Tag Archives: landscape

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Rhododendron Bloom, Redwood Forest

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Rhododendron Bloom, Rredwood Forest
A rhododendron tree full of flowers, Redwood National Park

Rhododendron Bloom, Redwood Forest. © Copyright 2019 G Dan Mitchell – all rights reserved.

A rhododendron tree full of flowers, Redwood National Park.

Redwood forests are wondrous places at any time, but when the rhododendron plants blossom they are even more magical. The redwood forest is a quite dark and quiet place, and the colors are almost uniformly muted greens and browns, with an overall bluish quality to the shaded light. Against that background the rhododendrons provide a remarkable contrast. One flower can be enough, but a tree full of them is even more special.

The rhododendrons are a new part of my photography, so I’m still learning a lot about them — where and when to find them, the best ways to photograph them, how their growth varies. The “season” is said to be a bit unpredictable, with some saying it can be at its peak in May and others suggesting June. My experience so far suggests that later may be better, and I’ve had my best luck a week or so into June.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Intertwined Trunks

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Intertwined Trunks
Tightly laced tree trunks, Southern Sierra Nevada

Intertwined Trunks. © Copyright 2019 G Dan Mitchell – all rights reserved.

Tightly laced tree trunks, Southern Sierra Nevada.

This is an older photograph that has languished in my raw file archives for nearly a decade. Back in 2010 I was on a long Southern Sierra backcountry trip with a group of friends — roughly speaking we made a giant semi-circle around Mount Whitney, starting southeast of that peak and coming out over a week later at a point considerably north. A milestone on this trip was realizing — finally! — that re-climbing that iconic peak is less profitable than spending time in many other equally beautiful places in the Sierra. At several points on this trip we found ourselves in lonely, less-visited spots, and I treasure the trip for that reason. These trees were at one of our campsites, in a location essentially right at timberline.

Everyone’s work habits are unique, but for me it is important to periodically go back and look through older photographs that didn’t “go anywhere” at the time. I inevitably find images that are worth the second look. I’ve often pondered how and why this happens. Among my theories: perhaps I simply moved on to quickly to other projects at the time, possibly I didn’t really understand how to “see” the image, my interests and perspectives have changed. Regardless, this is one reason that I’m hesitant to delete a lot of raw files — all too often I’ve gone back and found something that I was glad I kept!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Across Owens Valley

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Across Owens Valley
Look across Owens Valey from a perch high in and Eastern Sierra canyon

Across Owens Valley. © Copyright 2019 G Dan Mitchell – all rights reserved.

Look across Owens Valey from a perch high in and Eastern Sierra canyon.

The east side entries to the Sierra Nevada high country bring all sorts of associations for me. My earliest experience with the range was always on the west side, coming across the great Central Valley, rising into the foothills, entering the great forests, and much later finally getting in sight of the highest, rocky peaks. My first trip to the east side, at least the first one I can recall, came much later. A friend roused me from my comfortable west-side stupor. He had gone to grad school at UCLA, and thus his orientation to the range was to drive up through the desert, parallel the immense eastern escarpment for miles, and then ascent abruptly into the range. After going into the range that way once… I was hooked.

Almost any east side entrance or exit will also produce long views into the depths of Owens Valley, and across that dry valley to the Inyo and White Mountains. These comprise quite a mighty range on their own, and the many are often surprised by their first view, when they discovered the there are peaks to the east and are just as high as those of the Sierra. I made this photograph near a trailhead in one of the east side canyons. We were just heading out for a week of backcountry photography in Sequoia-Kings Canyon, and as we started up the trail I paused to look back to the east.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Crescent City Sunset

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Crescent City Sunset
Sunset over beach, sea stacks, and Pacific Ocean at Crescent City, California

Crescent City Sunset. © Copyright 2019 G Dan Mitchell – all rights reserved.

Sunset over beach, sea stacks, and Pacific Ocean at Crescent City, California.

This photograph came about in a somewhat odd way, if I recall correctly — though it isn’t the first to happen in a similar impromptu manner. This area of California’s north coast is beautiful and spectacular. We were there mainly to photograph in the redwoods, hoping that the oft-photographed foggy conditions would coincide with the rhododendron bloom. We got the bloom… but not the fog. It was about as clear up there as it ever gets. This sometimes made for slightly awkward photography. The foggy conditions can (or should I say, “could?”) extend the duration of photography, but without at times we found ourselves out of things to photograph.

My memory is that something like that happened on this evening. We had been photographing in redwoods south of Crescent City, with some success, but the light quickly passed through the ideal stage (enough of it, but not too much direct light) and became too dark to photograph, especially giving a bit of wind that was interfering with long exposures. So we headed back to town… only to see a sky over the Pacific that looked like it could evolve into something special. We headed out to the edge of the water, and I “made my stand” at this spot overlooking this large rock connected to the mainland by a narrow spit of sand. (Aside from the beauty of the scene, there was one strange moment. As I stood behind my tripod, some slightly inebriated fellow holding a beer can walked up and wobbly inquired, ” Is that the Canon 70-200?” It obviously wasn’t at that point. Then, “WERE you using the 70-200 earlier?” OK, yes, I had been. “Thanks,” he replied,” that’s what I thought. That means my buddy owes me another beer.”)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.