Tag Archives: el capitan

Horsetail Fall – It’s That Time Again

UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.

As more and more people now seem to know, late February is the prime time for the appearance of the “natural fire fall” in Yosemite Valley, when the setting sun may strike Horsetail Fall near the east end of the face of El Capitan, and when viewed from the right angle create a striking light show. I do not plan to be there to photograph the event this year since I’ll likely be shooting somewhere else during the prime time for the fall… and I no longer encourage others to attempt it. I’ll explain below.

Horsetail Fall, Early Evening
Horsetail Fall, Early Evening

(Photo: Horsetail Fall, Early Evening. Yosemite Valley, California. February 15, 2010. © Copyright G Dan Mitchell – all rights reserved.)

The spectacle of Horsetail Fall is now quite well known. The initial renown came after Galen Rowell produced a striking and now-famous photograph of it several decades ago. Eventually others began to photograph it as well. (I read somewhere that several other well-known photographers made images of Horsetail decades earlier, but apparently no one “discovered” the special annual sunset light until Rowell shot it.) Since that time, and especially in the past few years, news of the phenomenon and information about when, where, and how to shoot it has become widespread – especially now that information travels so fast on the Internet. As of this article revision, a plethora of articles (newspapers, magazines, the web) and social media posts have built the thing up beyond all reason, with predictable and unfortunate results.

Twice each year, the setting sun lines up just right so that it casts its final light directly on this waterfall for a few weeks. The phenomenon is ephemeral and dependent on a series of conditions that must all occur at the right time. First, it must be during that short window of time when the setting sun strikes the location of the fall on a high cliff. Second, the waterfall must be flowing. Typically this means that there has been a good amount of snow followed by a warm-up that melts enough of it to get the fall going, though a warm winter rain could accomplish the same thing. Third, the western horizon must be clear so that the sun’s light will not be obstructed as it sets. (Those who have tried to shoot the fall a few times may have experienced disappointment when a crescendo of light potential occurs late in the day… only to be suddenly switched off as the sun drops behind low clouds to the west. To be honest, this happens more often than not.)

The photographer wants where light hits the fall more or less from behind. The number of suitable locations is quite limited and — no surprise — they end up being hugely crowded.

Having said all of this, be aware that it is going to be extremely difficult to get a photograph of Horsetail that hasn’t already been done. I’ve seen a few,  but most essentially duplicate existing images. In some ways, I think that contemplating the fact that such a thing actually happens in a place that already contains as many marvels as we see in the Valley may be more rewarding than making another photograph of it.

A downside to the experience is that the popularity of “bagging this shot” has taken off remarkably in the past few years. Yosemite Valley is obviously already a place where it is tempting to run from well known spot to well known spot trying to recreate the well known photographic images that others have produced there. (Ironically, those who take this approach often miss many, many less known subjects in the Valley that can be every bit as beautiful and rewarding.) With Horsetail, the rush of photographers is compressed into a very short time period and focused on a few (mostly only two!) very popular shooting locations. Those who shoot from them on prime evenings may arrive in the morning to reserve a spot… to find a crowd of photographers is already set up.

As of the date of this revision in 2020 the situation has become quite insane, and the park service has had to take serious steps to control the mess. Literally thousands of photographers and others have been arriving in places that used to handle a dozen or two folks. Traffic jams ensued, the experience has been significantly degraded, parking is a mess, and the crowds are damaging park features. As of this year large sections of park roads are now off-limits to parking and one of the two popular locations has been completely closed.

I strongly urge you to NOT go.

I was fortunate a few years ago to have a nearly solitary experience photographing the fall. That winter Northside Drive was closed and all traffic was routed in and out of the Valley along Southside Drive. It had snowed, and one of the locations for photographing the fall was only accessible by hiking across the Valley in snow to Northside Drive and then walking a bit further in the snow to the place from which I shot. I walked over early and spent an hour or more shooting alone in the silent and snow-covered El Capitan meadow! Then, as sunset approached, I walked quietly to a place where I could see the fall and joined a small handful of fellow photographers waiting for the event. We weren’t disappointed.

That is the way I want to remember photographing Horsetail Fall.

(Some of my Horsetail photographs are found here.)

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Five Pines, Reflected Light of El Capitan

Five Pines, Reflected Light of El Capitan
Five Pines, Reflected Light of El Capitan

Five Pines, Reflected Light of El Capitan. Yosemite Valley, California. October 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

Late afternoon light reflected from the face of El Capitan gently illuminates a group of five ponderosa pines near El Capitan Meadow, Yosemite Valley.

I photograph the oak trees of El Capitan Meadow almost every time I visit the Valley. The normal thing to do is to take the road back toward the west end of the Valley, pull out along the right side of the road, and either photograph from the road or head out to the south into the meadow itself. Almost every time I do this I look at the trees on the other side of the road and find them interesting, but I haven’t had much luck in photographing them. I often have the same experience – I look over there and think that there should be obvious subjects for a photograph, and sometimes even pick out general subjects… but when I try to actually shoot them nothing happens.

On this late afternoon on a fall day, the sun had just dropped below the cliffs to the west and I had more or less finished shooting the subjects that I was working with in the meadow. I headed back to the car and once again looked across the road into the forest along its north side. I thought I saw some interesting light over there and a bit further west, so I started walking. Eventually I came to a row of very large trees which I photographed, though I’m still not quite “seeing” an image in those shots. As I worked here I saw this group of five pines nearby and noticed that now that the sunlight was starting to fade from the Valley floor that they were lit with a strong glow from the south west face of El Capitan, which looks right above this section of the forest – it was as if someone had set up a 3000′ foot tall light panel just for me.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Half Dome and El Capitan, Morning

Half Dome and El Capitan, Morning
Half Dome and El Capitan, Morning

Half Dome and El Capitan, Morning. Yosemite National Park, California. June 5, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of backlit Half Dome framed by steep Yosemite Valley canyon walls including the face of El Capitan.

Allow me one more photograph in the recent sequence of black and white photographs of “Yosemite icons.” On most drives into and out of the Valley I stop and look at this scene and frequently try to photograph it if the conditions are special. In the morning there is often haze here, and this creates an effect of atmospheric recession from the half dozen or so layers in the scene. It is a tricky thing – a bit too much haze and the details of forest and rock can become almost invisible; too little haze and the contrast between brightly lit highlights (like the patch of snow on Half Dome) and the deep shadows can become quite stark. The image I have in mind includes the effect of atmosphere-highlighted distance, the effect of back-lighting on the trees (most obvious here perhaps at the lower left), and the abstract nature of the different intersecting slopes and faces.

A technical note: I used the Canon 5D2 with the EF 100-400mm zoom at 365mm to make this photograph. Some doubt that a zoom like this can produce enough resolution, but at full size I can just barely make out a couple people on the snow bank atop Half Dome. Sharp enough for me!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 365mm
ISO 200, f/11, 1/400 second

keywords: yosemite, national, park, sierra, nevada, mountain, spring, nature, valley, half, dome, el capitan, forest, ridge, mountain, cliff, face, back, light, trees, atmosphere, recession, distance, sky, snow, patch, field, summit, canyon, bright, landscape, scenic, travel, california, usa, north america, mariposa, county, haze, stock, black and white, monochrome, morning, highway, 120, icon

Horsetail Fall, Early Evening

Horsetail Fall, Early Evening
Horsetail Fall, Early Evening

Horsetail Fall, Early Evening. Yosemite Valley, California. February 15, 2010. © Copyright G Dan Mitchell – all rights reserved.

The silver strand of Horsetail Fall and water reflecting on surrounding cliffs in late afternoon light, Yosemite Valley, California.

I’m thinking it is pretty nearly impossible to make a truly original photograph of Horsetail Fall – though I won’t completely rule out the possibility.

In any case, here I decided to start photographing the February spectacle a bit before the colorful sunset light showed up. At this point the beam of light on the cliff face around the fall is a bit larger, lighting the rocks to the right of the fall as well as the fall itself. During this season there has been enough precipitation and the weather had warmed enough to not only get Horsetail flowing but to also create some seepage down the face of the cliff next to the fall. As a matter of fact, the reflections from this wet rock caught my attention more strongly at first than did the fall itself. A second process was at work here as well: a stiff breeze from the west was blowing across the path of the falling water, catching it, and blowing thin clouds of spray across the buttress to the left of the fall itself.

I have posted several short articles on photographing this seasonal Yosemite Valley icon:

One of the best sources of current season information about the Horsetail Fall photography potential is photographer Michael Frye, who frequently posts general information and updates each winter.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.