Tag Archives: escalante

Cottonwood Trees and Cloud-Filled Sky

Cottonwood Trees and Cloud-Filled Sky - Massive old cottonwood trees silhouetted against the cloud-filled autumn sky, Grand Staircase-Escalante National Monument
Massive old cottonwood trees silhouetted against the cloud-filled autumn sky, Grand Staircase-Escalante National Monument

Cottonwood Trees and Cloud-Filled Sky. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Massive old cottonwood trees silhouetted against the cloud-filled autumn sky, Grand Staircase-Escalante National Monument

This photograph was a sort of passing whimsy, in a sense. In this particular canyon that we visited in late October, our attention as mostly focused on avoiding inclusion of the sky in the frame. For the most part, the tall cliff walls were almost the default background for many photographs, so I paid little attention to the sky, for the most part, except to contrive ways to keep its distracting solid blue out of the frame, where it would distract from the colors and shapes and textures of rock and trees and water.

But when I came straight up to this tree just before we entered a narrow section of the canyon, it is was impossible ignore. It is actually a single tree that splits into two twin trunks near its base, with each trunk then sprouting a group of curving, twisting and interlocking branches high above the ground. With this subject, out in the open as it was, photographing it against the background of rock would not have worked, and it was so tall that I was essentially forced to shoot it with the camera pointing up. Fortunately, there were interesting clouds in the sky, and even more fortuitously the lines in the clouds roughly lined up with the left half of the v-shape of the two converging ridges down that canyon. Even better, this shallow “v” of the canyon rims and low peaks beyond echoed and cradled the somewhat similar shape found in the upper branches of the tree.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Color, Escalante River

Autumn Color, Escalante River - Cottonwood tree fall color below sandstone cliffs along the Escalante River, Utah
Cottonwood tree fall color below sandstone cliffs along the Escalante River, Utah

Autumn Color, Escalante River. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Cottonwood tree fall color below sandstone cliffs along the Escalante River, Utah

This is another photograph made on our second attempt to photograph this area during the last half of October, 2012. The first time had been a day that was a beautiful one in many ways, but a photographically problematic one in others – with cold, very strong winds, clouds, and even a bit of rain. So nearly a week later we found ourselves back in the same general area and we decided to give it another try. This turned out to be a good decision, as all of those factors that had impeded photography the first time were now gone, and we had beautiful light, good fall colors, almost no wind.

There are many things that appeal to me about photographing in this kind of country. The rock itself is high on the list, for its range of intense colors along with the fact that it is the source of the many beautiful and compelling canyons that are found here. The fall foliage is another factor. After my Sierra Nevada colors have mostly gone (at least on the east side where the aspens grow) the low elevation colors of oak, maple, box elder, and cottonwood reach their peak. Other plants produce their own unique and sometimes subtle effects – such as the widely varied coloration of the tamarisk plants, which can include everything from black and gray through blue to yellow, red, and even purple. But above all is the quality of the light in these places, especially when it bounces down from high rock faces to light the depths of narrow canyons, taking on the coloration of the higher rocks, softening the lighting below, and often producing a glowing effect that must be seen to be believed. The light in this photograph is such light, reflected from a very large and sun-lit face to the left of my camera position.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canyon Reflections, Utah

Canyon Reflections, Utah - Reflections in the surface of a slot canyon stream, Utah
Reflections in the surface of a slot canyon stream, Utah

Canyon Reflections, Utah. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Reflections in the surface of a slot canyon stream, Utah

Among photographers that I know, finding ways to photograph the surface of flowing river and creek water is almost a bit of a game or even an obsession. There is something very appealing about either stopping the motion of the water, or about using longer shutter speeds to let the water blur, revealing the smooth patterns of flowing water and the interesting colorations that we can otherwise easily overlook. People I know seem to have developed their own little idiosyncratic tricks for working with this subject – special shutter speeds, an eye for particular types of reflections, and so forth.

The Utah canyons are a prime place to look for interesting reflection patterns, at least in those canyons in which the water is flowing. This narrow desert canyon contained a small, burbling steam – just enough water to be interesting and dampen boots and pants legs, but not so much as to impede progress up the canyon or make shooting difficult. The trick is to look beyond the apparent surface of the water and instead learn to look for and see the reflections instead. Part of this is looking for interesting flow and ripple patterns, such as the bit of faster moving water moving diagonally across the frame in this image. Another part is to anticipate and then find sources of reflected colored light. This photograph includes several: blue from overhead sky visible above the center of the canyon, purple and burgundy from shaded cliff faces, intense orange reflected from sunlit sandstone, and bright yellow-green from cottonwood and box elder trees.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Arch in Morning Light

Broken Bow Arch, Morning - Morning light on Broken Bow Arch, Grand Staircase-Escalante National Monumnet
Morning light on a backcountry arch, Grand Staircase-Escalante National Monument

Arch in Morning Light. Grand Staircase-Escalante National Monument, Utah. October 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light on a backcountry arch, Grand Staircase-Escalante National Monument

In a land of many arches… this is another one. :-) I’ve come to understand that natural arches and natural bridges, which still seem miraculous to me when I see them and think about how they form, turn out to be almost absurdly common features in the American Southwest. My first exposure was, not surprisingly, at Arches National Monument, where there are more of them than you might believe if you did not see them with your own eyes. They seem to come in all forms and sizes: impossibly slender and long, small and delicate, big and blocky, towering above the surrounding terrain, invisible unless you happen to look the right direction in the right light, short and stubby, and seemingly infinite additional variations.

Since my first acquaintance with the more famous specimens at Arches National Park, I have had the opportunity to see a few others in less accessible locations. This one required a long and convoluted hike through terrain that held its own attractions apart from the arch – in fact, I had almost forgotten about the arch when we reached it. The photograph is from a high point near the arch – on the opposite side from our approach – and from the shady side of the feature at this time of day. From many vantage points it stands a bit too much against the sky, which did not seem to me to be the most attractive background. From this spot it was possible to find a camera position where the sky was out of the frame, and this allows the shape and texture of the arch to be seen in the light reflected from nearby walls.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.