Tag Archives: gold

Autumn Fog

Autumn Fog
Morning tule fog and autumn color in Central Valley wetlands

Autumn Fog. © Copyright 2022 G Dan Mitchell.

Morning tule fog and autumn color in Central Valley wetlands

Last week I visited a place where I have photographed for years. At one point I passed an obscure corner there that I have probably seen at last a hundred times, usually without giving it more than a brief glance. But this time a fortuitous conjunction of autumn color, drifting fog, and soft morning light caught my attention, and I paused to make a photograph.

While there is certainly an element of careful preparation and planning that goes into landscape photography, ultimately we are at the mercy of forces over which we exercise little or no control. There is no way that I could “plan” to be at a relatively nondescript corner of a particular place at just the moment that the fog drifts a bit one way or another to gently reveal a bit of soft, directional light on a bush. And that’s a big part of why I keep going back to places like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Aspens, Rocky Ledge

Autumn Aspens, Rocky Ledge
A line of aspen trees, with backlit peak color, on a rocky ledge, Eastern Sierra Nevada.

Autumn Aspens, Rocky Ledge. © Copyright 2022 G Dan Mitchell.

A line of aspen trees, with backlit peak color, on a rocky ledge, Eastern Sierra Nevada.

These trees defied one of my working assumptions about Eastern Sierra Nevada autumn aspen color, namely that the high-elevation clusters of smaller trees growing in challenging surroundings usually turn and then drop their leaves earlier in the season. I know that’s often true, because I have seen it for myself in many locations. But this year seemed different, and in places where I have seen bare trees before the middle of October there were quite colorful groves this time. This line of trees was up very high in very rocky terrain, yet it managed to produce enough color to glow like flame in the morning back-light.

This wasn’t the only location where I saw this surprising change. I’m pretty familiar with groves along the June Lakes Loop, including some that are well above the loop and only accessible in some relatively difficult ways. I have photographs of those trees from previous years, and they peaked and then dropped leaves early. Yet this year, as I drove that loop on the last day of my visit, at the end of the third week of October, the same trees were producing vibrant gold colors. All of this reminds me that while the trees tend to follow the same general schedule from year to year, each season has its own personality.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Hillside Aspen Grove

Hillside Aspen Grove
Tall aspens in peak fall color growing on an Eastern Sierra hillside.

Hillside Aspen Grove. © Copyright 2022 G Dan Mitchell.

Tall aspens in peak fall color growing on an Eastern Sierra hillside.

You may wonder if this stream of autumn color photographs will ever end. While this year’s aspen photographs will likely conclude soon, here in Central and Northern California there will still be other kinds of “fall” color into the new year! So don’t be surprised if this is a continuing thread right on into 2023. By then the trees will not be aspens — we will see maples, cottonwoods, and various other hardwoods from the urban environment, the nearby hills, and from California’s Central Valley.

This photograph features a grove I visit every year, thinking there’s not a lot left to do with the subject. But then, inevitably, I find a way to photograph it and it ends up as one of my subjects again the following year. This year I have a somewhat different explanation, as my third-week-of-October visit was later than usual for me. It turned out that conditions this year favored later aspen color in the Eastern Sierra. Consequently, this grove had some of the most striking color that I have seen in this spot, even though I was a good week later than usual.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tall Autumn Aspen Trees

Tall Autumn Aspen Trees
Tall aspen trees with long, white trunks on an Eastern Sierra Nevada hillside.

Tall Autumn Aspen Trees. © Copyright 2022 G Dan Mitchell.

Tall aspen trees with long, white trunks on an Eastern Sierra Nevada hillside.

The large grove of which these trees are a part is one that I’ve photographed for a long time. For the Sierra, it is a very large expanse of aspens, and they rise from a valley up the lower slopes of rock-strewn mountains. Most of then I have photographed them earlier in the season where the more colorful trees are mixed in with trees that are still green. But this time I visited later in October, and virtually the entire hillside was yellow, gold, and red. Note also the tall and straight aspen trunks — many Sierra aspens are much shorter.

I photographed these trees, as I often do, in soft, shaded light. The sun had not risen above the ridge behind them, so there were still fully in shadow — though the sunny edge of that shadow was rapidly approaching as I worked! Photographing aspens in these conditions reveals the difference between our own visual perception and what the camera “sees.” Looking at the scene you would say you saw colorful aspen leaves and white or gray trunks. But a photograph made in these conditions renders the trunks intensely blue. So the photographer faces a quandary for which there are several possible answers. One is to “go with the blue,” with the risk that viewers will be struck by what seems like unnaturally intense blue tones. Another is to shift the yellow/blue balance in post to produce something that better approximates the experience of looking directly at the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.