Tag Archives: funeral

Photographs: New York City, Photographs: Night, Photographs: Southern California, Photographs: Urban/Street

Funeral No Parking

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Funeral No Parking
Street signs stored next to a funeral parlor doorway, New York City

Funeral No Parking. New York City. December 24. 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Street signs stored next to a funeral parlor doorway, New York City

I can state with certainty that this is the only time I have made night photographs of funeral homes in Manhattan on Christmas Eve. Go ahead! Prove me wrong! ;-)

So, how did this happen? As many street/urban photographs happen. I have a camera with me wherever I go, day and night, in places like this, and when I see something that catches my eye I make a photograph. We had started the evening by briefly joining the throng up on 5th Avenue where there are tons of holiday lights and displays. After leaving that madhouse we headed down toward Chinatown to find a place where we have had dinner a few times before — but we arrived to find that it had apparently become very popular since our last visit. We were told that the wait might be two hours. So we set out to find something less crowded nearly. We eventually found a nice quite Vietnamese restaurant but first we passed this side street with the doors and glowing windows of this funeral parlor.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Hill Near Mesquite Flat, Dusk

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Hill Near Mesquite Flat, Dusk
Hill Near Mesquite Flat, Dusk

Hill Near Mesquite Flat, Dusk. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dusk light above a hill near Mesquite Flat in Death Valley, backed by a large alluvial fan from Tucki Mountain.

At the end of this day I was shooting from the top of a low hill in the Valley east of Stovepipe Wells, and there were interesting subjects throughout almost the entire 360 degree panorama around this elevated position. With this in mind, I had chosen to use the long 100-400mm zoom so that I could have some flexibility in composing elements of this huge scene.

I was mainly working with things that were in the large arc to my west (dunes and Cottonwood mountains and base of Tucki Mountain), north (the main Valley and transverse dunes), and east (the mountains running along that edge of the Valley) since the further subjects of the lower Valley were more or less out of sight beyond the alluvial fan that appears in the photograph. But I kept being intrigued by the low, dark hill on the flats below the similar hill on which I was standing. There is a row of them stretching from near the Devils Cornfield area up and across this alluvial fan. As the evening light transitioned towards post-sunset light I saw that the glow from clouds (a bit of which is visible in the distance above the Black Mountains) was lighting this hill and the surrounding flats in an interesting and colorful way.

But I had a little problem. I was still working a number of subjects and once and I really needed to keep shooting that 100-400. 100mm was still too long for this scene, but I didn’t have time to remove it and put on a shorter lens. I figured that I could simply change the camera to vertical orientation, very carefully level the tripod, and include the whole scene in four panning vertical frames that I could stitch together later. People often do this so that they can produce extremely high-resolution image, but that wasn’t my goal at all. In any case, it worked, and not only did I manage to get the shot that needed a wider lens, but as a bonus it is a very high-resolution shot.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Two Hikers at the Summit of Death Valley Dunes

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Two Hikers at the Summit of Death Valley Dunes
Two Hikers at the Summit of Death Valley Dunes

Two Hikers at the Summit of Death Valley Dunes. Death Valley National Park, California. © Copyright G Dan Mitchell – all rights reserved.

Two hikers take in the evening landscape of Death Valley National Park from the Summit of the dunes.

Many times I might have been disappointed to have two hikers enter “my” scene in such beautiful dusk light, but here I feel like they crystalize the scene. In a larger version of the photograph the two of them seem to stand silently facing the rugged vastness of Death Valley – and I think their presence invites us to think of ourselves in the scene and to imagine our own reaction to it.

My favorite time to photograph these iconic dunes near Stovepipe Wells is in the evening during a brief interval right around sunset and lasting a while after the sun drops behind the peaks to the west. The light softens, especially if there is a bit of haze in the sky, and the dunes that are so bright and harsh at other times of day take on a smoother and softer quality and their subtle colors become visible.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert

Mesquite Dunes, Dusk

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Mesquite Dunes, Dusk

Mesquite Dunes, Dusk. Death Valley National Park, California. April 1, 2008. © Copyright G Dan Mitchell – all rights reserved.

Mesquite Sand Dune folds recede into the distance into the distance beyond foreground desert plants in Death Valley National Park, California.

This is a slightly different take on a scene that I have posted previously. The photograph of the Mesquite Dune complex near Stovepipe Wells was shot near twilight on the first evening of my 2008 visit to Death Valley. My brother and I had just met up at the Stovepipe Wells campground, set up camp and eaten dinner, and noticed that it was far closer to the end of the day than we had realized. We quickly hightailed it down the road a couple miles to an area close to the dunes and had just enough time to make some long lens photographs from the road side as the light faded.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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