Tag Archives: grass

Trees in Morning Light, Ahwahnee Meadow, Autumn

Trees in Morning Light, Ahwahnee Meadow, Autumn

Trees in Morning Light, Ahwahnee Meadow, Autumn
Trees in Morning Light, Ahwahnee Meadow, Autumn

Trees in Morning Light, Ahwahnee Meadow, Autumn. Yosemite Valley, California. October 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

Morning light on trees in and around Ahwahnee Meadow, Yosemite Valley.

This little grove of trees might be one of the best known groves in Yosemite Valley. It sits apart from other trees out in Ahwahnee Meadow, and it can be an appealing site at various times of the year – in spring when the new leaves are bright green, in winter when the meadow and the trees may be snow-covered, and in fall. I made this photograph at the very end of October when the leaves had begun to change to fall colors and the meadow grasses had gone dormant. I had arrived here very early – before sun rise – and shot for a good hour or more in ground fog conditions. As the morning wore on the layer of fog thinned and finally disappeared completely just before I made this photograph. At about the same time, higher clouds around the rim of the Valley that had blocked the earlier light began to thin and the stronger light hit the meadow and the trees.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Oak Trees, Evening, El Capitan Meadow

Oak Trees, Evening, El Capitan Meadow
Oak Trees, Evening, El Capitan Meadow

Oak Trees, Evening, El Capitan Meadow. Yosemite Valley, California. October 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

A grove of oak trees in El Capitan Meadow illuminated by late afternoon light.

What Yosemite photographer hasn’t photographed these oaks, especially the four in the foreground? I know I can’t resist, and I’ve photographed them in every season and in conditions ranging from warm afternoons to winter mornings with snow on the ground. Here I photographed them during the last few minutes of direct light, just before the sun dropped behind ridges to the west, and after the light had already left the meadow, the forest and the Valley walls beyond.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Grazing Cattle and Aspen Groves, Conway Summit

Grazing Cattle and Aspen Groves, Conway Summit
Grazing Cattle and Aspen Groves, Conway Summit

Grazing Cattle and Aspen Groves, Conway Summit. Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Cattle graze in front of large aspen groves near Conway Summit, California.

Just about anyone who has every photographed aspens in the area around Lee Vining is probably familiar with this location – and I’ve certainly shot there quite a few times. From highway 395 the aspens extend west and up toward the peaks of the Sierra crest, and the at the right hour in the late afternoon the backlight can light up the leaves of the trees. When I visited this time the trees were in transition with some still green, others very colorful, and some almost leafless already. I was also lucky to have some clouds at the end of several cloudless days of photography. (Normal people like perfect blue sky, but photographers are not normal – we tend to like weather!) When I saw the clouds starting to form above the crest early in the afternoon I thought that something interesting might happen later near Conway so I made a point of heading that direction.

This photograph features, of all things, cattle – not my usual subject, perhaps! The area where these aspens grow seems to be at least as much a pasture as it is aspen groves, and I’ve seen cattle grazing in this spot before. (See comments for a note from a member of the family that owns the land.) As the clouds created shadows over the higher slopes in the background, for a moment the sun still hit the foreground trees and these cattle.

This shot also ties in with my recent post on using various focal lengths for landscape photography, in that this photograph was made with what some might regard as an unlikely landscape lens, a 100-400mm zoom! But in this case, this lens at 250mm was just what I needed to more tightly frame the bit of foreground pasture and sunlit trees and compress the distance between them and the shadowed hills beyond.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Shoreline Plants and Sandstone, Weston Cove

Shoreline Plants and Sandstone, Weston Cove
Shoreline Plants and Sandstone, Weston Cove

Shoreline Plants and Sandstone, Weston Cove. Point Lobos State Reserve, California. October 23, 2010. © Copyright G Dan Mitchell – all rights reserved.

Plants grow in cracks in the sandstone along the shore of Weston Cove, Point Lobos State Reserve, California.

On this visit to Point Lobos, a place I photograph frequently, I wasn’t quite sure what conditions I would encounter. A Pacific weather front was approaching and I thought that I might encounter dismal, overcast conditions – but I was surprised to find it mostly sunny when I arrived. Even better, high, thin clouds were approaching the coast line and soon muted the direct sunlight, which made photographing these shoreline rock formations a more reasonable possibility during the late morning.

I’m pretty familiar with Point Lobos in general at this point, having visited the place from the time I was a child. I’m especially familiar with Weston Beach (or “cove,” as I like to think of it), with its circular shape, protective rock barrier, angled sandstone edges, and large pebbly “sand.” But as familiar as I am with this location, I almost alway find something new if I look around carefully enough, and these plants growing in the angular cracks in the sandstone were new to me.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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