Tag Archives: gravel

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Evening Road, Death Valley

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Evening Road, Death Valley
“Evening Road, Death Valley” — A gravel road descends toward desert playa under evening skies, Death Valley

Sights like this become familiar if you spend much time exploring Death Valley National Park — a deserted gravel track heading off into the arid landscape with hills in the distance. There are variations: a narrow track following a streamed winding between high walls, a road crossing high desert mountains, and others. This particular example is not all that isolated — though it doesn’t get a lot of visitors.

It was late in the day and we had hurried back down into the Valley in hopes of low-angle sunlight on the terrain between the road and the far hills. That did not happen, and the light was somewhat flat. But the same clouds that blocked the late-day sun also filled the sky above the desert terrain in this photograph.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Central California, Photographs: Nature

Levee Road, Tule Fog

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Levee Road, Tule Fog
“Levee Road, Tule Fog” — Tule fog shrouds the winter landscape along a California Central Valley levee road.

A couple of weeks ago I made my way out to California’s Central Valley for what I hoped would be a day of bird photography augmented by landscape work. My favorite days at this time of year begin with tule fog that clears before noon. There is wonderful transitional light as the conditions change, and once the fog lifts there are usually opportunities for bird photography. Well, I got the fog I came for… and it never left! (The birds? Not so much.)

This spot along a levee road skirting wetland ponds is very familiar to me. I photograph here all the time, and I’ve photographed literally this same scene often — at dawn, in fog, late in the day, after dusk. It includes several elements I associate with this place: skeletal winter trees, new growth after winter rains, and the landscape fading into the distance under the fog.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Utah Backroad

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Utah Backroad
“Utah Backroad” — A Utah backroad ascends into a steep canyon at Capitol Reef National Park.

This track turns off from another gravel backcountry road and then winds its way into the high sandstone mountains of Capitol Reef National Park. There are roads like this all over Utah, and they lead to some incredible country. This one is in a national park, but many are not — yet they traverse country that would be worthy of such a designation. Fortunately the rough (sometimes very rough) routes minimize tourist impact.

This one rises in a huge Utah feature called the Waterpocket Fold, a long line of rising strata that form a valley and adjacent mountains. The scene has most of the typical Utah backcountry features — a large butte, dry flatland, sandstone towers, and even some nearby canyons.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Light and Dark

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Light and Dark, a narrow Death Valley canyon.
“Light and Dark” — A canyon wall lit by reflected sunlight is seen through a dark section of canyon narrows, Death Valley.

Having photographed in the red rock canyons of Utah, I suspect that I have a bias toward that sort of beautiful, warm-toned landscape. In Death Valley I often look for, and enjoy finding, canyons with similar smooth surfaces… though that Utah red rock isn’t something you’ll see very much here. The narrow canyon in this photograph is perhaps more typical of the Death Valley landscape, with much rougher and more angular rocks.

I have written frequently about how wonderful canyon light is and how much it contrasts with the harsh and brilliant light of the desert landscape outside the canyons. In the deepest and narrowest sections the shadowed light becomes quite blue since the blue of the sky that is the main source of illumination. In this photograph we see the contrast between those blue foreground shadows and the warmer colors of the more distant canyon wall that is more open to the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)