Tag Archives: gravel

High Country Desert Canyon

High Country Desert Canyon
High Country Desert Canyon

High Country Desert Canyon. Death Valley National Park, California. April 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A back-country gravel road twists through the upper reaches of a colorful mountain canyon, Death Valley National Park

The gravel back-country road might be hard to spot in this photograph, but if you look closely near the lower right you may see it twisting around a bend before crossing the canyon behind the rocky prominence at the bottom of the frame. The road begins in desert sagebrush country, then rises to cross the Amargosa Range before descending, sometimes precipitously, down toward the main Death Valley.

Some things about photographing this subject are easy and obvious, but others are a bit challenging and require some attention and then some resistance to trying to turn the scene into something it isn’t. What is easy about this subject? I am endlessly fascinated by winding canyons with overlapping ridges that descend toward the bottom of the canyon, creating a back and forth weave of form. Here the canyon winds from right (at the top) to left to right to left to right to left and, finally, back to the left. And the colors and textures are remarkable, ranging from the very dark rocks at the bottom, through the much lighter slopes right above to the rather reddish rock in the far, upper portion of the canyon. What is hard about it? In many ways, it is easy to pass right through such an area and overlook what it offers, since there really is not single, central, and iconic “thing” to focus the attention. Instead, I almost have to remind myself to slow down, to stop, and to just look… and finally the way to photograph such subjects begins to reveal itself. In addition, because the color palette of this land is so subtle, including mostly pastel shades that subtly contrast with one another, it is important, I think, to resist the ever-present temptation to hype it up into something it isn’t.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Abandoned Car, Desert Gully

Abandoned Car, Desert Gully
Abandoned Car, Desert Gully

Abandoned Car, Desert Gully. Death Valley National Park, California. March 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

An old and very weathered car abandoned to the elements in a desert mountain streambed.

There are many threads to the Death Vally story, and portions of these stories can be read by looking in the right places in the park. There is the geological story that involves seismic activity, a very old lake, and the surprising role of water in what is today a very dry place. Occasional remnants of their ancient presence tells the faint story of the people who lived here before Europeans arrived. And there is the story of extraction – prospecting and the mining of all sorts of materials, some of which has not ended even today. (There are a couple of inholdings within the larger boundaries of the park where mineral rights are maintained and mining work continues – a jarring sight the first time you encounter in while in a national park.)

Much of this work took place only a few decades ago, and the detritus of that period is still found throughout the park. A few examples are well-known, marked on maps, and even have directional signs and interpretive information displayed by the park. However, if you poke around even a little bit you’ll soon come across many other examples of old mines, tailings, buildings, automobiles, and more. (If you visit the park and see these things, please be very careful around them. They are deteriorating, and almost anything you do to disturb them will hasten that process and deprive future visitors of the experience that you are enjoying.) There is one such site that I have driven past many times, but where I have never stopped until this trip. Beyond the obvious artifacts that are visible from a passing road, the site continues. This time I stopped, got out of my car, and spent some time wandering up and old trail that heads up a gully and then switchbacks up a nearby hill. A ways up this hill, after passing some dilapidated buildings, I came to a gully that must have been the occupants’ automobile graveyard, since there were several very old, rusting vehicles in this gully, partially embedded in sand that must have washed down during rain.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Backcountry Road, Desert Mountains

Backcountry Road, Desert Mountains
Backcountry Road, Desert Mountains

Backcountry Road, Desert Mountains. Death Valley National Park, California. March 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Titus Canyon road twists through rugged desert landscape of Titanothere Canyon before climbing to its high point at Red Pass

I have driven through this desert back-country quite a few times during my visits to Death Valley National Park. This time was a bit different in two specific ways. First, in the past I have usually combined this route with an early morning shoot at a nearby location, shooting at this other location first, taking a breakfast break, and only then heading out on this drive. Consequently, I’ve always made the drive quite a bit later in the day when the light is much different – usually more hazy and with the sun higher in the sky. This time I started my day on this route, heading out just before dawn. Secondly, I made this a more leisurely passage. Sometimes in the past I have allowed myself to pass by too many portions of this region a bit too quickly, telling myself I had to move on in order to get to other things in time. This time I stopped a lot, and I often lingered at these stops for quite some time, poking around and looking for things to photograph that I might previously missed.

I mentioned in an earlier post that I have sometimes found certain aspects of the desert terrain to be quite difficult to “see” as photographs. I think that the limited color palette has been one issue (often spanning the range from gray to tan!) as has the tendency for things to have a rather uniform appearance – often it is hard to find one central and prominent feature to focus on. In addition, for a photographer who has tended to work in places with water and greenery, the desert possess some different challenges. More than on some previous visits, this time I think I realized more that it is absolutely critical to slow down and adapt to the different pace and rhythms of this world. This time, rather than looking and deciding to move on, I stopped and looked some more. And as I did I began to see that there are more of the patterns and juxtapositions and forms that intrigue me than I had realized.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, Old Road

Aspen Grove, Old Road - An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah
An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

Aspen Grove, Old Road. Dixie National Forest, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

This is another of the “could have been anywhere” photographs, both because little scenes like this can be found all over the American West and because it is a scene that I simply happened to notice while passing by. So, the specific location is most certainly unimportant, though I’ll say that it was along a gravel road running through a section of the national forest in roughly the Zion/Cedar City area, a road that we had turned up more or less randomly and then explored for perhaps a couple of hours before turning back. The goal of that little drive had been to get into or as close as possible to some extensive forests of colorful aspen trees that we had seen from a distance. We succeeded.

There is something evocative on a number of levels about a simple scene like this one – with factors including the literal and subjective aspects of the changing season, the image of the small road disappearing into the grove as it wanders off to an unknown place, and the light of autumn filtered through the golden canopy of aspen leaves. If you don’t pay careful attention when you are there you might miss it, but the golden color suffuses the entire understory when the light is just right. (Photographers and painters may notice this sort of thing more than most people, since we/they are used to dealing with the otherwise blue coloration of the shadow light.) This sort of scene is extremely transitory. While we can permit ourselves to believe that both the green time of summer and the snowy time of winter are relatively permanent, no such illusion is possible during the brief span of literally a few days when the aspen color comes to these groves – they are different every day, and sometimes you can literally see the color going away as the wind blows down the leaves.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.