base of high clouds from an incoming winter Pacific storm front.

This evening was (yet another) of those on which earlier unpromising conditions exploded with color right at the end of the day. We had spent the morning photographing birds (mostly geese) at a Central Valley wildlife refuge, taken a short lunch break, and then returned to the refuge for late afternoon and evening photography. The geese were wonderful and we made a lot of photographs, but it seemed like the light was going to “die” before sunset as those high clouds began to drift in from the west. That’s OK, as there are ways to photograph in that more subdue light, but I think we may have been mildly disappointed that the clouds appeared to preclude special sunset colors. So we went about our business of photographing birds, not thinking too much about the sky. Speaking for myself, though, at some point I began to notice a bit of color in the clouds behind the birds. I stopped for a moment and looked to the east (where the sunset colors first are seen before the sweep across the sky toward the setting sun) and noticed that some color was developing. In short order, the underside of the clouds began to light up, and right at sunset we were treated to an absolutely brilliant display of intense color to the west. Since I was shooting with a long telephoto I decided to try a few detail shots of small sections of the sky. If you look very carefully, you might be able to spot a jetliner heading into the sunset.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.