Tag Archives: entrance

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Meadow, Tarn, and Trees

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Meadow, Tarn, and Trees
Small trees near timberline grow in a meadow surrounding a subalpine tarn

Meadow, Tarn, and Trees. © Copyright 2018 G Dan Mitchell – all rights reserved.

Small trees near timberline grow in a meadow surrounding a subalpine tarn

In the Sierra Nevada photographers are nearly always grateful for clouds. There is a reason that these mountains are referred to as the “range of light” — there is a lot of light! In the summer months we often experience many days of perfect blue skies, often without a single cloud in sight, at least if you don’t include jet contrails from the many routes passing above the range. Clouds play a small part in this photograph, but I think they make a difference.

I made the photograph very near Tioga Pass, along the Sierra crest. I rarely photograph in this specific spot since it can be busy place and it is a bit overdone. (I have plenty of work in my archives that I have photographed from right around here.) But on this day the late light, as the sun was just about to pass behind the tall ridge to the west, was both warm and softened by the clearing overcast. So I stopped and wandered briefly into this intimate landscape of trees, meadow, and tarn.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Gate and Harbor

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Gate and Harbor
Closed gate and shadows at South Beach Harbor, San Francisco

Gate and Harbor. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Closed gate and shadows at South Beach Harbor, San Francisco

Up early and on the train to San Francisco on a sunny spring morning, I got off at the SF Caltrain Station and began walking along the waterfront. This is familiar territory to me, since “train walks” are a somewhat regular event for me, especially during spring and summer. I get off the train and slowly wander in one or another direction on foot, taking time to look. Sometimes it turns into and out-and-back walk, and sometimes something like a loop. (The latter is what happened on this morning.)

I decided to hear toward the bay, past AT&T Park and then along the waterfront. I angled over toward the South Beach Harbor, mainly because of the luminous and intense light coming across the bay as the fog began to clear — so bright that it was almost impossible to look directly into it. As I passed the harbor this shadow fell across the walkway, so I stepped back and shot straight into its shadow, with the harbor and the bay behind.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Through the Train Window

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Through the Train Window
A moment at a passing Manhattan subway station

Through the Train Window. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A moment at a passing Manhattan subway station

I was in the train when I made this photograph. I had started by making a few photographs of the reflections inside the car of people standing the aisle, juxtaposing them with the shape of the window and the lights moving past outside. Frankly, that idea didn’t work this time. But as the train moved into the station and stopped, I saw a moving tableau of passengers getting off and coming onto the train. As so often happens, they seem — to me, at least — to constantly arrange themselves by accident into interesting patterns, of shape and form and of activity.

it is hard to clearly explain what I see in a scene like this — I know what it is, though it is hard to articulate. There are three, maybe four main “characters” in the scene, and they all act without any apparent awareness of the others, in true Manhattan style. The woman in the dark coat holding the bag at the left side is facing the train and holding up both hands to make a cell phone picture. Behind her another woman in black is facing the opposite direction, seemingly busy with something she is holding. To the right a man, whose features are hidden by light blurred by the train window, is busy starting to take a camera out of his bag as he leaves the station. In the middle a woman is walking through the exit gate. The light is strange because I’m shooting through dirty train windows and directly toward the source.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

The Way (To San Jose)

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The Way (To San Jose)
San Francisco freeway entrance

The Way (To San Jose). San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

San Francisco freeway entrance

OK. How to explain this photograph, especially to people who think of me as a “landscape” photographer? Let me start with the basic facts. I made the photograph on one of my regular walks in The City, which almost always start at the Caltrain station and the head off in various directions. On this morning I headed straight north towards Market Street. But “straight” doesn’t mean fast, and I mostly walked slowly and looked a lot — at things that I might not otherwise see. The light was beautiful, with the early morning sun beginning to break up the San Francisco fog and cast soft light on the urban landscape. At one point I passed this freeway on-ramp, with its obvious potential for puns based on an old popular song

Yes. I’m putting off trying to explain this photograph. I’ll just drop a few hints. First, think in terms of landscape, but “urban landscape.” There is no clear line between the landscapes of people and the landscapes of what we call the natural world, and this is just a bit closer to one end of the spectrum. Then, there is that beautiful light and the lovely Bay Area summer morning sky — the same sky that might appear in a natural landscape not more than a few miles away. And I think if you look closer you might possibly find a few little surprises in the photograph that demonstrate that perhaps there is more there than you might first think. Isn’t that a beautiful curve from lower right and up toward the sky? And how in the world is it that the street and the freeway are empty of cars on a weekday morning in downtown San Francisco. Beyond that, I’ll leave you to figure the rest of it on your own…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.