Tag Archives: gravel

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Canyon Bend

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Canyon Bend, Death Valley.
“Canyon Bend” — A narrow desert wash curves though the depths of a slot canyon, Death Valley.

This photograph was made in a somewhat remote Death Valley canyon — access requires a long drive on primitive roads followed by a bit of walking. On this late February day it was very quiet here, and I saw only two other parties during my visit. We often see photographs of very colorful Utah slot canyons, but this photograph is more typical of Death Valley, where the rocks are more likely dark and much less colorful. But the shade and the quiet are just as wonderful.

I often photograph canyons in vertical “portrait” format. The feeling of these landscapes tends to be vertical — narrow passages between very high stone walls. But stepping back a bit we notice that the canyons wind back and forth. Rather than heading straight into the mountains they lazily twist from side to side. It felt like the horizontal “landscape” orientation might better illustrate this.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Canyon Narrows, Amargosa Range

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Canyon Narrows, Arargosa Range, Death Valley National Park.
“Canyon Narrows, Amargosa Range” — A section of narrows in a Death Valley canyon.

You are going to see a fair number of Death Valley canyon photographs here over the next few weeks as I share images from my late February visit to the park. With a few exceptions, the most interesting canyons in the park — and there are many of them! — are less accessible than some of the other famous features. You might have to drive on dirt roads, hike up huge fans and washes, or walk through long sections of less-remarkable valleys to get to the “good stuff.” But the best of them are well worth the effort.

The canyon experience contrasts with the vast distances, intense heat and dryness, and harsh sunlight which we think of as typical in Death Valley. Canyons can be cool and shady and their narrow confines often restrict your views to a few meters. The light is often soft and filtered as it bounces down from high above. As they cut though ridges and mountains he canyons reveal ancient strata. Perhaps best of all, they are often quiet and lonely places where time seems to stop.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.narrows, slot, constrict, stone, rock, cliff, wall, gravel, wash, erosion, amargosa, range, fall, canyon, shade, dark, geology, landscape, hike, nature, travel, california, desert, usa, north, america

Photographs: Central California, Photographs: Nature

Levee Road, Winter

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Photo: gravel road along a levee in California's Central Valley.
“Levee Road, Winter” — A gravel levee road winds through California Central Valley wetlands.

Driving through California’s Great Central Valley, you might think that the place consists of freeways, scattered towns, and distant views. These are port of the experience, but if you get off of the Interstates and poke around in more rural areas you find a very different world. Here we were following a gravel road along a flood control levee on on an early-winter morning.

Roads like this are all over the Central Valley. In the wetter areas they follow levees, but elsewhere they might track along property lines. When I made the photograph a weather front was passing nearby, and the sky was full of impressive clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Northern California

Levee Road, Clearing Fog

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“Levee Road, Clearing Fog” — Morning tule fog clears and the sun comes out along a Central Valley levee road.

Every New Year’s Day a group of us gather to greet the literal dawn of the new year and make photographs. This year Patty and I turned it into a three-day event, arriving on New Year’s Eve and hanging around through the morning of January 2. This isn’t your typical place to celebrate New Year’s Day — it is a quiet, isolated place in portions of of California that is likely not on most peoples’ maps. But there is beautiful light, quiet, and frequently the sun rising through tule fog.

It was quite foggy when we arrived before dawn on this morning, but not the incredibly thick fog that makes travel dangerous. In fact, the layer of tule fog was shallow enough that we could see the pre-dawn sky overhead. The fog began to thin soon after sunrise, and here along the levee road the intense color of early morning light was winning the battle with the remaining fog.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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