Tag Archives: landscape

Wetlands Island, Fog

Wetlands Island, Fog
Thick tule fog obscures the view of a San Joaquin Valley wetlands island

Wetlands Island, Fog. San Joaquin Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thick tule fog obscures the view of a San Joaquin Valley wetlands island

I can’t think of nicer weather for California’s Great Central Valley! (Well, unless you really need to get somewhere by car, in which case this kind of pea soup fog will slow you down, drive you nuts, and make you worry about those drivers who insist on traveling through it at high speeds.) I had a pretty good idea that it was going to be “this kind of day” as I approached this favorite bird photography location. Most of the drive had been clear, but a few miles away the fog suddenly thickened and soon I was creeping along narrow back roads at low speeds.

Our photography begin in fog so thick that we really could not see any of the birds that we heard, even though they were obviously not that far away. Finally it began to thin enough that we could see a few birds, dimly, though the mist. We photographed them for a while, and then I decided to make another circuit of the spot before the fog dissipated. Partway along the fog became less thick and it began to glow from above. I stopped, switched gears from bird photographer to landscape photographer, and made several photographs of these mostly obscured islands and trees and bushes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tundra Swans, Mount Shasta

Tundra Swans, Mount Shasta
Tundra swans fly in front of distant cloud-shrouded Mount Shasta

Tundra Swans, Mount Shasta. Klamath Basin, California. February 12, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Tundra swans fly in front of distant cloud-shrouded Mount Shasta

Mount Shasta is one of those special mountains that stands alone and above all around it. In land that rarely exceeds a few thousand feet in elevation, this peak soars to over 14,000′, only a bit shorter than Mount Whitney, the tallest peak in the Lower 48 States. While Mount Whitney is nestled into a very high section of the Sierra Crest, along with other peaks and ridges of nearly the same height, nothing near Shasta is remotely near as tall. Its bulk soars above the rest of the landscape, especially when it is covered in winter snows — and the clouds that build over its summit can make it seem even larger. As we like to point out, the peak is so big that it makes its own weather.

The peak is clearly visible from this area of the Klamath Basin, and it is the first thing to catch the morning light. While out in this immense valley photographing tundra swans I noticed that some flocks along the far side of the valley were passing in front of the peak, and I started tracking them to see if any would cross the mountain at the right elevation. As I saw a flock far to my northwest, I would begin to track it along the horizon, hoping that it would pass in front of the peak and be high enough to clear the lower and darker mountains, yet not so high as to be far above the peak.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Klamath Basin Dawn

Klamath Basin Dawn
Klamath Basin dawn light and clouds reflected in wetlands ponds.

Klamath Basin Dawn. Lower Klamath NWR, California. February 12, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Klamath Basin dawn light and clouds reflected in wetlands ponds.

Getting up early enough to drive to a location and photograph before dawn is no fun. It is not uncommon for me to have to wake up two, three, or more hours before dawn, and this is always a struggle. The alarm goes off, and I force myself out of bed quickly — otherwise there is a very real danger that my eyes will close and I’ll fall asleep before I know what happened. (I’ve done this, only to awaken so much later that my trip had to be abandoned!) In the darkness I dress for the cold, grab gear and some food, and off I go, sometimes to drive for an hour or two.

This morning’s drive was nearly but not quite an hour, but my destination was a place I had never visited before, so I was a bit concerned about finding my way around in the darkness. Arriving in the general vicinity, I soon figured out the rough lay of the land in darkness and headed off in an interesting direction as the first light appeared. And what light it was! A weather front passing to the west had scattered high clouds above the mountains to my east. The clouds turned brilliant colors well before sunrise, and the reflections of the warm tones of the sky mingled with the cool blue tones of water in the shallow ponds as I pulled up and began my wait for migratory birds. On a morning like this, standing in the cool air under a sky like this as I hear the early calls of geese and swans, I have no doubts at all about the wisdom of getting up in the darkness.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands Tree, Fog

Wetlands Tree, Fog
A tree and brush reflected in still water of a fog-shrouded wetland pond

Wetlands Tree, Fog. San Joaquin Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A tree and brush reflected in still water of a fog-shrouded wetland pond

These are my favorite days in California’ Great Central Valley, the winter days when the tule fog forms and covers the landscape, making almost everything seem mysterious. On days when most sane people avoid driving in this fog, I head this direction hoping I’ll find it. In certain areas, even when it is clear almost everywhere else, the fog can form above the winter wetlands and quickly drop visibility to near zero. (One of the strangest but characteristic experiences is driving slowly through pre-dawn darkness and fog so thick that you can barely see more than feet in front of you, yet being able to look straight up through the shallow fog layer to see the moon and stars overhead.)

It was tremendously foggy on the February morning. Arriving at this refuge we could hear thousands of geese and cranes off in the invisible distance in almost all directions, but we could not see a single bird. Eventually, on a perimeter road circling the wetlands, I came across this spot were a few trees stand in the shallow, still water. The fog hides distant elements of the landscape or at least mutes them, giving prominence to closer features that might otherwise be lost in background detail. The central tree, visually muted even though it is barely fifty feet from my camera position, curves above the reflecting water and its skeletal form stands out from the nearly invisible background plants and water that are almost invisible in the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.