Tag Archives: form

Orchard, Morning Fog

Orchard, Morning Fog
Morning fog begins to form about a Central Valley orchard.

Orchard, Morning Fog. © Copyright 2023 G Dan Mitchell.

Morning fog begins to form about a Central Valley orchard.

While I think this may be just about the last photograph to emerge from this season’s trips to photograph migratory birds, there’s always a chance that I’ll return to the file archive and find another. During this early March trip to California’s Central Valley the birds were more widely dispersed than usual, and I found myself looking for other subjects late in the morning. That took me to nearby agricultural country and the Valley’s immense orchards.

I saw this orchard in the distance as I drove down a (sort of) main road, so I found a turn-off onto a beaten-up old side road that took me that direction. A fog bank was developing as I approached, and it dramatically darkened the sky beyond the trees full of white blossoms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Sand

Evening Sand
Warm evening light on sand dunes, Death Valley National Park.

Evening Sand. © Copyright 2022 G Dan Mitchell – all rights reserved.

Warm evening light on sand dunes, Death Valley National Park.

I photographed this scene on my first visit to this location. Going to a new location for the first time can be a complex experience. There is, of course, the excitement of photographing something new. But there are other feelings, too — uncertainty about where to start, a bit of confusion and guesswork about how the light will evolve and about where to find the most interesting subjects. While sometimes the new simply seems exciting, other times it is almost overwhelming. For the most part I think I’ve learned to go with the flow, knowing that I’m going to make some wrong choices, that I’m acquiring knowledge that I can use when I come back, and that most likely I will at least come away with something interesting.

Approaching this spot, at first I wasn’t quite sure where to begin. I had an idea of how the light might evolve as the day ended, but when I arrived the light was less than spectacular. Another thing I have learned is that it is often better to just start making photographs rather than waiting for the perfect to reveal itself. Setting up, looking, and making exposures often primes the pump, and soon I start to see things more clearly. It is also good to be flexible and ready to be surprised. This photograph is built around one of those surprises. At first these patterns of windblown sand seemed uninteresting and I went on to photograph something else. But in the very last direct sun (you can see the edge of approaching shadows at lower left) the low light revealed shadows and textures that had been hidden earlier, and the color of the light became momentarily intense.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dune and Sky

Dune and Sky
Thin clouds pass above sand dunes, Death Valley National Park.

Dune and Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin clouds pass above sand dunes, Death Valley National Park.

These particular sand dunes and I have a kind of fraught relationship. The first time I visited this location was in the middle of winter some years ago. There was one other party there when I arrived, and they soon departed, leaving me to remain overnight in this vast landscape all alone. It was cold, as the higher elevations of the desert can sometimes be. And I had a difficult time finding photographic compositions that pleased me. Somehow I just found it more difficult to photograph this location than some of the others I knew better.

I was back again this spring. I was most certainly not alone this time! I think that the pandemic had enhanced the appeal of remote camping, and there were more than a dozen other parties, some quite large, on the night I was there. Late on the first day it seemed like time to make some photographs, so I loaded up and started walking. However, the wind had other ideas, and the gale was so strong that I wasn’t certain that I’d be able to photograph at all. I finally decided that if I used a relatively wide-angle lens, rather than the long focal lengths I wanted to use, that I might be able to wait for slight decrease in the wind velocity and get things stable enough to make a photograph. In the end, this particular subject and composition was the only one that I was able to complete successfully before the wind drove me back to camp.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Mountains, and Shadows

Dunes, Mountains, and Shadows
Morning light highights the forms of sand dunes and distant desert mountains.

Dunes, Mountains, and Shadows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light highights the forms of sand dunes and distant desert mountains.

This photograph was likely made near the end of the morning’s work among the dunes, as the light is just about to become more harsh than what I usually favor with this subject. The camera position, focal length, and direction of the photograph were chosen to include several things: that lovely section of curving dunes with shadows, the fascinating pattern on the nearer dune at the bottom, the muted details of the distant mountains, and as little vegetation as possible.

The photograph was a compositional challenge. While I really wanted to feature the diagonal ripples across the foreground dune, including too much of this ended up dwarfing the more distant landscape. The alignment between the summit of the darker dune and the distant peak and where to place both in the composition was a bit of a question. The photograph is also an example of my inclination to use longer focal lengths with many landscape subjects.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.