Tag Archives: gravel

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California

Backcountry Road, Desert Mountains

April 12, 2013 G Dan Mitchell 2 Comments

Titus Canyon road twists through rugged desert landscape of Titanothere Canyon before climbing to its high point at Red Pass

I have driven through this desert back-country quite a few times during my visits to Death Valley National Park. This time was a bit different in two specific ways. First, in the past I have usually combined this route with an early morning shoot at a nearby location, shooting at this other location first, taking a breakfast break, and only then heading out on this drive. Consequently, I’ve always made the drive quite a bit later in the day when the light is much different – usually more hazy and with the sun higher in the sky. This time I started my day on this route, heading out just before dawn. Secondly, I made this a more leisurely passage. Sometimes in the past I have allowed myself to pass by too many portions of this region a bit too quickly, telling myself I had to move on in order to get to other things in time. This time I stopped a lot, and I often lingered at these stops for quite some time, poking around and looking for things to photograph that I might previously missed.

I mentioned in an earlier post that I have sometimes found certain aspects of the desert terrain to be quite difficult to “see” as photographs. I think that the limited color palette has been one issue (often spanning the range from gray to tan!) as has the tendency for things to have a rather uniform appearance – often it is hard to find one central and prominent feature to focus on. In addition, for a photographer who has tended to work in places with water and greenery, the desert possess some different challenges. More than on some previous visits, this time I think I realized more that it is absolutely critical to slow down and adapt to the different pace and rhythms of this world. This time, rather than looking and deciding to move on, I stopped and looked some more. And as I did I began to see that there are more of the patterns and juxtapositions and forms that intrigue me than I had realized.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Aspen Grove, Old Road

November 7, 2012 G Dan Mitchell 4 Comments

An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

This is another of the “could have been anywhere” photographs, both because little scenes like this can be found all over the American West and because it is a scene that I simply happened to notice while passing by. So, the specific location is most certainly unimportant, though I’ll say that it was along a gravel road running through a section of the national forest in roughly the Zion/Cedar City area, a road that we had turned up more or less randomly and then explored for perhaps a couple of hours before turning back. The goal of that little drive had been to get into or as close as possible to some extensive forests of colorful aspen trees that we had seen from a distance. We succeeded.

There is something evocative on a number of levels about a simple scene like this one – with factors including the literal and subjective aspects of the changing season, the image of the small road disappearing into the grove as it wanders off to an unknown place, and the light of autumn filtered through the golden canopy of aspen leaves. If you don’t pay careful attention when you are there you might miss it, but the golden color suffuses the entire understory when the light is just right. (Photographers and painters may notice this sort of thing more than most people, since we/they are used to dealing with the otherwise blue coloration of the shadow light.) This sort of scene is extremely transitory. While we can permit ourselves to believe that both the green time of summer and the snowy time of winter are relatively permanent, no such illusion is possible during the brief span of literally a few days when the aspen color comes to these groves – they are different every day, and sometimes you can literally see the color going away as the wind blows down the leaves.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tuolumne River, Alpenglow

July 20, 2012 G Dan Mitchell Leave a comment

The Tuolumne River curves through Tuolumne Meadows as alpenglow colors the landscape, Yosemite National Park.

I have written previously about several topics that connect to this photograph. For one, I have described a certain type of atmospheric condition in the Sierra that may bring astonishingly intense evening colors when clouds above the mountains end to the west of the range, allowing the final sunset light to illuminate the clouds from beneath. On this evening it looked like all the pieces were in place for such a show, but I know that while these conditions make the light possible, they do not guarantee it – and on this evening there was a wonderful, subtle glow just after sunset… but not the imagined overwhelmingly brilliant light.

For another, I have written about scoping out a shot ahead of time, sometimes earlier the same day and sometimes weeks, months, or even years earlier. Earlier on this day I decided to take a walk in the meadow without my camera gear, with precisely the task of “scoping out” in mind. I wandered around somewhat aimlessly, following my nose this way and that to investigate lots of interesting things and places that I might have passed by on a more purposeful hike. Before heading back to camp for an early dinner I had selected three possible subjects that I thought might work well.

I have also written about how little control we have over our subjects when shooting landscape. We can anticipate and guess and be fortunate enough to be in the right place at the right time with the right gear and the skill to know how to use it, along with the ability to see what is happening – but in the end, in many ways, we take what we can find and work with it. When I arrived back in the evening an hour or so before the time of interesting light, I had a feeling that the first subject I had seen earlier might be the most promising. This was a scene that placed Lembert Dome between a couple of groups of trees and a bit of the river when viewed from the middle of a footbridge crossing the Tuolumne. I arrived and set up and began the planned wait for what I hoped would be very interesting light. However, as sunset approached, I could see that the shot I had planned was not going to work in the light that I found myself working with. So, on the spur of the moment and acting essentially intuitively, I picked up the tripod and camera and moved to a nearby spot and rather than making a tightly focused shot of the dome, I zoomed way out to include a gentle curve in the Tuolumne, a sandbar, and a line of foreground trees, and I made this photograph of the much subtler-than-expected post sunset light.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Zion Canyon, Virgin River, Spring

April 29, 2012 G Dan Mitchell Leave a comment

The Virgin River flows through Zion Canyon near Weeping Rock, Zion Canyon National Park, Utah.

On this morning we were back in Zion Canyon, following the Virgin River up the Valley to various locations. While it was still quite early we had walked up to the base of Weeping Rock, deep in the shaded area in the center of this photograph, and photographed there in the quiet shade. Then we moved a short distance up this part of the canyon where it makes a rather sharp series of turns and stopped an a place where there were visits up, down, and across the Virgin River and along the huge sandstone cliffs in all directions.

Looking around, I saw that there were some scattered clouds that were moving across the sky and alternative shading and lighting various portions of the landscape, and creating some dramatic effects, especially when the light came from behind the group of cottonwood trees along the banks of the river below me. The skeletal forms of the trees’ trunks were still clearly visible and, when the light was bright enough, they cast mirror-image shadows on the new grass below. The tops of the trees were fringed by new leaves, and these glowed brightly in the backlight coming from above the far cliffs above Weeping Rock. There was just enough haze in the air, amplified a bit by backlighting, to suggest the distance and massive size of the dark cliffs.

G Dan Mitchell Photography

Tag Archives: gravel

Backcountry Road, Desert Mountains

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Aspen Grove, Old Road

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Tuolumne River, Alpenglow

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Zion Canyon, Virgin River, Spring

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.