Leaves, wet from morning frost, litter the ground near the banks of the Merced River
During my recent visit to Yosemite Valley to photograph autumn subjects, I kept seeing a particular stand of very small cottonwood trees growing densely close together near the Merced River. They were in a spot with somewhat tricky lighting, and the first few times I saw them the light was not ideal, so I filed the subject away mentally and figured I would come back and shoot them in the right light. Eventually, I returned, and although the light was still not ideal for the photograph I had in mind – and did not make yet on this trip – I decided to walk out to the trees and take a look and perhaps make a few close-up photographs.
None of the trees are taller than perhaps fifteen feet and some are only a couple of feet tall, but they grow together densely. (My hunch is that in some future decade when they mature only a few of them will survive.) I began by photographing groups of their vertical trunks from outside the grove, looking for interesting relationships among the forms of their trunks and for a few spots where a solitary leaf was still stuck in the branches of a tree. Then I walked into the grove, looking at the trees themselves and at the ground below, which was some combination of dew-soaked and flattened grass mixed with the leave that had fallen from the trees.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
“Autumn Leaves, Reflection of a Monolith” — The face of El Capitan is reflected in the surface of a autumn leaf-filled pool along the Merced River
A book could be written about this photograph, but I promise to keep it shorter than that. The book would include chapters on the role of luck in photography, the importance of patience, knowing places well, looking at things other than the most obvious, not forgetting to look at the obvious as well, the pleasure of finding like-minded friends in such places, the importance of wandering around slowly, and more.
Every autumn, right around the end of October, I like to go to Yosemite Valley to photograph fall subjects. This mostly means the fall colors of cottonwoods, black oaks, big leaf maples, and dogwood trees – though it also includes the beautiful brown, rust, golden, and tan colors of autumn meadows. It also includes the magical fall light of the Sierra. I’ve never been able to quite put my finger on just what it is that makes this light so special, but I am certain that it is different. When the timing works out just right – as it did on this visit – the first snows of the season might have fallen, and there will be at least a dusting along the rim of the Valley. The Valley slows down in other ways at this time of year, too. The visitors to the Valley are different. There are fewer in general, and especially there are fewer of those who might seem to be checking another goal off the list, and more who genuinely know and love the place. Only the committed – or the poor and RV owners – stay in campgrounds, so you can just show up and get a camp site. Interestingly, although there are far fewer people, I’m much more likely to run into folks I know, which seems to be one of the special pleasures of this recent visit.
As I photographed during this trip, I more or less followed the light and my intuition around the Valley. I might get an idea to go shoot some subject, and along the way I would find something else worth shooting… and many other things worth remembering for a later visit. One of the things on the mental list was a single isolated dogwood tree sitting back in a dark section of forest off to the side of the roadway. I passed it several times, each time thinking about coming back and photographing it, and I finally made it there late on my final day in the Valley. I parked – and no one else at all was around – picked up my gear and walked off into the woods. This light in the shadows along the base of the Valley cliffs changes very slowly, so there was no hurry to make a photograph before light went away and I just poked about slowly, looking at the tree from various angles and considering other subjects in the area. I made a few photographs, and just as I finished a car pulled up and I saw that it belonged to a couple of friends.
I wandered back over that way and after the requisite wise cracks and good-natured insults we realized that all three of us had the same idea to photograph on the other side of the road among trees along the river bank. So, still moving at a relaxed pace and talking as we walked, we headed off towards the river through trees and brush. Along the shoreline I came to a spot where a few leaves littered the surface of the water in a tiny, still cove along the edge of the river. This familiar granite monolith stands not far away, and I found that I could, if I put tripod feet in the water, get both the leaves and its reflection in the frame. I made a few photographs and then wandered off to photograph leaves and grass and some trees and more of the river. Eventually, the light began to fail, and I climbed a small hill and started back to my car through the trees. I happened to look up – yes, sometimes I forget to look up for a moment – and saw that the intense sunset light was striking the granite… and it occurred to me that I might just barely have time to get back to that spot where I had photographed earlier and put those leaves into the reflection of this transformed scene. Fortunately, I knew exactly what lens to use, what aperture to set, and where to locate the tripod, so I could move quickly and efficiently to make the photograph before shadow rose from the bottom of the cliff.
Frost covered autumn aspen leaves lying on new-fallen snow, Sierra Nevada
Early October is the time of the annual aspen color transition in the eastern Sierra Nevada. For me, the combination of the dramatic color change and the seasonal weather changes clearly denote the fact that summer is over and that we are heading toward the cold part of the year. (I like this – I find that the fall through spring seasons are more photographically compelling, and I’m no longer a “hot weather person.”) While October in the Sierra can bring some beautiful and even warm days, there is not question that nights are both longer and colder, and the occasional passing weather front will drop enough snow to make it feel distinctly winter-like.
Although we knew that much of the iconic color at North Lake had already passed, we decided to go there anyway on this morning and look for more subtle things that remain. The road past the lake is on a north slope and we drove through plenty of recent snow as we passed along this shoreline in 22 degree temperatures. As expected, most of the trees had lost their leaves already, though we also found some trees that still held enough colorful leaves to make the visit well worth our time. And, when those leaves fall, they don’t simply disappear! On a snowy morning like this one they collect in piles on top of the snow, providing beautiful little compositions and highlighting the intensity of their colors.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Redwood creek flows though lush forest at Muir Woods National Monument, California
This was more or less the first photograph I made on this August early morning visit to Muir Woods National Monument, and its main redwood groves. I had arrived very early – well before the park opened and other visitors arrived – and I was almost all alone as the first morning light begin to filter down through trees into this valley.
The photograph was made at a rather prosaic location, the first footbridge on the main “nature trail” though the popular monument. However, being here so early, I had the rare opportunity to set my tripod up on the bridge without having to worry about inconveniencing other visitors (there weren’t any!) or waiting for the bridge to stop vibrating as hordes of people walked across. And, yes, that is an issue here, since when I shoot at low ISOs and small apertures I often end up with exposure times measured in seconds when shooting in the deep shade of the redwood forest. One of the most challenging things when shooting in this lush environment, at least for me, is to try to tease a coherence composition out of scenes that often include a ton of detail. This is certainly one of those scenes, but I think that the curving trees, the downward arc of branches on the left, the foreground stream, and perhaps a sense of depth creating by further trees in brighter light might make this work.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
