Eroded and folded patterns of gullies and rounded hills in morning light – Zabriskie Point, Death Valley National Park, California.
Part of the recent series of photographs of details of the amazing landforms around Zabriskie Point, this image includes a small section where the folds of the earth line up one behind the other almost like waves – albeit rather soft and rounded waves. This was shot during the “best light” period of early morning when the light from the rising sun angles across these shapes, here softened a bit by some high clouds that were present in this morning.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
The folded hill and gully patterns along the edge of Gower Wash at Zabriskie Point, Death Valley National Park, California.
Having shot at Zabriskie Point often enough to feel less urgency about shooting the famous and iconic views… yet again… (unless conditions are truly exceptional), I’ve been looking for other elements in the scene. Last year I became interested in using very long lenses to isolate interesting small sections of the scene. I have to say that it is a lot more challenging and satisfying for me to look at the amazing number of potential subjects here that are not the justifiably famous images of Manley Beacon, the Panamints, and the panoramic view of Gower Wash. (I don’t want to get too full of myself here and make it sound like I’m “too good” to shoot the familiar views – in fact I still do point my camera in those directions when the light and other conditions are just right.)
This small section of cracked earth, small hills, and gullies sits right on the edge of the flatter and gravel-filled bottom of Gower Wash right below Zabriskie Point. I made this photograph early in the morning when the light of the sun was partially blocked by clouds to the east and I see a very subtle glow on the sides of these features that face east.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 190mm
ISO 200, f/11, 1/40 second
keywords: death, valley, national, park, california, usa, north america, spring, nature, zabriskie, point, morning, gower, wash, earth, dirt, gravel, sand, gully, hill, eroded, crack, landscape, scenic, travel, light, geology, stock
Black and white panoramic format photograph of a moving rock at Racetrack Playa, Death Valley National Park, California.
This photograph probably belongs in the “trying to turn lemons into lemonade” file. I’ve had wonderful luck with great light on all of my previous visits to the remote Racetrack Playa in Death Valley, the site of the “moving rocks” that have left tracks in their wake across the playa surface. However, my string luck seemed to run out on this late March visit. Earlier in the day as I contemplated whether or not to head out there I noticed some budding lenticular clouds to the north and made the decision to go. My preference is to have some clouds at the Racetrack, as perfectly clear sky isn’t as interesting in my view. Plus I always have in mind a particular previous visit when I photographed the playa at dawn with beautiful lenticulars building over the mountains to the north of the playa, and I think I’m always hoping for similar conditions again.
The plan on this visit was to arrive in the mid-afternoon to shoot the Grandstand, a formation near where the road first arrives at the playa, and to then photograph the beautiful evening light, the full moon (in the evening and then again before dawn) and finally the dawn light. The conditions continued to look great as I did the long washboard drive to the playa, and I arrived and photographed the Grandstand as planned. However, as I finished up here a high band of clouds moved across the sky and flattened out the light. As evening came on I was out on the playa, but the clouds remained and the light was not remarkable. I finally wandered back off the playa after dark, hoping that the clouds would clear and allow full moon photography. This never happened, and when I returned to the playa early in the morning the overcast was still present, with only a thin area of blue sky far to the west.
But I photographed anyway. Softer, overcast light has its potential, and since I was there I was certainly not going to waste the opportunity. In the end, I wasn’t thrilled with what I brought back for the most part, though I do like the effect of the overcast and the softer light on this black and white photograph of one of the more recognizable rocks. (By the way, the rest of my Death Valley visit went much better than this one night!)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of patterns of gully and hills in bright daytime light at Zabriskie Point, Death Valley National Park, California.
Here I decided to try a black and white high key approach to this generally very bright scene shot not in the typical early morning time frame, but about two hours or so after the middle of the day. I like the way that darker, shadowed wedge of hill on the right sits in the middle of the curving line of the gully as outlined by the lighter face in the full sun. As with several other photographs I’ve posted recently from this area, I used a rather long focal length and composed an image from a very small detail of the scene in the folded hills below Zabriskie Point.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 330mm
ISO 100, f/16, 1/80 second
keywords: zabriskie, point, death valley, national, park, california, usa, north america, desert, geology, folds, gully, earth, hill, bright, day, daytime, light, shadow, pattern, texture, curve, angle, black and white, monochrome, travel, scenic, landscape, nature, high key, stock, southern
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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