Tag Archives: group

Cranes in Fog

Cranes in Fog
A group of lesser sandhill cranes in thick morning fog, California Central Valley.

Cranes in Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

A group of lesser sandhill cranes in thick morning fog, California Central Valley.

Awake almost three hours before sunrise, I headed to the kitchen to make coffee — enough to wake me up and enough to fill a thermos for later. I had mostly packed the car the previous night, so I just had to grab a small bag and head out the door to begin a two-hour pre-dawn drive to a place where I expected to find migratory birds and plenty of tule fog, two subjects that I chase during the winter months. The fog began a half hour before I arrived at my destination, and when I arrived as the first light came to the sky I heard thousands of birds in the distance.

At first it was too dark and the atmosphere too opaque for photography, so I headed out to find the source of the sounds. Soon I encountered a large flock of snow geese which departed a moment later. Moving on I got to a spot where I could hear the easily recognized sound of cranes nearby. I could just barely see them though the thick fog, but I stopped and waited, and as the fog drifted a bit I was able to spot them and make a few photographs of a group standing in shallow wetlands.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Five Sandhill Cranes

Five Sandhill Cranes
A chorus of five sandhill cranes in California’s Central Valley.

Five Sandhill Cranes. © Copyright 2021 G Dan Mitchell – all rights reserved.

A chorus of five sandhill cranes in California’s Central Valley.

I have seen a lot of sandhill cranes, but the group behavior seen here was new to me — the entire quintet raising their heads and displaying open beaks. I’m endlessly fascinated by the things that the birds and others do, and I’m often mystified by the purposes of these actions. In fairness, they may also be mystified by people showing up nearby, standing around with large metal and glass objects, and pointing them in their direction.

It is a bit unusual to get very close to sandhill cranes, at least in my experience. They have boundaries, and they are not amenable to having them crossed. I’ve mentioned previously that groups of them flying toward me will almost always divert to one side or the other rather than flying directly over head. When approached — which I always do in a non-aggressive manner, never getting very close — they seem fine up to a point. But once that point is reached, usually while I’m a good distance away, they are clearly uncomfortable with my presence and I don’t get closer. I’ve often had the best luck when photographing from a vehicle, especially when I can approach slowly and silently or, better yet, when I can park and wait for them. That’s what happened here — I was stopped along a rural roadway and they walked parallel to my position, perhaps more securely since my vehicle was on the opposite side of a berm from them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cottonwood Trees and Red Rock Cliffs

Cottonwood Trees and Red Rock Cliffs
A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Cottonwood Trees and Red Rock Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Because Zion National Park is so popular, especially the main Zion Canyon along the Virgin River, the Park Service has instituted a shuttle system to carry visitors in and out and from place to place within the canyon. Like all such systems, it has it flaws — hard to get a seat going into the park early in the morning or late in the day leaving, hard to schlep camera equipment in and out — but on balance I think it is a good thing. I’ve been in Zion when the place was crawling with cars — cars on the roads, cars parked everywhere, cars waiting for parking spaces. The bus system improves on that, and I think the inconvenience is worth it for the most part.

We took a very early shuttle all the way up to the entrance to the narrows, the last stop on the route. My photographer instincts said, “Get there early!” These instincts are good, and there is a lot of interesting work to be done in the soft morning light. But photographing in these canyons isn’t the same as photographing, for example, in the open spaces of the Sierra or the desert. In red rock canyon country, the best light often comes later in the morning and well before sunset, when the sun is high enough to directly strike the red canyon walls and reflect that soft, warm light down into the lower reaches of the canyons. With this in mind, we took our time after photographing below the narrows, and rather than getting back on a shuttle we started walking down canyon, enjoying the variety of reflected light… and we repeated the process once again later in the day. I first saw this group of trees very early in the morning, and I made a point of coming back to them later in the day when I knew the reflected light would appear.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Aspens, Sage Brush Country

Autumn Aspens, Sage Brush Country
A sage brush country grove of colorful autumn aspen trees in back-light, Eastern Sierra Nevada.

Autumn Aspens, Sage Brush Country. © Copyright 2021 G Dan Mitchell – all rights reserved.

A sage brush country grove of colorful autumn aspen trees in back-light, Eastern Sierra Nevada.

Wildfire smoke has posed challenges to Californians and those in other western states in recent years, and the current historic drought in the state has produced even more widespread and often large fires. We have come to live with smoke levels that are occasionally very unhealthy and almost always aesthetically displeasing. Almost every late-summer or autumn visit to the Sierra during the past two seasons has been affected, and on several occasions I have had to cut trips short as a result.

On this month’s brief visit to the eastern Sierra things were a bit better in the Sonora Pass area and a bit south, but the conditions deteriorated quickly starting just north of Mono Lake. Photographically speaking, this creates some rather serious challenges, especially when smoke covers (and discolors the atmosphere of) the larger landscape. There are some options — black and white can often work in such conditions or one can focus on closer subjects, composting to eliminate the longer views. The latter is what I did in this photograph of grove of small aspens growing in a shallow valley in sagebrush-covered hills, where back-light intensified the colors of the fall foliage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.