Tag Archives: landscape

Below the Cliff

Below the Cliff
“Below the Cliff” — Trees at the base of a sandstone cliff, Zion National Park.

this photograph comes from a trip to Utah and Zion National Park over a dozen years ago. It is also another of my “lost and found” photographs — from a file that has languished in my raw file archives since that time. I think I may have left it behind after working up a different photograph of the same cliff.

This is a classic Utah red rock canyon scene, with bright green trees (just barely starting to take on autumn colors) at the base of red rock cliffs. I love how the red and green stand out against one another. As I’ve said before, this Sierra Nevada guy, after a visit to Utah, always feels like the gray rock of his “home range” looks a bit… bland.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Death Valley Wildflowers

Death Valley Spring Wildflowers
“Death Valley Wildflowers” — Hillsides covered with wildflowers after a wet winter in Death Valley.

We just returned from another visit to Death Valley National Park. Wildflowers are blooming in California’s deserts and the show is far from over. It has been an odd weather year in California, but desert areas received abundant well-timed rainfall that is producing an above average (and perhaps earlier than usual?) wildflower bloom. We saw the potential back in December and scheduled our return to the park accordingly. We were not disappointed.

Is this one of the proverbial “super bloom” years? Few are using that term at the present moment, but it is clearly an above average year. Some areas, like this gravel fan below desert hills, are covered with fields of desert gold flowers. Small flowers are underfoot everywhere. Other locations are green with sprouting plants that will continue to produce new blooms over coming weeks.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Lake Michigan, Autumn

Lake Michigan, Autumn
“Lake Michigan, Autumn” — Lake Michigan with autumn clouds, Chicago.

Last November we visited Chicago for a few days. This was mostly an urban adventure — walking around The Loop, going out to eat, visiting the Art Institute of Chicago, taking in performances of the Chicago Lyric Opera and the Chicago Symphony. But if a natural subject is to be found, I am going to photograph it!

One afternoon we took a long walk through the “Magnificent Mile” section of the city, eventually passing beyond the tall downtown buildings and coming to a… beach! Beaches don’t seem to be particularly popular places in Chicago in November, for good reason. But we wandered out toward the water’s edge, where I was able to photograph this panorama of of the water and a fascinating cloud deck.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Winter Fog and Trees

Winter Fog and Trees
“Winter Fog and Trees” — Thick tule fog in a thicket of trees, Central Valley.

TWinter is the season for migratory birds in California’s Central Valley, and I try to get out there as often as I can. This region is also the site of extraordinary tule fog — frequently thick enough to make driving quite challenging. My ideal day of bird photography In the Valley starts with early morning fog that begins to thin after dawn. But sometimes the fog does not thin.

This was one of those persistently foggy days. I could hear birds around me, but I could rarely see more than a hundred feet or so into the murk, so bird photography was not happening. That’s my signal to revert to landscape photography, and fortunately the fog produces a moody and mysterious effect on the landscape.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.