Tag Archives: face

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Alpenglow, Trees, and Granite – Upper Young Lake

July 22, 2011 G Dan Mitchell 9 Comments

Alpenglow light on trees growing among granite boulders below glacially carved cliffs at Upper Young Lake.

This is one of my favorite locations in the Yosemite back-country and, in fact, in the entire Sierra Nevada range. This beautiful sub-alpine basis contains three lovely lakes and is surrounded by varied terrain that includes distant views, peaks and ridges towering above, lodgepole pine forests, meadows small and large, and an open view to the west that often provides stunning light late in the day.

As is usually the case, I was camped at the lower Young Lake – this time for several days of photography – and I had headed to the upper lake late in the day to do some evening photography. I have photographed there quite a few times, but I still haven’t come close to exhausting the photographic potential of the place. On this evening I knew that I wanted to be ready to photograph the golden hour light, but I was also interested in the smaller groups of trees that grow among the granite boulders and I wanted to see what might develop as alpenglow struck the glacial slopes above the lake.

There is a small, fun twist to the story of this visit to Upper Young Lake. I took a semi-cross-country route to the upper lake from my camp at the lower lake, and because I knew that I’d be returning alone in deep twilight or even after dark, on the hike up I was concentrating intensely on fixing a series of landmarks in my mind for the return hike. I was so single-minded about this that I made it all the way to the lake and my first intended subject (a small shoreline tree) without looking around much. It was only a moment after arriving that I got out of focus-on-the-route mode and looked around. I had walked right past the campsite of a couple of photographers without even seeing them, much less saying “hi.” Turns out that the photographers were John Sexton and Anne Larsen. After exchanging greetings and conversation, I went about my business of shooting along the edge of the lake. (If I recall correctly, John was shooting nearby as I made this exposure.)

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Late Afternoon, Tenaya Lake

July 8, 2011 G Dan Mitchell Leave a comment

Ice covers the surface of Tenaya Lake on the day of the mid-June opening of Tioga Pass Road as afternoon clouds cluster around the summit of Mount Conness, Yosemite National Park.

After the wild sunset-illuminated versions of this scene that I’ve posted recently, I thought it might be a relief to post something more subtle! This photograph was also made on the evening of June 18, the day that Tioga Pass Road opened for the 2011 season. A bit earlier I had photographed along the shoreline of Tenaya Lake – the ice-covered area in the lower portion of this image – where I had juxtaposed melting ice, deep blue water, and interesting clouds. When I finished there I had a decision to make – whether to head back up toward the pass, continue to photograph around the lake, or try to get a shot of Mount Conness from Olmsted Point. Since I had been in contact with a client concerning Mount Conness photographs just a few days earlier, I decided to try that third choice.

When I arrived at Olmsted, conditions were a bit unpromising. Clouds had come up over the Sierra crest and Conness was completely obscured. In addition, a certain type of gloomy haze and cloudiness was taking much of the energy out of the scene. Clouds to the west were washing out the light, too. Many times I don’t give up immediately in situations like this, at least not until I’ve spent a bit of time trying to get a sense of where things might be headed. (Ultimately on this evening that turned out to be a good decision, as near sunset one of the most intense displays of Sierra evening color occurred… but that it a story I’ve already told in earlier posts.) As I watched, the clouds around Conness began to move a bit and every so often a bit of the tip of the mountain would poke through. During one of these moments, a bit of light filtered through the high clouds from the west and glanced across the slopes of Polly Dome and struck the upper reaches of Medlicott Dome.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Last Light, Mount Conness

July 6, 2011 G Dan Mitchell 2 Comments

The final evening alpenglow illuminates the summit ridge of Mount Conness and the west face of Medlicott Dome in the Yosemite National Park high country.

This will be my final photograph of Mount Conness from the evening of June 18, the day that Tioga Pass Road opened this year and the day of one of the most spectacular Yosemite high country sunsets in recent memory. It will be the final both in the sense that I think I’ve now shared the best of the group of images of this sunset and in the sense that it was literally my final exposure of the evening.

The short back-story is that what started out as a fairly unimpressive evening (at least in the photographic sense) transformed over a short period into something extraordinary as the sun dropped to the horizon west of the Sierra and illuminated the clouds from below, creating rare and very special alpenglow conditions over a wide area of the Sierra. (During the week that followed quite a few people commented on this amazing light, which they had witnessed from locations as distant as Mono Lake on the east side and the Central Valley to the west.)

When I made this photograph the show was coming to an end. At this point the sun had already set a few minutes earlier – the exposure was made around 8:45 p.m. – and the light was low enough to require a six-second exposure. While it may seem like Mount Conness (the tallest peak near the left on the skyline) and other features are receiving direct sunlight, this is actually the remaining post-sunset glow in the western sky.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Mist, Trees, and Boulders – Cascade Creek

July 5, 2011 G Dan Mitchell Leave a comment

Mist and spray from spring runoff fill the air in the boulder-strewn canyon of Cascade Creek, Yosemite National Park.

Making this photograph was an “interesting” experience! I visited Cascade Creek on June 18, probably near the peak flow of the spring runoff season, and the creek was a full-blown torrent. After photographing some familiar rock formations below the bridge that crosses the creek, I decided to try a photograph from the upstream side of the bridge. In this direction, the creek is more or less half waterfall and half cascade as it plunges down a very steep and narrow section of the hillside. The whole scene was in deep shade and mist and spray filled the air.

I made a guess that a 135mm lens might give me a tight enough framing of the scene, so I briefly stepped away from the creek and the spray-filled air to switch lenses. Leaving everything else behind, I took the camera, tripod, and this single prime lens and walked to the wet side of the bridge. There was enough spray that I and my gear began to get wet pretty fast, so I worked quickly. I got everything in what I figured would be about the right position before I uncovered the lens, then quickly uncovered and finalized the composition and manually focused. I knew that I couldn’t really stay in this spray all that long so I spent a couple minutes bracketing a series of exposures as the mist surrounded me, hoping that water on the lens and in the air in front of the camera would not interfere with the shot.

The main decision was about shutter speed and with other decisions regarding aperture and so forth to follow on that. The idea was to use a slow enough shutter speed to allow the water to blur a bit, but not so slow as to turn it to formless mist. I managed to get to a 1/5 second exposure by shooting at f/20, an aperture a bit smaller than I would typically want to use, as apertures smaller than about f/16 can begin to introduce a bit too much diffraction blur. But in a shot like this one where mist is obscuring a great deal of the detail anyway, that seemed like a reasonable compromise that let me lengthen the shutter speed just a bit.

G Dan Mitchell Photography
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.