Tag Archives: hills

Dunes and Hills, Evening

Dunes and Hills, Evening
Evening light on rocky desert hills and sand dunes, Death Valley National Park.

Dunes and Hills, Evening. © Copyright 2022 G Dan Mitchell – all rights reserved.

Evening light on rocky desert hills and sand dunes, Death Valley National Park.

You may see a few photographs of this ridge and its low peaks over the next week or two. It was not my main reason for going to this location, nor was it my target when I set out on foot to photograph nearby. But as soon as I started walking I found myself intrigued by its form, the large valley beyond it, and the combination of rocky formations and a thin distribution of blown sand. I ended up photographing it on successive days on my way to and from another subject.

The ridge illustrates an important general fact about much of the Death Valley National Park geography, namely that there are a whole lot of ridges and valleys that trend roughly in a north-south direction. (Technically, the line tens to run sort of northwest to southeast.) It turns out that this is really important to photographers, since much of the early morning and early evening light either strikes features directly or else leaves them in shadow. If you are keeping track of my photographs of this feature, you’ll see a clear example of this. In a previously posted photograph made at one end of the day, the ridge is almost entirely in shadow, with just a bit of rim light near the top, and only the distant mountains are in the sun. Here the table are turned, and the ridge is fully illuminated while the distant mountains are in soft, shadow light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Backlit Desert Hills, Morning

Backlit Desert Hills, Morning
Early morning sun back lights rocky desert hills, Death Valley National Park.

Backlit Desert Hills, Morning. © Copyright 2022 G Dan Mitchell – all rights reserved.

Early morning sun back lights rocky desert hills, Death Valley National Park.

Given the opportunity, I like to visit Death Valley twice each year — once during winter and again around the start of spring. While the spring visit brings the hope of seeing a brief wildflower bloom, winter is less crowded (and, yes, it can be crowded in this park) and feels more elemental. I’m just back from the winter visit, and I had the chance to both revisit some familiar places and push out the boundaries a bit by visiting locations that were new to me.

I was in a fairly remote part of the park on this morning, awake early to walk a mile or so to my intended subject. Due to the sun direction and geography, I didn’t need to start out in complete darkness… which inevitably meant that I was distracted by the landscape as I walked toward my primary goal. The sand-covered hills in this photograph are located at the end of a much taller ridge, and their extension into the large valley beyond places the tallest peaks in the early morning sunlight. More desert mountains rise in the distance beyond the wide valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Owens Valley Trees, Sierra Nevada, Evening

Owens Valley Trees, Sierra Nevada, Evening
The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Owens Valley Trees, Sierra Nevada, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Landscape photography often feels a bit like hunting to me. I may go to a particular location with a general sense that something worthwhile is likely to happen there — and that sense is often based on some combination of long-developed intuition and knowledge of the antecedent conditions and the current situation. But I often do not have a specific subject or composition in mind. (Sometimes I do, but that is less likely.) In other words, I believe that there is a good chance that I’ll find the sort of thing that appeals to me photographically… so I go to a place at a time because I think the odds are good I’ll find something interesting.

One result is that I have to be ready to discover, change plans, improvise, and respond quickly to whatever I discover. (It also means that there are occasional dead-ends, but I digress…) We went to this spot with something entirely different in mind, but within minutes of arriving I decided that the “something else” was not going to work… and I saw that the line of sunlight coming across Owens Valley was striking this group of trees and that I only had a moment or two to photograph before the light left them. I made an initial exposure in landscape mode, then switched to portrait mode when I noticed more light on the foreground than the background. In the end, I came away with two rather different photographs of these trees — in the landscape version they lie near the bottom of the frame with only more distance subjects above them, while here they are situated beyond the stretch of foreground plants and the distant peaks occupy less of the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Last Light, Mono Lake

Last Light, Mono Light
The shoreline of Mono Lake, a cone, mountains, and the last light of an early Autumn evening.

Last Light, Mono Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

The shoreline of Mono Lake, a cone, mountains, and the last light of an early Autumn evening.

The views from this section of Mono Lake have long intrigued me. I think it may be because I frequently arrive here late in the day from the north, and especially in the autumn it is pretty common for me to come down the grade from Conway Summit at just about sunset. On quite a few occasions I’ve raced the sunset to get there in time for the last light, occasionally with the rising full moon in the scene. By now I have a few particular locations where I like to pull over and set up on these lovely evenings.

This view looks along the shore of the upper “corner” of the lake just off of US 395. The shoreline undulates here now that the waterline has dropped from historic levels. (I’m fairly sure that the foreground peninsula was previously under water.) A second peninsula extends into the lake from the Black Point formation, and beyond that lies Negit Island. In the distance, beyond the far shore of this huge lake, lie desert mountains, catching the final sunlight of the day in this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.