Tag Archives: haze

Autumn Aspens, Ridge and Haze

Autumn Aspens, Ridge and Haze
Autumn aspen “color” in black and white, Eastern Sierra Nevada.

Autumn Aspens, Ridge and Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn aspen “color” in black and white, Eastern Sierra Nevada.

Necessity, as they say, is the mother of invention —or at least a trigger to try something different that what I would usually be doing with a subject like this one. The subject is, of course, “fall color” from the Eastern Sierra Nevada aspens. The challenge at times on this visit to the area was the wildfire smoke was obscuring a lot of the landscape and muting and altering the colors. Late-summer and autumn wildfire smoke has long been a seasonal feature in and around the Sierra Nevada, but the situation has become much worse in recent years. The fires a larger and they last longer, with the end result being a whole lot of smoke in the air.

So, what to do? There are almost always ways to shoot around such challenges. One is to forego the large landscape and shoot more intimate subjects — perhaps focus on one grove, one tree, or even one leaf rather than on the grove in the larger landscape. Another is to embrace the smoky conditions and try to find a way to make aesthetically compelling photographs of that subject. Another option is to move to monochrome. The smoke that looks brown and ugly in color can merely look like interesting haze in black and white. Of course, this leaves us with another challenge when the subject is fall… color. But we photographed autumn in black and white in the past. We can still do that.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sunset, Wildfire Haze

Sunset, Wildfire Haze
Trees in Yosemite wilderness sunset light made colorful by wildfire smoke.

Sunset, Wildfire Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees in Yosemite wilderness sunset light made colorful by wildfire smoke.

This is one more in the series of photographs I made during a few moments of intensely colorful light one late-season evening in the Yosemite backcountry. The physical location (high, with a clear line of sight to the western horizon) and the presence of wildfire smoke created intensely colorful light just as the sun set. It was one of those exhilarating photographic experiences when something quite unusual happens, but it is so transitory that one must act quickly and photograph almost without conscious thought. I was working quickly, relying on instinct, and trying to respond intuitively to the landscape and the changing light. (Having a lot of prior landscape photography under one’s belt helps a lot in situations like this!0

I suspect that the light in the photograph looks almost unreal. It seemed that way to me at the time, too! In this photograph the hazy quality of the atmosphere is more apparent — take a look between the darker trees and toward the more distant granite slope, where details are muted by this glowing haze.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dome, Last Light

Dome, Last Light
The last light of the day glows on a granite dome in the Yosemite backcountry wilderness.

Dome, Last Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of the day glows on a granite dome in the Yosemite backcountry wilderness.

If your experience with the natural world comes largely from watching media about the experiences of those who travel there… it is possible that your perception is skewed in ways that do not quite correspond to reality. Based on what you’ll sometimes see, you could end up thinking that the wilderness is a wild, thrill-a-minute place full of dangerous animals, daring hikes along edges of cliffs and more — all with exciting, bigger-than-life narration and dramatic musical accompaniment. I admit to occasionally falling (happily) for such illusions, but the reality is a lot different. Most of the time little happens. It is quiet. You are alone with your thoughts. There is time and space to just ponder.

The end of a backcountry day is often such a time, and when it comes — The end of a backcountry day is often such a time, and when it comes — as this scene does — from the end of a backcountry season, it can be even quieter and meditative. As a photographer, the last few hours of the day are often busy times as we “work the light” before it is gone. But inevitably, the light eventually fades, and I’m often left standing quietly and just… looking.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mono Basin, Morning

Mono Basin, Morning
A view of Mono Lake, Mono Basin, and surrounding peaks from the base of the Sierra Nevada.

Mono Basin, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

A view of Mono Lake, Mono Basin, and surrounding peaks from the base of the Sierra Nevada.

This photograph is another long view of Mono Basin and Mono Lake, with Paoha Island centered in the frame. Paoha Island is, like its companion Negit Island, the product of volcanic activity where a long string of volcanic sites intersects the lake. You can find lots of other volcanic cones on this like both north and south of Mono, including the much taller and older Mono Craters just to the south.

When I first came to Mono Lake and photographed it many years ago, I typically tried to get very close to the edge of the lake, for example photographing tufa formations along its edge. But over the years I’ve become more fascinated by the longer views that take in the vast space in and above the Mono Basin. To really see this it helps to find an elevated location, and there are plenty of them to see if you poke around a bit in and around the Basin. This photograph was made near the base of the eastern escarpment of the Sierra Nevada, and it looks across the lake and beyond to eastern mountains that belong to Nevada’s basin and range terrain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.