Tag Archives: early

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Rock and Autumn Color

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Red Rock and Autumn Color
Early autumn color at the base of Zion Naitonal Park cliffs.

Red Rock and Autumn Color. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early autumn color at the base of Zion Naitonal Park cliffs.

Back in Autumn of 2012 I had an unusual opportunity to spend a total of roughly a month photographing in the red rock country of Southern Utah. I was there early in the month for a couple weeks, and I returned in near the end of the month with photographer friends. On that second visit we concentrated on Grand Staircase-Escalante National Monument and on Capitol Reef and Zion National Park. We visited Zion twice — as we entered the state and again as our trip concluded and we started back to California.

From my autumn visits to this part of Utah I started to learned a few things about how fall color evolves there, though my knowledge is far from complete. The first thing I learned is that the aspens change color earlier than in California — more like late September than early October. (I learned this the hard way, by showing up a bit too late to photograph peak aspen color.) The color in the red rock canyons seems to come later, and we had plenty of it to photograph in the second half of the month. When we arrived in Zion National Park at the end of the month interesting color was showing up at higher elevations, but I think we were catching only the very beginning of the color in Zion Canyon. That’s where I made this photograph, with an early riot of color at the base of the ubiquitous red rock cliffs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Cranes Above The Levee

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Cranes Above The Levee
A small group of sandhill cranes flies into a mist-filled early morning winter sky above a Central Valley levee.

Cranes Above The Levee. © Copyright 2012 G Dan Mitchell – all rights reserved.

A small group of sandhill cranes flies into a mist-filled early morning winter sky above a Central Valley levee.

Light comes in infinite variations — bright, warm, cool, clear, misty, back, front, reflected, glowing, harsh, and on and on. (I wonder how many ways there are to describe light?) Photographers and photographers may be characterized by their favorite subjects, how they compose, elements of post-processing, and much more. But what light they prefer and how they handle it may be among the most important factors.

I have my preferences. One of them is for light coming through a glowing, mist or fog filled atmosphere, so bright that you almost cannot look straight at it. In this light the atmosphere almost becomes a tangible thing. This winter morning in California’s Central Valley had that quality as this small group of sandhill cranes flew past.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Wetlands, Winter Fog

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Wetlands, Winter Fog
Early morning winter tule fog rises from Central Valley wetland ponds as sandhill cranes take flight.

Wetlands, Winter Fog. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early morning winter tule fog rises from Central Valley wetland ponds as sandhill cranes take flight.

Winter transforms the arguably-mundane California Central Valley landscape. Much of the area is agricultural country, and while that can look bucolic when fields are green, most of the time they are not. During much of the year they are brown, and during the winter the place can be quite muddy. (Don’t regard this as suggesting I don’t like the Valley. I do!)

On a January morning such as the on the day I made this photograph, magic can occur as tule fog rises and drifts about wetlands and as the sky fills with birds. To make this photograph I stopped along an empty rural road next to flooded fields and waited for cranes to take wing along a levee.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

StRata, Morning Light

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Stata, Morning Light
Early morning light on eroded strata with contrasting colors, Death Valley National Park.

Strata, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early morning light on eroded strata with contrasting colors, Death Valley National Park.

This photograph is an example of the transitory nature of light — and how this factor puts the lie to the notion that landscape photography is something always done slowly, at leisure. That is sometimes possible, but more often the most interesting light is fleeting, there only for an instant and sometimes passing its peak before you realize it. Here the layers of colorful strata are in a small canyon, and the light is blocked early in the morning by hills on the other side, behind the camera position. Once the light does arrive, the shadows move down the landscape quickly, and the interval when the light is ideal is brief.

This photograph is also an example of finding balance between an “objective capture” of the scene, a photographic representation of “what it looked like to me,” and something extreme or even fantastical. You have perhaps seen other photographs of these colorful strata, with shades of red, yellow, blue, green and more. Such colors are striking, but they are often quite subtle. In flat or harsh light they are less intense than what you see here. Even in great light and with the kinds of post-processing that I do, the colors are still not exactly intense. I think this subtlety is part of the beauty of these features, and this is lost when the photographer pushes things too far.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.