Tag Archives: intimate

Autumn Leaves, Reflection of a Monolith

Autumn Leaves, Reflection of a Monolith
Autumn Leaves, Reflection of a Monolith

Autumn Leaves, Reflection of a Monolith. Yosemite Valley, California. October 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The face of El Capitan is reflected in the surface of an autumn leaf-filled pool along the Merced River

A book might be written about this photograph, but I promise to keep it shorter than that. The book could include chapters on the role of luck in photography, the importance of patience, knowing places well, looking at things other than the most obvious, not forgetting to look at the obvious as well, the pleasure of finding like-minded friends in such places, the importance of wandering around slowly, and more.

Every autumn, right around the end of October, I like to go to Yosemite Valley to photograph fall subjects. This mostly means the fall colors of cottonwoods, black oaks, big leaf maples, and dogwood trees – though it also includes the beautiful brown, rust, golden, and tan colors of autumn meadows. It also includes the magical fall light of the Sierra. I’ve never been able to quite put my finger on just what it is that makes this light so special, but I am certain that it is different. When the timing works out just right – as it did on this visit – the first snows of the season might have fallen, and there will be at least a dusting along the rim of the Valley. The Valley slows down in other ways at this time of year, too. The visitors to the Valley are different. There are fewer in general, and especially there are fewer of those who might seem to be checking another goal off the list, and more who genuinely know and love the place. Only the committed – or the poor and RV owners – stay in campgrounds, so you can just show up and get a camp site. Interestingly, although there are far fewer people, I’m much more likely to run into folks I know, which seems to be one of the special pleasures of this recent visit.

As I photographed during this trip, I more or less followed the light and my intuition around the Valley. I might get an idea to go shoot some subject, and along the way I would find something else worth shooting… and many other things worth remembering for a later visit. One of the things on the mental list was a single isolated dogwood tree sitting back in a dark section of forest off to the side of the roadway. I passed it several times, each time thinking about coming back and photographing it, and I finally made it there late on my final day in the Valley. I parked – and no one else at all was around – picked up my gear and walked off into the woods. This light in the shadows along the base of the Valley cliffs changes very slowly, so there was no hurry to make a photograph before light went away and I just poked about slowly, looking at the tree from various angles and considering other subjects in the area. I made a few photographs, and just as I finished a car pulled up and I saw that it belonged to a couple of friends.

I wandered back over that way and after the requisite wise cracks and good-natured insults we realized that all three of us had the same idea to photograph on the other side of the road among trees along the river bank. So, still moving at a relaxed pace and talking as we walked, we headed off towards the river through trees and brush. Along the shoreline I came to a spot where a few leaves littered the surface of the water in a tiny, still cove along the edge of the river. This familiar granite monolith stands not far away, and I found that I could, if I put tripod feet in the water, get both the leaves and its reflection in the frame. I made a few photographs and then wandered off to photograph leaves and grass and some trees and more of the river. Eventually, the light began to fail, and I climbed a small hill and started back to my car through the trees. I happened to look up – yes, sometimes I forget to look up for a moment – and saw that the intense sunset light was striking the granite… and it occurred to me that I might just barely have time to get back to that spot where I had photographed earlier and put those leaves into the reflection of this transformed scene. Fortunately, I knew exactly what lens to use, what aperture to set, and where to locate the tripod, so I could move quickly and efficiently to make the photograph before shadow rose from the bottom of the cliff.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Leaves on Snow

Aspen Leaves on Snow
Aspen Leaves on Snow

Aspen Leaves on Snow. Eastern Sierra Nevada, California. October 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Frost covered autumn aspen leaves lying on new-fallen snow, Sierra Nevada

Early October is the time of the annual aspen color transition in the eastern Sierra Nevada. For me, the combination of the dramatic color change and the seasonal weather changes clearly denote the fact that summer is over and that we are heading toward the cold part of the year. (I like this – I find that the fall through spring seasons are more photographically compelling, and I’m no longer a “hot weather person.”) While October in the Sierra can bring some beautiful and even warm days, there is not question that nights are both longer and colder, and the occasional passing weather front will drop enough snow to make it feel distinctly winter-like.

Although we knew that much of the iconic color at North Lake had already passed, we decided to go there anyway on this morning and look for more subtle things that remain. The road past the lake is on a north slope and we drove through plenty of recent snow as we passed along this shoreline in 22 degree temperatures. As expected, most of the trees had lost their leaves already, though we also found some trees that still held enough colorful leaves to make the visit well worth our time. And, when those leaves fall, they don’t simply disappear! On a snowy morning like this one they collect in piles on top of the snow, providing beautiful little compositions and highlighting the intensity of their colors.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Redwood Creek

Redwood Creek
Redwood Creek

Redwood Creek. Muir Woods National Monument, California. August 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Redwood creek flows though lush forest at Muir Woods National Monument, California

This was more or less the first photograph I made on this August early morning visit to Muir Woods National Monument, and its main redwood groves. I had arrived very early – well before the park opened and other visitors arrived – and I was almost all alone as the first morning light begin to filter down through trees into this valley.

The photograph was made at a rather prosaic location, the first footbridge on the main “nature trail” though the popular monument. However, being here so early, I had the rare opportunity to set my tripod up on the bridge without having to worry about inconveniencing other visitors (there weren’t any!) or waiting for the bridge to stop vibrating as hordes of people walked across. And, yes, that is an issue here, since when I shoot at low ISOs and small apertures I often end up with exposure times measured in seconds when shooting in the deep shade of the redwood forest. One of the most challenging things when shooting in this lush environment, at least for me, is to try to tease a coherence composition out of scenes that often include a ton of detail. This is certainly one of those scenes, but I think that the curving trees, the downward arc of branches on the left, the foreground stream, and perhaps a sense of depth creating by further trees in brighter light might make this work.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Redwood Forest, Morning

Redwood Forest, Morning
Redwood Forest, Morning

Redwood Forest, Morning. Muir Woods National Monument, California. August 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning light in the redwood forest at Muir Woods National Monument

Walking along one of the main trails at Muir Woods, most of the forest was in deep shade. However, up the hillside to my right the morning sun had cleared a nearby ridge and was beginning to cast rays of light into the forest and, especially, to illuminate some of the deciduous trees a bit further up the hill. I had been looking closely at the trunks of big trees along the trail, trying to find compositions in this low light, but the bright light beyond distracted me.

Looking through this group of large, bulky, and mostly straight redwood trunks, I was struck by the difference between their appearance the slender and curving shapes of these further trees – which I think were probably laurels. I also like the slightly disjunct appearance of some of the closer trees, including the one curving from center to the left and the thin tree near the left that is more brightly lit by sun. For the photographers out there, this photograph presented a major exposure problem. As you can imagine, the range between the foreground shadows of the redwood trees and the sunlit trees in the distance was huge. Believe it or not, this photograph was made from a single exposure of the scene.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.