Bright yellow-gold leaves of autumn Sierra Nevada aspen trees near Sabrina Lake, California.
I visited this small grove on a couple occasions during this weekend of eastern Sierra fall photography. I had primarily stopped to photograph a large nearby grove of very bright and colorful trees, but the arrangement of these tree trunks caught my attention and I spent some time shooting the subject in fading evening light and gentle rain.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A dense grove of aspens along Dunderberg Road in the eastern Sierra Nevada.
If you passed by this grove along the rough, gravel Dunderberg Road you might not even think to stop – in many ways it seems a lot like many other aspen groves along in this part of the Sierra and along this road. However, I once stopped in this spot the first time I drove this road and for some reason the location has become one of those that draws me back. This time I arrived very late in the afternoon, just as the sun was slipping behind Dunderberg Peak to the west, leaving the trees in shaded early evening light. This section of the grove is remarkable for the thickness of the trees – you might not guess from the photo, but trees are not all that tall. It also is more open than some groves of this size and it isn’t quite as cluttered with non-aspen plants that sometimes make it difficult to find a composition.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Closeup of a group of brown autumn aspen leaves against a background of yellow leaves.
While I like the brilliantly colored yellow, orange, red, lime green, and golden fall aspen leaves, this color isn’t the only thing that appeals to me about these trees. I enjoy photographing their trunks, too – sometimes when most or all of the leaves are gone. I’m also interested in photographing the brown and sometimes black leaves that seem to appear after a freeze. I found this grove along a slope not far from Mammoth Lakes, and I spent some time wandering up a hillside among the trees in the middle of the day. Although this is not typically the best time for photographing the intense aspen colors, by working under a canopy of leaves and by looking for a few backlit leaves I managed to find a few shots that work. This group of brown leaves ended up being almost colorful because light filtering through the overhead trees and leaves created backlight that was a bit softer and diffused that the “normal” midday light.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Morning light on colorful autumn aspens below the alpine ridges and peaks at North Lake, Sierra Nevada, California.
This was a particularly beautiful morning at iconic North Lake in the Bishop Creek drainage of the eastern Sierra Nevada. While dozens of photographers lined up tripod-to-tripod at the lower end of the lake, I decided to look elsewhere. After spending some productive time walking the road along the shoreline of the lake and searching out some of the smaller and perhaps less-obvious subjects, I saw the conjunction of this very colorful group of aspens at the bottom of the frame, the morning light on the peaks and broken by the passing clouds, and the carpets of smaller aspen trees ascending the higher slopes of Piute Crags. Rather than doing the classic “lake with mountain shot” that we’ve seen so often from North Lake – and it is a wonderful view! – I thought I’d try to more tightly frame these portions of the scene that got my attention.
I made this photograph with what some might regard as a somewhat unusual landscape lens, the Canon EF 135mm f/2 prime. This is a really wonderful lens that is often used for other subjects such as low light photographs of people and even for portrait work. It is a wonderful lens – in many ways not all that flashy, but just a very reliable and quality performer. I’ve written before that I most often use zoom lenses to shoot landscapes – and there are a number of reasons for this that I won’t go into right now – but I also carry a small number of primes when shooting like this, and if I have the time to work more slowly and the composition works for one of the primes I’ll use it instead.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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