Tag Archives: high

Pacific Sky

Pacific Sky
“Pacific Sky” — High clouds above the Pacific Ocean are harbingers of an approaching weather system.

Trips into the field to photograph have been difficult during the past few months. Aside from a fair amount of local photography — literally in the neighborhood — visits to more far-flung locations have been rare. I managed to get to the Sierra a couple of times. I recently went looking for migratory birds. And a week ago I did a down-and-back drive to the upper Big Sur coast, going just a bit further south than Lucia. I did not make a lot of photographs, but I stopped for a few… and it was just good to get out and photograph almost as if the world was normal again. (It most emphatically is not normal yet, but there are some reasons for optimism.)

I had “interesting” weather on this visit — which, of course, is the best kind of weather along the coast. Perfect blue sky days are, to be honest, a bit boring. On this morning I raced the lead clouds of an approaching Pacific weather system as I drove south, trying to stay just ahead of the more dismal light behind the actual cloud shield. I stopped here for this beautiful layer of offshore clouds, put on a wide-angle lens, and just took it all in.


Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Shoreline Aspens, Autumn

Shoreline Aspens, Autumn
Colorful autumn aspen trees line the shore of an Eastern Sierra lake reflecting high peaks in morning light.

Shoreline Aspens, Autumn. © Copyright 2020 G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees line the shore of an Eastern Sierra lake reflecting high peaks in morning light.

As I worked my way through what is actually a rather small collection of aspen color photographs I made this season I kept thinking that I had found all of the photographs worth taking through the full post-processing workflow. I was really only on the East Side for about 48 hours on this visit, and I made most of the photographs in two specific spots. But so far, each time I have “finished” and taken my final look at the raw files… I have come up with yet one more that I did not want to leave behind.

This is one of several I made from this location along the shoreline of this lake. Once I realized that I was going to be here I pre-selected a couple of spots to set up, and this one was on the agenda for my last morning before heading home. I knew that I wanted the foreground red trees in the the photograph, so I had to find a spot with a bit of elevation above the lake. I located it and the rest of the series of photographs was made from camera positions within about a five foot radius, adjusting my locations slightly to deal with some overlaps. Because it was somewhat smoky from wildfires, I decided on this composition as a way to exclude the more distant elements that tend to show the smoke up more clearly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Water Plants

Water Plants
Water plants reflected on the surface of a wetland pond.

Water Plants. © Copyright 2012 G Dan Mitchell – all rights reserved.

Water plants reflected on the surface of a wetland pond.

In another post that I queued up recently I mentioned some aspects of the experience of photographing migratory birds, pointing out that a lot of “down time” is part of the experience — times when there isn’t a lot of action going on. The birds may be static — or missing! — and one waits. In that other post I point out that these slow times are certainly not a bad thing! The quiet stillness can grow on you eventually, and there are other things to see and photograph, too.

I’m not at all a “pure bird photographer.” When I’m in the field photographing this subject I spend a good portion of my time thinking as a landscape photographer. Even when the primary subject is a bird or birds, I often consider how that bird is part of the landscape. But I also frequently switch gears entirely and focus on the space in which the birds live… and I photograph landscapes. On this occasion I was working a wetland area and the reflections of plants in the water caught my attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Stage Door

Stage Door
“Stage Door” — The edge of a shadow falls across a stage door.

This photograph qualifies as part of the “postcards from pandemic” group, as I made it while on one of the long local walks that I’ve been taking in and around my neighborhood since the lock-downs began six months ago. Yes, it has been that long. The good news is that if all goes according to plan we might be almost half way to a vaccine and the beginning of a return to something like normalcy.

This photograph is also an example of something that afflicts most (though perhaps not quite all) photographers, namely an interest or even obsession with form, color, and various kinds of patterns, even when seen in mundane locations. This is a side door to a school theater — hardly an iconic subject! But as I walked past at just the right moment, the shadow diagonally bisected this very blue door, and the angles of shadows and stairways converged in interesting ways.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.