Tag Archives: landscape

Backlit Desert Hills, Morning

Backlit Desert Hills, Morning
Early morning sun back lights rocky desert hills, Death Valley National Park.

Backlit Desert Hills, Morning. © Copyright 2022 G Dan Mitchell – all rights reserved.

Early morning sun back lights rocky desert hills, Death Valley National Park.

Given the opportunity, I like to visit Death Valley twice each year — once during winter and again around the start of spring. While the spring visit brings the hope of seeing a brief wildflower bloom, winter is less crowded (and, yes, it can be crowded in this park) and feels more elemental. I’m just back from the winter visit, and I had the chance to both revisit some familiar places and push out the boundaries a bit by visiting locations that were new to me.

I was in a fairly remote part of the park on this morning, awake early to walk a mile or so to my intended subject. Due to the sun direction and geography, I didn’t need to start out in complete darkness… which inevitably meant that I was distracted by the landscape as I walked toward my primary goal. The sand-covered hills in this photograph are located at the end of a much taller ridge, and their extension into the large valley beyond places the tallest peaks in the early morning sunlight. More desert mountains rise in the distance beyond the wide valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Snags, Late Winter Fog

Snags, Late Winter Fog
A group of dead trees next to a riparian meadow on a foggy Central Valley winter day.

Snags, Late Winter Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

A group of dead trees next to a riparian meadow on a foggy Central Valley winter day.

Like several other photographs I have recently shared, this one comes from the Central Valley of California and was also made in the winter. However, this one is from a few years ago and in a slightly different location than my usual haunts in the valley. I made the photograph late in the migratory bird photography season, actually just after the main flock of geese had departed and when the place seemed downright lonely without them! That feeling was amplified on this particular visit, as it was right after the initial March 2020 lockdown, when so much about the trajectory of the pandemic was still unknown. We didn’t yet understand how it was spread or even how serious it was. At that time we were still paranoid of any contact with others, and I recall seeking out the most isolated gasoline station I could find on my way home.

The specific location is of a sort that fascinates me. Much of this valley is no longer exactly natural, being given over to huge agricultural areas. While the sense of vast space remains, what lies beneath it is largely affected by humans. However, in a few places the landscape is not so conducive to agriculture, and the land feels wilder. This is such a place, a shallow depression following the path of a creek which may be dry in summer but can flow rather powerfully in wet winters. I paused on a levee next to the area and photographed across a few old snags and into sun-lit fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Fog and Morning Light

Fog and Morning Light
Tule fog covers a Pacific Flyway wetlands pond as morning sun begins to break through high clouds.

Fog and Morning Light. © Copyright 2022 G Dan Mitchell – all rights reserved.

Tule fog covers a Pacific Flyway wetlands pond as morning sun begins to break through high clouds.

This was one of the foggier mornings I’ve spent out along the Pacific Flyway, and that wasn’t the only unusual thing about the weather. Driving out here hours before dawn, most of the route was clear of any fog. But when I turned off the highway onto a narrow country road the fog was instantly so thick I could barely see to drive. As I continued it varied, sometimes thinning a bit, but always shallow enough that I could look up and see the setting full moon. I arrived at my destination if foggy darkness and headed out to make photographs.

On a typical morning, even when it is quite foggy, the light changes when sunrise colors arrive a one the fog. But high clouds kept this morning kept the light at bay and it remained gray. Eventually the tule fog thinned enough in a few spots that the higher clouds occasionally became visible for a moment, and weak sunlight sometimes made it though the murk. I made this quiet photograph during one of those moments when the fog began to glow just a bit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Sky, Birds, Sun

Winter Sky, Birds, Sun
Winter sunlight momentarily breaks through winter high clouds and tule fog as migratory birds pass, Pacific Flyway.

Winter Sky, Birds, Sun. © Copyright 2022 G Dan Mitchell – all rights reserved.

Winter sunlight momentarily breaks through winter high clouds and tule fog as migratory birds pass, Pacific Flyway.

This photograph holds one brief instant of nearly miraculous light… from a morning on which the light was generally much less than miraculous. I was in California’s Central Valley largely because I wanted to photograph in foggy conditions. These are common here at this time of year, when tule fog rises overnight and creates a thin but often very dense layer of fog. Most people prefer to not be out in these conditions — the driving can be nerve-racking — but the landscape can be very beautiful when it all works out just right.

The potential was certainly there as I drove to my destination. The fog suddenly became very dense perhaps twenty minutes before I arrived, but it was shallow enough that the setting full moon was clearly visible in the pre-dawn sky. However, a higher layer of clouds spread over the sky and fog that might have glowed in sunrise light simply went gray. Eventually the thinning tule fog lined up with a few momentary breaks in the higher clouds and some light shone through. During this one brief instant the sun was visible, surrounded by a halo of lighter clouds, and a pair of geese flew past, barely visible in the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.