Tag Archives: dusk

Beyond the Golden Gate

Beyond the Golden Gate
Beyond the Golden Gate

Beyond the Golden Gate. Marin Headlands, California. January 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The Pacific Ocean and western horizon outside the Golden Gate

A day trip to San Francisco began with a plan to see the David Hockney exhibition at the De Young Museum – important since the show was in its last few days. After spending several hours at this wonderful show, we came up with a vague plan to go somewhere and perhaps photograph something before dark. With a bit less than two hours to go and no more plan than that to go on, we crossed the Golden Gate Bridge to the north and were distracted by the idea of an espresso stop. By now there wasn’t a lot of time left before sunset, so we simply reversed course and headed back toward the bridge, where we did the “usual thing” and headed up into the Marin Headlands.

This is probably one of the very most popular area tourist destinations in the evening, since these hills north of the Golden Gate provide a classic and romantic view through the Golden Gate Bridge and back toward San Francisco – at least when it isn’t foggy. Since I know this area well, and in all kinds of conditions, at this point I was thinking more about simply enjoying the evening than about making photographs, and when we found a place to stop and park I left my camera equipment in the car. I looked toward The City and decided that I wasn’t going to photograph it… but as I looked to the west I saw some things that did seem a bit more interesting. At first I focused on the silhouette of more westerly cliffs as they dropped down to meet the Pacific. Then, after the sun had set, I decide to go ahead and just photograph the immense surface of the Pacific Ocean, reflecting sky colors and fading into the haze at the horizon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset Fly-In

Sunset Fly-In
Sunset Fly-In

Sunset Fly-In. San Joaquin Valley, California. January 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Ross’s Geese and Snow Geese settle in for the evening at California Central Valley wetlands

This is a sort of New Years post – the first 2014 photograph to share – but my “2013 Favorite Photographs” post is yet to come. Watch for it later today.

Last year a group of friends decided that we couldn’t imagine a better way to welcome the new year than to assemble along the edge of a San Joaquin Valley marsh before first light, listening to the raucous sound of thousands of geese and cranes, to watch the first dawn of the year through the inevitable Central Valley tule fog, and then to spend the day making photographs. This year several of us resolved to make this an annual tradition and, although not all who came last year could make it, we again assembled at the familiar spot early on New Years Day. (It was a double challenge for me, as I arrived in back California from New York City barely more than 5 hours before my alarm would go off for the drive to the valley. At least the time zone change was on my side, or so I tried to convince myself at 4:00 AM by repeating, “It is already 7:00 in New York!”)

I drove in to the refuge in earliest pre-dawn light and met my friends David and Charlotte, who had arrived a few minutes earlier and were photographing the fog drifting along the edge of the wetlands. We exchanged New Years greetings and listened to the wild sounds of geese and cranes coming from all directions, and then began the (pleasant) work of finding dawn photography locations. We photographed through the morning and then, perhaps because this was a New Years Day “photographers’ holiday” ended up spending an inordinate but very pleasant amount of time standing around talking as the midday light became less conducive to photography. I had decided that I would probably leave for home after the morning shoot, but I succumbed to the invitation to join Dave and Char for a quick lunch in a nearby town, and when we finished eating (and, yes, again, talking a lot ;-) it was late enough that I figured I would make one more pass through the wetlands. I wasn’t certain how the evening would play out photographically, since friends visiting the area the previous day had reported finding few geese and because high clouds seemed to be turning the sky a bit gray and murky. The first good omen was finding a very large group of geese in a pond close to an access road. I stopped here a bit more than a half hour before sunset to photograph the evening fly-in, selecting a location that would place any evening color opposite the geese. Before long the gray sky began to pick up some color and as the process continued more geese arrived. Then, a bit earlier than usual, one of the most impressive events of any evening in this valley occurred – the arrival of thousands of high-flying sandhill cranes, passing overhead and circling in the fading light. A few of them appear against the sky in this post-sunset photograph of the colorful sky, a flock of geese below a lone tree, and the reflecting surface of a flooded field. Soon there was no longer enough light to photograph, and I simply stood by the car and listened to the sound of the cranes and geese until it was time to go.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese, Dusk

Geese, Dusk
Geese, Dusk

Geese, Dusk. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Geese take flight into dusk haze and clouds

A group of us – Patty Mitchell, Michael Frye, Claudia Welsh, David Hoffman, Charlotte Hoffman, and I – spent a day photographing migratory birds and the landscape of California’s San Joaquin Valley recently. I hope that it is obvious that this photograph does not attempt an objectively realistic presentation of geese! The facts include… these are almost certainly Ross’s geese, they are passing quickly as they fly between two close flocks in the early dusk light, the clouds in the distant sky are colored blue and pink and purple by post-sunset light. By the time I made this photograph it was almost too dark to clearly make out much of anything in this scene, and certainly not to see clearly the individual birds rising into the air, flying past, or landing among other birds already on the ground.

From a certain point of view, this photograph does everything “wrong” when it comes to wildlife photography in general and bird photography in particular. The shutter speed was something like 1/8 of a second, and kept that “short” only by underexposing by nearly a full stop and shooting at ISO3200. The shot was hand-held with a 400mm focal length. Geese, barely visible in the twilight gloom, where coming and going in almost unpredictable ways, yet getting an interesting arrangement of birds in the frame required quickly responding to what they did and then panning while shooting. I had positioned myself to the east of the flock in the hope of getting some interesting sky behind them, so I was also trying to remain aware of the background while tracking the birds. Clearly, this is not a recipe for razor-sharp, carefully and thoughtfully composed images! Additional work was done in the post-processing phase – to deal with the inevitable noise and with balancing out the luminosities of various parts of the frame and bringing out details that might otherwise be lost. Yet, with enough shots and some intuition from photographing these birds in these conditions before, it is possible to make something happen. In the end, for me a photograph like this can evoke the mystery of what happens in the deepening twilight – the sudden unpredictable motion, the sounds of the geese, the hazy atmosphere, and the gathering darkness.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Flight of Geese, Twilight

Flight of Geese, Twilight
Flight of Geese, Twilight

Flight of Geese, Twilight. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A huge flock of Ross’s geese takes to the sky in the twilight

I probably don’t really need to point out that geese to not look like this, at least not in the objective sense, and that this image is about a subjective impression of these birds and their world. When photographing geese, at least the geese I work with in the California’s Central Valley, long periods of sitting around while not much happens are periodically punctuated by moments when the world goes nuts. For reasons that are often not at all clear, a flock of many thousands of geese that has been on the ground feeding will suddenly lift off as one in a maelstrom of sound and flapping wings. They often head off in some direction, and the group turns in this and that direction and spreads out… and after a few minutes returns to the ground, often in the same or nearly the same spot they just left. After this wild flight ends everything returns again to relative calm.

In the evening as the light fails, I often continue shooting as long as I can, gradually raising camera ISO, opening the aperture all the way, and pushing the shutter speed lower and lower… until there is no longer any way to continue to shoot in the normal fashion. On this evening I finally looked down at my camera to note that I was shooting wide open and ISO 3200 and at 1/5 second or longer… with a handheld 400mm lens! By this point one (at least this one) can no longer really even see the geese with clarity, especially on a typical Central Valley evening when the air is thick with haze and incipient fog. While it might seem like a good time to put the camera away and go have some dinner, at this point I look forward to one final and very special photographic opportunity during this marginal dusk time between sunset colors and blue hour light. I go with the slow shutter speeds and the impossibility of clearly seeing the birds, much less stopping their motion with fast shutter speeds and perfect focus, and I instead play with camera motion and soft focus and the motion blur of the birds themselves. And given that this cannot in any way produce objectively accurate and clinically precise depictions of the birds, I instead go for a sort of subjective truth that represents their wild and only have visible flight through twilight sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.